Jedinstveni DI (direct injection) box s mogućnošću pretvaranja dva odvojena nebalansirana 1/4" TRS linijska ulaza u dva balansirana XLR izlaza, ili jednostavno može funkcionisati kao razdvojnik signala (splitter). "Električni" gitaristi, klavijaturisti i basisti će jednostavno obožavati fleksibilnost koju omogućava ova mala kutijica. Profesionalni aktivni 2-kanalni DI-Box/Splitter. Tehnička specifikacija: * Professional and multi-purpose direct injection box for stage and studio applications * Provides impedance and signal matching for the direct connection of instruments to mixers and amplifiers * Converts 2 independent unbalanced 1/4'' TRS line inputs into 2 balanced XLR outputs * Additional Split mode (channel 1 assigns signal to both XLR outputs) * Ultra-flat frequency response due to servo-balanced operation * Internal battery automatically shuts off when phantom power is applied * Allows direct connection to speaker outputs with up to 3,000 Watts * Ground Lift switch eliminates typical ground loop problems * Input 2 usable as channel 1 Link output (additional to XLR output) * ¼“ TRS and gold-plated XLR connectors * Ultra-rugged, road-suitable metal case * High-quality components and exceptionally rugged construction ensure long life * Conceived and designed by BEHRINGER Germany

Switch-3 je univerzalni footswitch kontroler sa tri stomp tastera za kontrolu gotovo svih TC Helicon i TC Electronic proizvoda. U kompletu dolazi sa kablom za povezivanje. Tehnička specifikacija: * Durable footswitch enables remote control of programmable functions * Works with VoiceWorksPlus, VoiceWorks, VoiceLive® Rack, VoiceLive Touch, VoiceLive Touch 2, VoiceLive 3, VoiceLive Play, VoiceLive Play GTX, Play Acoustic, and Play Electric * Includes TRS cable * Typical uses include Harmony Mute, Bypass, preset up/down, or looping (consult your manual or the Switch-3 setup menu screen on your unit)

The X-LIVE interface card expands on the already stellar performance of the X-USB card that has been standard in X32 consoles for years. The same 32-channel bi-directional audio I/O via USB 2.0 is available, providing 32 channels for recording and playback, plus remote operation of your DAW via HUI/Mackie Control emulation. The addition of dual SD/SDHC slots provides fully independent recording and playback of up to 32 channels of uncompressed WAV files in consistent sessions – up to the maximum capacity of the SD cards. Multi-channel recording without a laptop, as well as virtual sound checks, live backing-track support, accurate marker handling and manipulation, and full remote operation from PC, Android* or iPad* apps and X-TOUCH control surfaces. All of this barely begins to scratch the surface of what X-LIVE can bring to your X32. 32-channel live recording and playback on dual SD/SDHC cards Up to 3 hours of 48 kHz/32-bit PCM recording of 32 channels in one session, stored as uncompressed WAV files 32-channel, bi-directional USB 2.0 audio/MIDI interface for studio and live recording Independent operation of SD cards and USB recording / playback Remote control via PC, Android* or iPad* apps, assignable controls or compatible hardware control surfaces, such as the BEHRINGER X-TOUCH Dual SD card slots to keep virtual sound check and live performance files separately available or for extended recording time Unique sample-synchronized automatic spanning feature allows extending a session across both SD cards for more than 12 hours of 8-track recording time non-stop Instantaneous live playback with preload and markers in the console UI and remote apps Markers can be set on the fly for identifying song positions while recording or playing back All markers can be edited directly in the console GUI Allows employing PC “Plug Ins” for outboard effects processing via USB Channel routing can be stored and automated for record/playback Secure file handling in the event of power blackout (optional CR123A Lithium cell required) HUI/Mackie Control* emulation for controlling of any compatible DAW software from the console surface Compatible with CoreAudio on Mac OSX* - ultra-low latency ASIO* drivers for Windows* PC available Designed and engineered in Germany

DI4000 daje Vam prvoklasne DI kanale unutar samo jednog rack prostora (1U). Sa dva ulaza (XLR i 1/4" TRS), balansiranim izlazima (XLR) i 1/4" link izlazima po kanalu, sve do 40dB ili selektivnom ulaznom attenuacijom sve do 20dB gaina, DI4000 je opremljen za suočavanje sa praktično svakim ulaznim signalom, dok OT-1 izlazni transformatori osiguravaju čisti i moćni izlaz. Profesionalni aktivni 4-kanalni DI box. Tehnička specifikacija: * Professional and multi-purpose 4-channel direct injection box for stage and studio applications * Provides impedance and signal matching for the direct connection of instruments to mixers and amplifiers * Ultra-flat frequency response due to renowned BEHRINGER OT-1 transformers * Allows direct connection to speaker outputs with up to 3,000 Watts * +20 dB gain switch for preamplification of low-level signals * Switchable input attenuation allows input levels of up to +40 dB * Phase Reverse switch allows you to instantly correct phase problems * Switchable High-cut filter (8 kHz) for guitar applications * Ground Lift switch eliminates typical ground loop problems * Accurate 8-segment LED level meter for optimum performance * 1/4" TRS and gold-plated XLR connectors * Illuminated switches enable perfect operation in dark stage environments * High-quality components and exceptionally rugged construction ensure long life * Conceived and designed by BEHRINGER Germany

The ART Zdirect Passive DI Box is a high quality totally passive interface that lets you connect instrument, line, or speaker level signals to a mixer or other balanced input thru a high performance audio isolation transformer. The high impedance single-ended 1/4 input is on the ART Z Direct converted by the transformer into an isolated balanced low impedance signal source. The ART Zdirects audio transformer has an extremely flat and wide frequency response and can handle high signal levels while still maintaining an isolated balanced low impedance output. This gives the ART Zdirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments. What further sets the ART Z-Direct apart from other “DI” boxes are its extended features and versatility. A switchable low pass Filter cuts out all very high frequency interference. The filter is also very effective in reducing any digital computer noise artifacts when using the ART Zdirect as an interface between a computer based audio workstation and your monitors. The Phase Invert switch, while not normally included with your run of the mill D.I. box, has been added to allow you to switch signal polarity right at the source. This feature is especially handy when you are combining a direct tap with a microphone feed in the mix. ART Zdirect specifications include: Frequency Response: 10Hz –50kHz, +/-.5dB @ +4dBu THD: .01% Typical @ 1kHz, +18dBu, <.05% @ 100Hz, +18dBu Input Connections: 1/4 TRS unbalanced, 50k Ohm Output Connection: XLR male, 600 Ohm Filter Type/Response: Switchable, Low Pass, -3dB @ 30kHz Input Attenuation: Switchable, (0dB, -20dB, -40dB) Output Phase: Switchable, Normal/Invert Ground Lift: Switchable, fully isolates inputs from chassis and output. Dimensions: 1.75 H x 4.2 W x 3.5 D (44.5mm x 107mm x 89mm) Weight: .75 lbs. (.34kg)

Profesionalni aktivni direkt box, kompaktan, čvrste konstrukcije. *Frequency response: 10 Hz to 100 kHz *Maximum output level: +6 dBu (battery powered) +14 dBu (phantom powered) *Maximum input level: +4/+24/+44 dBu *Dynamic range: Greater than 100 dB typical *Input connections: 1/4" TRS and XLR female unbalanced, 470 k ohm *Output connection: XLR male balanced, 600 ohm *THD: Less than 0.05% typical *Filter type/response: Switchable, low pass, -3 dB @ 30 kHz *Input attenuation: Switchable, (0 dB, -20 dB, -40 dB) *Output phase: Switchable, normal/invert *Ground lift: Switchable, fully isolates inputs from chassis and output. *Power requirements: 9 V @ 3.5ma (internal battery) or 18 VDC to 48 VDC @ 9.5ma (phantom power) *Dimensions: 1.75" x 4.2" x 3.5" *Weight: 0.75 lb.

Popkiller - svetski klasik. Viđen u svim studijima sveta. - precnik: 12cm - 8mm fleksibilni nosač - kačenje na stalak hvataljkom sa stafom

Nosac/držač mikrofona namenjen ozvučavanju bubnja. Lagan za postavljanje i skidanje sa bubnja, apsorbuje potrese i buku. * Material: Steel * Special features: noise and shock absorbing rubber inserts; no parts to lose * Threaded connector: 3/8" * Type: Black * Weight: 0.136kg

MADI devices are widely used in a broad range of pro audio applications including permanent installation, touring sound, live/studio recording, and broadcasting. The DN32-MADI expansion card enables your MIDAS M32 or BEHRINGER X32 digital console to exchange 24-bit multichannel audio streams at 44.1 or 48 kHz with any other MADI compatible devices. Protocols supported by the DN32-MADI include AES10-1991 with up to 56 x 56 channels, and AES10-2003 with up to 64 x 64 channels. Connectivity and Redundancy DN32-MADI features optical duplex SC-plugs (IEC874-19) to connect with MADI devices using multimode optical-fibre cable. KLARK TEKNIK has tested multimode cable connections of 500 metres in length successfully, and distances of up to 2 km may be possible. Dual BNC connectors are also provided for transmission on standard 75-Ohm coaxial cables up to 100 metres in length. When both the optical and coaxial interfaces are utilised, the coaxial I/O serves as a redundant connection, and is automatically activated should the optical connection become unavailable. Clock Synchronisation and Routing Both the BNC coaxial and optical-fibre inputs can also function as the word clock source for your mixing console. Alternately, the coaxial and optical outputs can transmit the console’s internal word clock to external devices. The DN32-MADI card’s input stream can accommodate up to 64 channels, 32 of which can be used inside your console. Likewise, 32 of these internal signals can be transmitted on the MADI output stream, replacing those of the corresponding input channels. This also means the MADI output channels not allocated to the console signals simply pass their corresponding input channels through. This convenient feature allows two consoles to be easily combined via their DN32-MADI cards to provide a total of 64 channels for live sound or recording. Features: MADI (AES10-compliant) expansion module for Midas and Behringer digital consoles Up to 32 bidirectional channels @ 48 kHz sample rate Operates up to 500 m over optical fibre link and 100 m over coaxial copper link Optical transmission on SC-Duplex* connector Copper transmission on 75 ohm coaxial BNC connectors Dual-redundant operation with failover from optical to copper connections Operates as either MADI clock master or MADI clock slave Selection of 32 input and output channels (1-32, 33-64) from 64 MADI channels 10-Year Warranty Program* Designed and engineered in the U.K.

Input 2 x 1/4" / 6.3 mm TS, unbalanced 2 x 1/8" / 3.5 mm TRS, unbalanced 2 x RCA unbalanced Impedance 30 kOhms Maximum Input Level 30 dBu @ 1 kHz Outputs 2 x XLR, balanced Impedance 600 Ohms Maximum Output Level 8.5 dBu @ 1 kHz System Frequency Response 20 Hz to 30 kHz, ±1 dB Total Harmonic Distortion (THD) + N 0.01% @ 1 kHz, 0 dBu Signal to Noise Ratio 105 dBu Input Pad -15 dB Power Requirement Passive (none) Dimensions (W x D x H) 4.6 x 4.4 x 2.5" / 11.8 x 11.2 x 6.4 cm Weight 1.2 lb / 0.5 kg

Your New Master Clock Antelope Audio's OCX Master Clock has been amazingly popular since its introduction. Now Antelope ups the ante with the OCX HD Master Clock. The OCX HD features sample rate support up to 768kHz, Antelope's fourth-generation Acoustically Focused Clocking (AFC) jitter management algorithm, and an oven-controlled crystal oscillator. The OCX HD gives you a wide selection of clocking options that make it an incredibly versatile audio master clock. Packed with Antelope's proprietary, battle-tested clocking technology, the OCX HD generates musical, rock-solid audio sync. ntelope thought of everything The OCX HD supplies you with two word clock inputs and a video sync input, which resolve to a variety of SD and HD formats. It also offers clock distribution with gearboxing as well as pull-up and pull-down rates (the same as in Antelope's Trinity Master Clock). There's also a 10MHz input that lets you sync with Antelope's 10MX Atomic Clock. The OCX HD's flexibility extends to firmware updates, which makes for quick and easy updates right from its software control panel (Mac OS X and Windows). What's more, the desktop app gives you a convenient remote control that streamlines your workflow. If you prefer to get hands-on, you'll find the OCX HD's front panel a pleasure to work with. And it looks quite elegant in your rack. Antelope Audio OCX HD Features: Antelope's 4th-generation AFC jitter management algorithm Sample rate support up to 768kHz (over word clock) Output of 5 distinct sample rates enabled by onboard multipliers and dividers Additional connectivity via 4 AES/EBU, 2 S/PDIF clocking outputs (up to 192kHz) Comprehensive audio gearboxing Universal video input (BNC connector) Atomic clock input for optimized accuracy and calibration 3 recallable presets Control panel Rate Lock protects your settings while in session User-friendly front panel control Make Antelope Audio's OCX HD the heart of your digital studio!

Professional lightpipe cable for ADAT or SPDIF format Specifications Professional high quality, metal-shell plugs Cable Color: black Cable Ø: 5 mm Available lenghts 1m (3.3 ft.) = Part No. OK0100 2m (6.3 ft.) = Part No. OK0200 3m (9.8 ft.) = Part No. OK0300 5m (16.4 ft.) = Part No. OK0500 10m (32.8 ft.) = Part No. OK1000 Applicable with the following RME devices: all RME products with ADAT I/Os or optical SPDIF I/Os.

Professional lightpipe cable for ADAT or SPDIF format Specifications Professional high quality, metal-shell plugs Cable Color: black Cable Ø: 5 mm Available lenghts 1m (3.3 ft.) = Part No. OK0100 2m (6.3 ft.) = Part No. OK0200 3m (9.8 ft.) = Part No. OK0300 5m (16.4 ft.) = Part No. OK0500 10m (32.8 ft.) = Part No. OK1000 Applicable with the following RME devices: all RME products with ADAT I/Os or optical SPDIF I/Os.

Specs Communication: Bluetooth Low Energy (4.1) Approximate Range: 10m/33' subject to orientation and other factors Two backlit silent foot switch buttons Low-intensity backlight on foot switches for high visibility in low light conditions Long battery life due to BlueTooth LE operation Lightweight sturdy and durable construction Package includes iRig BlueTurn foot controller 2 x AAA batteries Dimensions Size: 126mm/7.72" x 93mm/3.66" x 25mm/0.984" Weight: 125g/4.41oz Requirements iOS Devices Compatible with iPhone X, iPhone 8 Plus, iPhone 8, iPhone 7 Plus, iPhone 7, iPhone SE, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 6, iPhone 5s, iPhone 5c, iPhone 5, iPhone 4s, iPod touch (6th and 5th generation), iPad Pro, iPad mini 4, iPad Air 2, iPad mini 3, iPad Air, iPad mini 2, iPad 4th generation, iPad mini, iPad 3rd generation. iOS 5.0 or later is required. Computers Mac®: Compatible with any Mac that supports Bluetooth 4.0 / Bluetooth Low Energy. Models: iMac, Mac Mini, MacBook Air, MacBook Pro (all models from June 2012 on). Mac OS X 10.7 or later is required. Android Devices Compatible with most Android smartphones and tablets that support Bluetooth 4.0 / Bluetooth Low Energy. Android 4.3 or later is required.

The collaborative partner for the solo artist. When you’re a solo artist, you have to be more than just creative to realize your vision—you must also be a producer and an audio engineer. The ioStation 24c audio interface and production controller provides the tools needed for all of these diverse roles in a compact, ergonomic desktop design that will fit into any home studio. Record your audio through two pristine XMAX mic preamps and high-definition 24-bit, 192 kHz analog-to-digital converters. Navigate your recordings with easy-to-use transport controls. Edit your production and automate parameters in your favorite DAW with the powerful Session Navigator and mix it all with a 100 mm touch-sensitive motorized fader. Whether you’re a musician producing your latest album or just getting started with your first podcast, the ioStation 24c gives you all the tools you need to record and mix with the ease of hands-on, tactile control—all in a single device that doesn’t clutter your creative space. Superior front-end for superior results. Audiophile-grade digital converters and transparent preamps create a superior recording and listening experience. The ioStation 24c audio interface features two of PreSonus®’ acclaimed XMAX Class A analog microphone preamps that deliver incredibly high headroom, deep lows, shared smooth highs, and a rich overall sound—you’ll hear every breath, transient, and detail in your recordings. High-quality converters provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally. The result is clear, consistent audio that makes mixing easier and creating a polished sound faster. Work smarter. We've incorporated elements from the award-winning FaderPort®-series controllers into the ioStation 24c. Rather than forcing you to reinvent your mixing method, the ioStation 24 augments the way you currently mix. You will still use your faithful keyboard and mouse for things they do well, while the ioStation 24c handles what you really want to get your fingers on: your mix. This is DAW control the way you always hoped it could be! Streamlined workflow and support for the Mackie Control and HUI protocols make it fast and easy to control Pro Tools, Logic Pro X, Cubase, Ableton Live, and more. No driver installation is necessary; just plug in your ioStation 24c and take command of your mix. Deep integration with the included PreSonus Studio One® Artist will let you mix at lightning speed. World-class recording software included. Seamlessly integrated with the included PreSonus Studio One Artist music production software, the ioStation 24c audio interface works with virtually all macOS® and Windows®x recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools or hemmed in by track limitations. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content and upgrades without even opening your browser—you’ll build the version of Studio One that’s right for you. By combining a flexible single-window user interface with a modern, beat-based production workflow, Studio One’s drag-and-drop approach doesn’t dictate how you work or what you work on; you do. Your studio assistant. The ioStation 24c’s unique Session Navigator is your caffeine-fueled assistant engineer, providing easy access to eight mission-critical functions for maximum flexibility. Use the large encoder button and companion buttons to edit and mix with greater efficiency and speed. Scroll through your timeline using the encoder or work measure-by-measure with the arrow buttons; zoom in and out on the timeline with the encoder and make your tracks larger or smaller with the arrow buttons; navigate and drop markers; and maintain constant control of your main level. Once you start using the Session Navigator, you’ll wonder how you mixed without it. One is the happiest number. Whether you're just getting into audio production or looking to streamline your recording rig, the ioStation 24c audio interface and production controller will give you clear, clean, ultra-high-def sound with professional mixing tools in a compact, space-saving design. While it’s a perfect companion for any recording software, the ioStation 24c and included Studio One Artist provide you with a complete, affordable recording solution that will make you sound great. Includes Studio Magic Plug-in Suite. This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes. Features Features: General Features Two products in one: audio interface and production controller Record through two high-quality XMAX mic preamps Control your favorite DAW with a touch-sensitive motorized fader and intuitive navigation controls Compact, ergonomic design fits into any studio, whether in your bedroom or your backpack Recording Features USB-C™ compatible (USB 2.0), 24-bit/192 kHz audio interface 2 mic/instrument/line inputs with XMAX mic preamps 2 balanced ¼” TRS main outputs Simultaneous I/O up to 2 inputs and 2 outputs Mixer knob for low-latency direct input monitoring 1 ¼” headphone output with independent level control USB 2.0 connectivity, macOS/Windows compatible Production Features Single touch-sensitive, 100 mm long-throw, motorized fader Large, 360° button encoder Complete recording-transport controls: Play, Stop, Fast Forward, Rewind, Record, Loop Drop Marker, Next/Prev Marker, Next/Prev Event General session controls: Undo/Redo, Arm All, Solo/Mute Clear, Click On/Off Session Navigator provides quick control over Track Scrolling, Timeline Scrolling, and much more Channel Controls: Level, Pan, Solo, Mute, Rec Arm Automation Controls: Touch, Latch, Trim, Write, Read, Off Native Studio One support with tightly integrated control Dedicated MCU modes for Logic, Live, and Cubase / Nuendo Customized HUI implementation for Pro Tools Footswitch input for hands-free start/stop (footswitch not included) Included Software Studio One Artist recording and production software Over 6GB of additional loops and sample content ​Studio Magic Plug-in Suite Computer system requirements: Mac macOS® 10.11 or higher (64-bit only) Intel® i-series 2 GHz multicore processor (or AMD equivalent) or faster 4 GB RAM (8 GB or more recommended) Windows Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64 Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster 4 GB RAM (8 GB or more recommended) Mac and Windows Systems USB-C™ or USB-A 2.0 port compatibility 32 GB hard disk space PreSonus Universal Control 2.0 or higher Monitor with 1366x768 resolution (high-dpi monitor recommended) Multitouch-enabled monitor required for touch operation Specifications: Microphone Preamp Type: XLR Female (via Combo), Balanced Maximum Input Level: +16 dBu (Balanced, min. gain) Gain Control Range: 80 dB Frequency Response: 20 Hz to 20 kHz (±0.15 dB, unity gain, 48 kHz) Dynamic Range: > 107 dB (A-wtd, min. gain) Total Harmonic Distortion: < 0.007% (1 kHz, min. gain) EIN: < -128 dBu (max gain, 40Ω, 22 kHz BW, A-wtd) Input Impedance: 1.6 kΩ Phantom Power: +48V, > 8 mA per input Instrument Inputs Type: ¼” TS Female (via Combo), Unbalanced Maximum Input Level: +15 dBu (Unbalanced, min. gain) Gain Control Range: 80 dB Frequency Response: 20 Hz to 20 kHz (±0.2 dB, unity gain, 48 kHz) Dynamic Range: >110 dB (A-wtd, min. gain) Total Harmonic Distortion: < 0.012% (1kHz, -1 dBFS, min. gain) Input Impedance: > 1 MΩ Line Inputs Type: ¼” TRS Female (via Combo), Balanced Maximum Input Level: + 22 dBu (Balanced, min. gain) Frequency Response: 20 Hz to 20 kHz (±0.05 dB, unity gain, 48 kHz) Dynamic Range: > 114 dB (A-wtd, min. gain) Total Harmonic Distortion: < 0.007% (1 kHz, -1 dBFS, min. gain) Input Impedance: 10 kΩ Main and Line Outputs Type: ¼” TRS Female, impedance balanced Maximum Output Level: +18 dBu (Balanced) Frequency Response: 20 Hz to 20 kHz (±0.2 dB, unity gain, 48 kHz) Dynamic Range: > 109 dB (A-wtd) Total Harmonic Distortion: < 0.005% (1 kHz, +4 dBu) Headphone Outputs Type: ¼” TRS Female, Stereo, Unbalanced Maximum Output Level: 150 mW/channel (56Ω load) Frequency Response: 20 Hz to 20 kHz (±0.2 dB, 56Ω load, 48 kHz) Dynamic Range: > 107 dB (A-wtd) Total Harmonic Distortion: < 0.02% (1 kHz, -1 dBFS, no load) Headphone Impedance (working range): 32Ω to 300Ω Digital Audio Connection Type USB 2.0 over USB-C™ Compatible Connection ADC Dynamic Range: 115 dB (A-wtd) DAC Dynamic Range: 115 dB (A-wtd) Bit Depth: 24 bits Internally Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz Clock Jitter: < 70 ps RMS (20 Hz – 20 kHz) Jitter Attenuation: > 60 dB (1 ns in => 1 ps out) Power 12 VDC, 1.2A, external power supply Physical Height: 2.4" (61 mm) Depth: 6.8" (172 mm) Width: 9.6" (244 mm) Weight: 2.2 lbs (1 kg)

Performance 820 Ambitious beginners to the world of excellent headphones will find the Performance 820 a model made of robust materials in perfect workmanship. You can choose between three stylish colours: white, black and red Whether on a stereo, notebook or smartphone, the Performance 820 allows you to immerse yourself in a whole new world of headphone sound playback. On smartphones and tablets, the Performance 820 is used not only for listening to music, but also for making phone calls. The detachable cable has a microphone and a remote control to control playback and phone functions. Technology: S-Logic® Plus technology Principle: Dynamic / Closed SPL: 99 dB Magnet: NdFeB Driver: PET Driver Size: 40 mm Frequency Range: 10 – 20.000 Hz Impedance: 32 ohms Ear Pads: 1 pair leatherette ear pads Cable 1: approx. 1.2 m straight cable with microphone and remote control, with 3.5 mm gold-plated plug Weight (Excl. Cable): 244 g Case: Transportation bag Farbe: black, red, white

The Behringer BH 770 Are closed-back studio reference monitor headphones well suited for music production, audio engineering, broadcast editing, and more. The headphones are optimized for use with a wide range of professional and consumer audio devices. The 53mm dynamic drivers provide a wide frequency response (10 Hz to 38 kHz) delivering an extended bass response with clean, detailed highs. The braided fabric, oxygen-free copper cable extends reliability and includes a 1/4" adapter for the 3.5mm connector compact folded design makes for easy listening on the go, while the cushioned ear pads and headband provide comfort for long listening sessions. Specification Professional-grade, closed-back studio reference headphones 53mm dynamic drivers provide ultrawide frequency response (10 Hz to 38 kHz) delivering extended bass performance and detailed highs Lightweight and comfortable for those long studio sessions Provides natural speaker-like monitoring with spacious sound staging Over-ear circumaural design with ultrasoft earcups and adjustable headband Closed-back design ensures consistent listening environment with exceptional sound isolation Braided fabric, oxygen-free copper cable for extended reliability includes 1/4" adapter Optimized performance for use with a wide range of professional and consumer audio devices

Vrhunski mikrofonski kabl. Idealan za studijske instalacije ili svakodnevnu upotrebu na bini. Connector 1: XLR 3p. female 3p. (AC3FIBULK) metal shell, plastic sleeve / Amphenol Connector 2: XLR 3p. male (AC3MIBULK) metal shell, plastic sleeve / Amphenol Characteristic: extremely flexible Shielding: spiral shield Cross Section: 0.22 mm² Cable: MY206

Vrhunski mikrofonski kabl. Idealan za studijske instalacije ili svakodnevnu upotrebu na bini. Conector 1: XLR 3p. female 3p. (AC3FIBULK) metal shell, plastic sleeve / Amphenol Connector 2: XLR 3p. male (AC3MIBULK) metal shell, plastic sleeve / Amphenol Characteristic: extremely flexible Shielding: spiral shield Cross Section: 0.22 mm² Cable: MY206

stage and studio cable delivers great sound reliable and great to handle llght XLR connectors produced exclusively by Neutrik from composite material very flexible spiral shield gives effective protection against interference

stage and studio cable delivers great sound reliable and great to handle llght XLR connectors produced exclusively by Neutrik from composite material very flexible spiral shield gives effective protection against interference