Cena je za par. Kao dokaz da sjajne stvari dolaze u malom pakovanju, twenty5.21i opremljen je kompleksnim ATL i Laminair tehnologijama koje obezbeđuju transparentan, brz i masivan zvuk. Dvosistemska postavka zvučničkih jedinica obuhvata visokotonac sa Sonolex kupolom i mid-bas sa membranom dugog hoda. Although the twenty5.21i is the most compact model in the new range, there’s nothing small about the sound, which has the impact you’d expect from a much larger cabinet, thanks to PMC’s Advanced Transmission Line technology. The speaker is ideal for use in small-to-medium listening environments where space is at a premium, but where you still want detailed bass, ultra-realistic mids and delicate highs with maximum musicality. Equally happy mounted on a stand or a bookshelf, the twenty5.21i offers maximum flexibility for placement, and also makes an excellent choice for effects speakers in an immersive sound system. Available Finishes:Walnut, Diamond Black, Oak, White Silk Crossover Frequency:1.7kHz Dimensions:H 340mm 13.4” x W 162mm 6.4” x D 284mm 11.2” incl. binding posts (+9mm grille) Drive Units:LF PMC 5.5”/140mm long-throw g-weave™ cone with cast alloy chassis HF PMC/SEAS®, 19mm twenty5i series, SONOMEX™ fabric soft dome, Ferrofluid cooled, with 34mm surround and dispersion grilleEffective ATL™ Length:1.72m 5.6ft Frequency Response:46Hz - 25kHz Impedance:8 Ohm Input Connectors:One pair 4mm binding posts Sensitivity:86.5dB 1W 1mRecommended Amp Power:25 - 150W Recommended Drive Unit Torque Settings:HF: 0.6Nm LF: 0.75Nm Weight:6kg (13.2 lbs ea.)

Kao najveći dvosistemski model u seriji, podnostojeći zvučnik twenty5.24 pogodan je za prostorije srednje i veće površine. Spoj najsavremenijih zvučničkih jedinica i naprednih konstrukcionih rešenja priuštiće vam zvuk od kojeg ćete se naježiti, uz gotovo opipljivo prisustvo muzičara u prostoriji. Available Finishes: Walnut, Amarone, Diamond Black, Oak Crossover Frequency:1.8kHz Dimensions:H 1015mm 40” (+20mm spikes) x W 192mm 7.6” (275mm Incl. plinth bars) x D 419mm 16.5” (+9mm grille) Drive Units: LF - PMC twenty5 series 6.5”/170mm long-throw g-weave™ cone with cast alloy chassis HF - PMC/SEAS®, 27mm PMC twenty5 series SONOLEX™ fabric soft dome, Ferrofluid cooled Effective ATL™ Length:3m 9.8ft Frequency Response:27Hz - 25kHz Impedance:8 Ohms Input Connectors:One pair 4mm binding posts Sensitivity:89dB 1W 1m Weight:23kg 50.6 lbs ea.

NEO power supply. Super lightweight foam core plinth. Plinth laminate: New Polaris HPL (high pressure laminate). Non-marking matt finish scratch resistant high rigidity skin. Available in one finish ‘Polaris Grey’ matt finish with high gloss black polymer edge trim. Upgrade white drive belt fitted as standard. Custom dual layer smoked / clear float glass platter. Single piece aluminium sub platter. Custom machined high precision drive pulley. Patent pending, ultra-low friction central brass hub. Rega’s double brace technology, with integral custom matched aluminium tonearm and hub pillars to ensure maximum rigidity and accuracy. RB330 handmade precision tonearm with custom stainless weight. New high spec Rega 24v low noise synchronous motor – each motor matched by hand to its own NEO PSU ensuring optimum anti-vibration control. New smoked dust cover. New aluminium foot trims and Planar style feet. Available with Ania PRO MC cartridge factory fitted / Discount available when factory fitted. Svi Reaga gramofoni stižu sa poklopcem. Deklaracija : Naziv: Rega Planar 6 / Ania MC Vrsta robe: gramofon Uvoznik: Audio plus doo Zemlja proizvodnje: Engleska

Specifikacija Komentari Podržani audio formati MP3 Frekvencije emitovanja 87.5 MHz - 108 MHz Podržane memorijske kartice SD Tip ekrana LCD Priključci 2 x USB Dodatne funkcije Memorisanje frekvencija Boja Crna Reklamacioni period 24 meseca Ocenite proizvod: * Pošalji

This elegant, contemporary speaker distils the best of Fyne Audio’s new technologies and expertise into a midsized floorstanding design. The F702 blends a 200mm IsoFlare point source driver and 200mm multi-fibre bass driver into a twin cavity tuned cabinet with a BassTrax LF diffuser integrated into the down firing port. Articulate, powerful and capable of delivering stunning dynamics and real world volumes, the F702 is ideal for recreating a truly captivating Hi-Fi listening experience in mid to large sized rooms. System Type 2 ½ way, downwards firing port, with BassTrax™ Tractrix diffuser*, twin cavity loading system Recommended amplifier power (Watt RMS) 30 - 200 Continuous power handling (Watt RMS) 100 Sensitivity (2.83 Volt @ 1m) 92dB Nominal impedance 8 Ohm Frequency response (-6dB typical in room) 30Hz - 34kHz Drive unit complement 1 x 200mm IsoFlare™ point source driver, multi-fibre bass / midrange cone, FyneFlute™ surround with 25mm magnesium dome compression tweeter, neodymium magnet system . 1 x 200mm multi-fibre bass / midrange cone, FyneFlute™ surround. Crossover frequency 250Hz & 1.7kHz Crossover type Bi-wired passive low loss, 2nd order low pass, 1st order high pass, cryogenically treated Dimensions - HxWxD 1111 x 384 x 439mm (43.7 x 15.1 x 17.3”) Weight - Each 30.5kg (67.2lbs) Finishes Piano Gloss Walnut / Piano Gloss Black / Piano Gloss White Fyne Audio F702 Hi-Fi Choice Fyne Audio F702 loorstanding loudspeakers REVIEW Steve Dickinson Mighty Fyne – Fyne Audio F702 Fyne Audio F702 Speakers, Pass Labs INT-60 Integrated Amplifier and XP-17 Phono Stage, Aurender W20SE Music Server, Aqua LaScala MkII DAC, VPI HW-40 40th Anniversary Turntable U svoje proizvode uvodimo nove i inovativne elemente dizajna, najsavremenije tehnologije kako bi osigurali najviši nivo kvaliteta reprodukcije uz primerenu cenu. Dodatno, program zapošljavanja dovešće još više nadarenih kreativnih saradnika koji će pomoći u dizajniranju i proizvodnji vrhunskih zvučničkih kutija. Kao dio poduzetničke strategije ka bržem rastu preduzeća, Fyne Audio dobio je značajnu investiciju Škotske investicijske banke (Scottish Investment Bank), koja će osigurati povećanje istraživanja i razvoja kao i pomoći u rastućoj proizvodnji i izvozu. Andrzej Sosna, jedan od direktora, izrazio je zadovoljstvo postignutim rezultatima, investicijama i, najvažnije, prepunom knjigom narudžbi. Naš jaki tim, najkvalitetniji proizvodi u svojim grupama i bogato nasljedstvo u audio industriji vode nas krajnjem cilju – postati jedan od vodećih svjetskih proizvođača. Kad investirate u par Fyne Audio zvučničkih kutija, važno je znati da je razvoj svakog elementa prošao kroz ruke iskusnih stručnjaka koji se bave zvučnicima mnogo godina. Na svakom nivou procesa konstruisanja, dizajna i proizvodnje, bez obzira radi li se o znanju, mehaničkim konstrukcijama, odabiru materijala ili stručne izrade elemenata, Fyne Audio zvučnici podešeni su kako bi ponudili najbolje performanse u svojoj klasi. Osnivači preduzeća Fyne Audio: Dr Paul Mills – tehnički direktor, bivši tehnički direktor Tannoya Stuart Wilkinson – direktor proizvodnje, bivši voditelj dizajna mehanike u Tannoyu Gabriel O’Donohue – operativni direktor, bivši direktor tvornice Tannoy Max Maud – direktor prodaje i marketinga, bivši direktor prodaje u Tannoyu Tim Lount – savjetnik u marketingu, bivši potpredsjednik prodaje i marketinga u Tannoyu Andrzej Sosna – direktor, bivši direktor Tannoya Faktori uspjeha Dugo i duboko iskustvo na audio tržištu. Namenska, gotova ekipa sa svim potrebnim veštinama. Duga istorija uspjeha na audio tržištu. Inovacije robne marke i proizvoda Novi inovativni dizajn proizvoda s novim tehnologijama. Nova robna marka, ali s neposrednom baštinom. Dizajnirano i proizvedeno u Škotskoj. Kontakti Dokazani kontakti diljem svijeta spremni za suradnju s nama. Predani i angažovani kupci na ključnim tržištima. Opsežni kontakti s medijima dobrih namera. To nas čini jedinstvenom i uzbudljivom pojavom na tržištu. Vizija i misija Postiti muziku da se poveže s duhom i dušom naših kupaca. pružajući im, najbolju audio tehnologiju za otkrivanje muzike. Isporučiti revolucionarne zvučnike dizajnirane i proizvedene u Velikoj Britaniji, omogućujući izgradnju audio nasleđa u Škotskoj. Osnovati inovativnu firmu visokih etičkih načela, usklađenu i u potpunosti povezanu sa svim našim deoničarima. Učiniti radno okruženje zabavnim i motivisano težiti kontinuiranom napretku i vrhunskim rezultatima.

REVEAL THE INVISIBLE* 3-WAY HIGH-END LOUDSPEAKER – 2 X 7'' WOOFERS Sopra N°2 is the new epitome of today’s premium loudspeakers. It perfectly combines dynamics, space optimisation and harmonic richness. Sopra n°2 clearly inaugurates a new era for the “Premium High End” by taking into account new performance criteria. Compact, modern, a pure design, character... all these are essential factors to ensure perfect integration into your interior. Equipped with best midrange drivers ever developed by Focal, with the NIC and TMD technologies, Sopra n°2 pushes back the limits of sound reproduction in terms of transparency in a very compact enclosure. Indeed, unlike Utopia, which is extravagant by essence and where size is by no means a constraint, Sopra aims for maximal compactness to ensure easy integration into reasonably sized rooms. Sopra n°2 is perfectly at ease in rooms measuring up to 320ft2 (30m2), and is even ideal for larger rooms measuring up to 750ft2 (70m2). Focal Sopra N°2 Youtube Focal Sopra N°2 White Paper Focal Sopra N°2 Catalog Focal Sopra N°2 STEREOPHILE Focal Sopra N°2 EAR HI-FI MUSIC GEAR Focal Sopra N°2 VIDEO HIGHLIGHT Focal Classic Home Catalog Focal Brend Catalog .... Innovation INFINITE HORN LOADING Our Beryllium tweeter features an incredibly light and extremely rigid dome, that deliver a transparent and dynamic sound. Its main limitation comes from the compression of air in the cavity behind it. But the requirement for Sopra to be compact meant that as much of the cabinet as possible had to be used for the bass. We had to explore other options for loading the tweeter, which led us to come up with the IHL system. The "IHL" system enables to load the Beryllium tweeter respecting the compactness demand of the speaker. The rear wave of the tweeter is delicately and gradually absorbed to avoid any distortion. The treble definition is pushed to the maximum Stabilising the magnetic field NEUTRAL INDUCTANCE CIRCUIT Since the beginning, we have always had a great interest in the magnetic circuit, an essential aspect of a speaker drive unit. The precision and detail of audio reproduction depends on the stability of the magnetic field. NIC technology (Neutral Inductance Circuit) permits to control the magnetic field and finally enables to master it in order to limit distortion. It decreases the effects of distortion and give the sound a very high-definition and an unprecedented dynamic. The obsession with the midrange TUNED MASS DAMPER Our teams have revealed resonances which alter definition in the suspension which connects the cone to the basket. The solutions already known for increasing the damping properties of the suspension all result in an increase of the mass which consequently alters definition. The answer came from a technology used in earthquake-resistant skyscrapers and which is also used for the suspension on racing cars. "TMD" technology consists of optimising the suspension profile which controls the resonance in order to drastically reduce distortion and increase the definition of bass and midrange. DETAILS The main theme of Sopra is deliberately uncluttered, though it still offers connoisseurs the opportunity to enjoy all the small details. The grille with an incremental meshing motif protects the Beryllium tweeter and gives it a strong identity. This motif is repeated for sealing the curved back panel of the middle section. The terminal board, the thumb nuts and the adjustable spikes have all been specially designed for Sopra, as have the few visible screws, all of which were manufactured by watchmaking experts. MASTERING THE CABINET AND CHOICE OF MATERIALS Made in France Sopra’s cabinet was designed in our cabinet-making facility in Bourbon-Lancy (Burgundy, France) using the same manufacturing process as for Utopia The 69mm sandwich-machined front panel uses the same principle as ‘Gamma Structure’ to provide inertia and damping. Its density gives it the inertia necessary to provide a stable mechanical reference for optimal definition. The inside of the cabinet has no parallel side panels, and small Helmholtz resonators have been added to the lower section to prevent vertical standing waves. We chose glass as the material for the base of the loudspeaker to provide floor coupling, using spikes, which enabled the fastest propagation time possible, thus eliminating all halo effects in the bass. NO SACRIFICE OF PERFORMANCE TO AESTHETICS The design agency Pineau & Le Porcher designed Sopra with one rule: no sacrifice of performance to aesthetics. The Sopra line is destined for the most passionate sound enthusiasts. Its design favours performance, whilst exceptional materials associated with different lacquered finishes or wood finishes in oak (Light Oak and Black Oak) with High Gloss varnish for a radiant shine bringing even more elegance and warmth to your home décor. Substantial efforts were made to give the front a tidy appearance to iron out any aspects which could afflict the acoustics or the appearance. Sopra’s very structure is articulated around the intermediate section. This injected polyurethane component allows for the upper and lower cabinets to be inclined for the "Focus Time" (acoustic convergence of the channels). Type Three-way Bass-reflex floor standing loudspeaker Drivers Two 7" (18cm) "W" woofer 61/2" (16.5cm) "W" midrange with TMD suspension, NIC motor 11/16" (27mm) IHL Beryllium inverted dome tweeter Frequency response (+/- 3dB) 34Hz - 40kHz Low frequency point - 6dB 28Hz Sensivity (2.83V / 1m) 91dB Nom. impedance 8 Ohms Minimum impedance 3.1 Ohms Crossover frequency 250Hz / 2 200Hz Recommended amplifier power 40 - 300W Dimensions (HxLxP) 4627/32x143/32x2117/64" (1 190x358x540mm) Net weight 122lbs (55kg)

Specs : Switchable directional characteristics: omnidirectional, cardioid, supercardioid, figure eight, 255 intermediate levels via app Freely configurable directional characteristics via PolarDesigner plug-in for Win & Mac Real-time access to directional characteristics via optional OCR8 Bluetooth dongle (Art.467336 - not included) and PolarPilot app for Android & iOS Handmade CKR12 ceramic capsule based on the CK12 capsule Frequency range: 20 - 20,000 Hz Sensitivity: 13 mV / Pa Output impedance: 2x 275 Ohm (balanced) Input impedance: 1 kOhm Max. sound pressure level: 148 dB / 158 dB (with pad) Inherent-noise: 9 dB SPL (A) Signal-to-noise ratio:> 84 dB Low cut filter: 40, 80 & 160 Hz Pad: -10 dB & -20 dB Dimensions (OC818 microphone): 157 x 63 x 35 mm Weight (OC818 microphone): 360g Includes 2 elastic brackets, 2 mini XLR adapters, 2 microphone clips, 2 windscreens, transport case and adjustable stereo rail HAndmade in Vienna

Handcrafted in Vienna, the City of Music, the Austrian Audio OC818 is a revolutionary multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control. Onboard, the OC818 offers a choice of four selectable polar patterns, 10dB and 20dB pads, and three switchable highpass filters. But with Austrian Audio's open-source PolarDesigner plug-in (Mac and Windows), you can craft custom polar patterns for up to five different frequency bands. What's more, the PolarPilot mobile app (iOS, Android) gives you real-time wireless remote control over polar patterns, highpass filter, and pad settings via the optional OCR8 Bluetooth dongle. Note that the OC818 is always operating and mode switching purely in the analog domain; it's only the analog bias voltages that are being governed remotely. There is no digital signal in either the audio or bias paths. Giving you the best of both worlds, the Austrian Audio OC818 is a sophisticated tool that will help you make better-sounding recordings. Explore the sonic possibilities The OC818 offers four selectable onboard polar patterns: figure-8, supercardioid, cardioid, and omnidirectional, giving you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. The fifth setting is Preset mode, which works in tandem with the optional Bluetooth dongle that plugs into a port on the rear of the mic body and lets you program custom patterns. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance — which means that with two of these excellent microphones, you can confidently implement stereo techniques such as Spaced Pair (A/B), X-Y (including Blumlein), ORTF array, Mid-Side (MS), and Spaced Omni (with or without a center mic). It's worth noting that a single OC818, with its two separate XLR outputs, is a stereo microphone in and of itself. But with two OC818s, your options expand exponentially. Dual mode and PolarDesigner The second output on the back of the OC818 delivers the signal from the rear capsule membrane, while the front membrane is output via the normal XLR plug. Simply plug in the OCC8 mini XLR cable supplied with your OC818 and set the polar pattern switch to the cardioid setting (the center position with the dual-cardioid icon). The OC818 will now work in Dual mode, with both capsule diaphragms being routed independently. In dual mode, you can record the two signals to separate tracks and use the PolarDesigner plug-in to subsequently modify the polar pattern in post production. PolarDesigner even lets you independently choose the polar pattern for up to five different frequency bands. Imagine how a pair of room mics with, for instance, a tight supercardioid pickup in the low frequencies, figure-8 for the mids, and omnidirectional for the highs would sound on a drum kit in a great-sounding room! Real-time remote control With Austrian Audio's OCR8 Bluetooth module (available separately) and the PolarPilot app for iOS and Android, you can remotely control your OC818 from your smartphone or tablet. Powered by the 48-volt phantom that powers the mic, the OCR8 is activated via the Preset mode switch setting (the "•" position all the way to the right). Once paired with your device, the PolarPilot app gives you full wireless control over the OC818's polar patterns, highpass filters, and pads. The app also features an overload monitor that displays a red bar if the signal is too loud. In that case, engage the 10dB pad to reduce bias voltage to the capsule and protect the mic’s internal circuitry from clipping. Outstanding results on any source The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the Austrian Audio's proprietary CKR12 capsule. In keeping with its multi-pattern design specification, the OC818 uses the dual-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC818's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10dB and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control Handmade, dual-diaphragm CKR12 ceramic capsule Selectable polar patterns: figure-8, supercardioid, cardioid, omni, custom Microprocessor control of polarization voltages Choice of 3 analog highpass filters: 40Hz, 80Hz, 160Hz 10dB and 20dB analog pads Dual outputs for recording each diaphragm separately Wireless control via optional OCR8 Bluetooth module (available separately) Incorporates Austrian Audio's Open Acoustics Technology Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent noise level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with pad) Impedance: 275Ohm; load impedance: >1kOhm Supply voltage: 48-volt phantom (<4mA, typical 2.1mA) Handcrafted in Vienna Includes protective carry case, OCS8 spider mount suspension, OCW8 foam windshield, OCH8 mic clip, OCC8 mini XLR cable, and cable clip

Kontrolni sistem i pojačalo za VHD seriju. Signal Input Input Impedance Switched from 10kΩ to 50Ω "Line driver ready" Input Sensitivity 1.0V rms Outputs Main Through output, sub A and B out Insert Connectors Mid High insert point, A and B Sub insert points Power Connector Power Connector Neutrik PowerCon® Product Description Product Description A 2900W three channel 19” rack-mount controller / amplifier with individual 1600W, 1000W,< 00W amplifiers. Contains all control, limiting, crossovers, phase correction and system set up for the VHD 3200 subwoofer. State of the art DSDâ„¢ 6.0MHz digital delay line for driver alignment in VHD 2.0 / 1.0 High Frequency Amplifier Amplifier Type Class AB Push-Pull low inter-modulation Mosfet design with transformer balanced output Rated Continuous Power 300W Distortion <0.05% Operating Bandwidth 2.2kHz - 30kHz Midrange Amplifier Amplifier Type High Efficiency, high current mid frequency switching amplifier Rated Continuous Power 1000W Distortion <0.05% Operating Bandwidth 450Hz - 2.2kHz Mid-Bass Amplifier Amplifier Type High efficiency, high current low frequency switching amplifier Rated Continuous Power 1600W Distortion <0.05% Operating Bandwidth 100Hz - 450Hz Physical Dimensions Height 177.8mm (7.0") Width 483mm (19.0") Depth 495mm (19.5") Weight 30kg (66lbs) Speaker Input /Output Speaker Input/ Output One EP6 for VHD 2.0 / 1.0 Recommended Amperage Recommended Amperage 30A 115V 16A 230V System Set Up System Set up Six position selector for a choice of VHD subwoofer combinations to feed a VHD 3200 including a five way setting for use with VHD 1.21 subwoofers. Level Control Level Control Main input level +/- 6dB Subwoofer Level Control Subwoofer Level Control Sub level A and B +/- 6dB Two per Side switch Two per Side Switch Switch for precise correction of phase and equalization when using two VHD 2.0’s and two VHD2000’s per side together Full Range Mode Full Range Mode Switch for running a VHD 2.0 in full range mode, down to 60Hz (Note: This setting mutes the subwoofer outputs) Operating Voltage Operating Voltage 100-120V @ 60Hz 230-250V @ 50Hz

Pure2. The Name Says it All. Pure2, Antelope Audio's mastering-grade 24-bit/192kHz 2-channel AD/DA converter and master clock, features Antelope's world-Class Acoustically Focused Clocking (AFC) technology, pristine analog circuitry, and a proprietary multi-stage linear power supply for unequalled digital clarity and vibrant analog warmth and realism. Pure2 is configurable from its front panel, offers convenient user presets, and flexible connectivity options - plus, you can easily manage all facets of operation via intuitive control panel software for Mac and Windows. Antelope Audio Pure2 2-channel Converter/Master Clock at a Glance: Superior engineering gives you world-class studio sound The Antelope recipe for great-sounding audio Headphone and monitoring flexibility Connectivity options galore Superior engineering gives you world-class studio sound For superior sonics and performance, the Pure2 design utilizes best-in-class Burr-Brown converters and the same Acoustically Focused Clocking technology found in Antelope's flagship Trinity master clock, while its highly optimized analog driver stage gently handles overload to deliver buttery-smooth clipping. The main D/A conversion has a dual-DAC architecture, with separate DAC chips for left and right channels - greatly enhancing the signal-to-noise ratio and improving stereo imaging. The Antelope recipe for great-sounding audio Pure2's Acoustically Focused Clocking delivers the most analog-sounding audio conversion we've heard. Antelope's renowned clocking and conversion technology, together with the custom USB technology in Pure2, are the same as in the acclaimed 32-channel Orion interface - a fixture in world-class studios and the playback rigs of top artists. Headphone and monitoring flexibility For greater convenience and improved routing flexibility, Pure2 sports an audiophile-grade headphone amp powered by a dedicated D/A converter. The separate DAC gives you the option for monitoring a secondary source, independent from the main outs. Pure2 also boasts Antelope's high-quality analog volume control, featuring a stepped relay attenuator with .05dB precision for optimum monitoring transparency through the main outputs. Connectivity options galore Pure2 gives you unparalleled connectivity options. With several Word Clock outputs, Pure2 can function as the master clock for your entire studio, and can also be locked to Antelope's legendary 10M Atomic Clock for even greater clocking stability. What's more, Pure2 can be connected via S/PDIF, TOSlink, AES, and Antelope's proven low-latency USB circuit for Mac and Windows, making it ideal for just about any studio environment. Antelope Audio Pure2 2-channel Converter/Master Clock Features: Pure2 includes five high-performance components: A/D converter with optimized overload handling D/A converter with dual-DAC architecture High-end headphone amp with dedicated D/A converter Relay-based analog volume control for accurate monitoring Master clock with 4th-generation Antelope AFC jitter management Connections for S/PDIF, TOSlink, AES, and USB Includes intuitive control panel software for Mac and Windows Upgrade your studio with Antelope Audio's Pure2

SPECIFIKACIJE: * Simultaneous 8 Channel Analog I/O and 8 Channel AES/EBU I/O * 24 Bit / 192 kHz Mastering Quality A/D and D/A Conversion * 192 kHz AES/EBU I/O Supporting Single and Dual Wire Modes * Single Rack Space Configuration * Extensive Remote Control Capability via Lynx AES16, IrDA and MIDI * On-board 32 Channel Digital Mixer Provides Flexible I/O Routing * Word clock I/O with Lynx SynchroLock™ Sample Clock Technology * Digital I/O DB-25 connectors follow Yamaha pinout protocol * Analog I/O DB-25 connectors follow Tascam pinout protocol * RoHS compliant * Available in 100V, 115V and 230V models The new Aurora™ line of digital audio converters from Lynx Studio Technology offers unprecedented audio quality and control in single-rack space eight and sixteen channel models. The Aurora 8™ and Aurora 16™ feature 192 kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. Extended functions in Aurora are accessible via computer with the Lynx AES16 or by infrared using compatible laptops and handheld Pocket PCs. The rear panel has Clock and MIDI In and Out connectors and an LSlot bay, for the optional use of ADAT and other audio interfaces.

Go green & save with our intelligent design The ASP8120 Ultra Power Supply is not only incredibly efficient but it’s also whisper quiet, enabling it to be situated in the control room without disturbing your workflow - no need for an expensive and air conditioned machine room! With a low noise transformer and low RPM fan cooling system our power supply is a safe choice for years to come and has helped make the ASP8024-HE more reliable than ever.

ELEMENTS GALA, the latest all-in-one stereo columnar system from HK AUDIO, takes the ELEMENTS series to a whole new level with a slew of R&D advances. Loaded with a 15" woofer, the powered ELEMENTS GALA subwoofer delivers muscular, low-ranging bass. It also has newly developed circuitry on board: Courtesy of a next-generation digital controller, it serves up soundscapes with a silky-smooth, highly-defined top end and far punchier low-mids. Beefier Class-D power amps provide plenty of headroom for this PA's enhanced dynamic response. ELEMENTS GALA offers all the proven merits of its predecessors, including exceptionally uniform coverage even in very large venues, and then some. An elegant, up-market look paired with a lush audio experience - it's a formula that adds up. The new subwoofer that powers ELEMENTS GALA is also available separately for users of legacy ELEMENTS systems who wish to step up to ELEMENTS GALA-style sound quality. Fully featured, active stereo line-source PA Newly developed digital controller tuned to serve up stellar sound Newly developed 2,000-watt power amp section sized to provide ample headroom Newly developed 15" subwoofer engineered to deliver powerful, low-ranging bass response Special filter presets tailored for Small Venue and Long Distance applications Remarkably uniform coverage - not too loud up front, not too soft in the back Extendable with HK Audio L SUB 1500 A add-on subwoofer for applications requiring even more muscular bass Includes 1x ELEMENTS GALA SUB 15, 4x ELEMENTS E835, 2x EF45, 2x EP-2, 2x LS cable

Musikmesse 2014: The Fireface 802 renews RME’s reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features: Ultra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME’s unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac. TotalMix FX, RME’s digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller. 
 The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME’s app to fully control the 802 from the iPad, without any computer. The easy to use app includes metering for all 90 channels plus effects bus, different setup screens, and complete control of all features. The Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more.

The M7m, more possibilities. The new Bricasti Design M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo Reverb Processor with reduced front panel controls, and is intended to be used in conjunction with the M10 Remote Console. As it is necessary to have an M10 for control, the M7M is made available bundled together with the M10 in several different configurations, with one or more M7Ms, and is offered as a stand alone product for customers wishing to add more channels of Bricasti processing to their M10 based setup without duplicating unnecessary user interface controls. Pictured is our System 1, the M10 with one M7M that can be used as a stand alone product or added to your M7, adding more processing and remote capabilities to your studio. Features Model 7 Stereo Reverb Processor More than 200 Unique reverb presents Revolutionary new reverb algorithm True Stereo Reverb Process Classic and new Presents; Halls, Plates, Chambers, Ambient Spaces 12 Parametric Program Parameters 100 User Registers 4 Front panel "Favorites" for quick saves and compares Hardware Design Features Dual Dedicated Power Supplies Custom design toroidal transformer linear supply for analog High performance switching supply for digital Separate Digital and Analog modules non corrosive Stainless Steel chassis and top cover Milled anodized aluminum front panel, knobs and button caps Positive feel 2 db stepped analog input level control MIDI I/O Hand Crafted in the USA Tech Specs Digital section AES 24 Bit Digital I/O AES single wire 192k supported Self-clocking to incoming sample rates 44.1k to 192k 6 State of the art dual core Analog Devices DSPs Analog section < 20 Picoseconds Jitter Input level adjustable in 2 dB steps Balanced XLR analog I/O 24-bit conversion Dual D/A Fully-balanced, DC-coupled analog input and output circuits Analog Input A/D Analog Input A/D Dynamic Range >116 db, A-Weighted THD+N <.001 % Frequency Response: 10 Hz - 20 kHz � < 0.05 dB CMRR: > 100 dB @ <= 1 kHz Maximum Input Level: +24 dBu Minimum Input Level for 0 dBFS: +4 dBu Analog Output D/A Analog Output D/A Dynamic Range: > 116 dB, A-Weighted THD+N: < 0.001% Frequency Response: 10 Hz - 20 kHz � < 0.05 dB Maximum Output Level: +24 dBu

Modularni višekanalni studijski efekt procesor top klase. Ogroman broj efekt algoritama sa izuzetnim mogućnostima rutovanja signala uz zagarntovan kvalitet u svim modovima rada. Izuzetni reverbi, delay efekti, chorusi, phase shifteri i ostali efekti, dopunjeni su Ultra Shifter harmonajzerom. Inuitivan dizajn korisničkog interfejsa i vrhunska izrada upotpunjuju fantastičnu sliku ovog uređaja. Specifications • Analog Inputs Inputs: 24-bit conversion Any combination of 2 XLR (20kW, bridging) or 2 mono jacks (150kW) Impedance: 20 K Ohm (bridging) Full Scale Input Level: 26 dBu Dynamc Range: >105dB Signal-to-Noise Ratio: >105dB, A-weighted THD+N: <.0025% @ 1kHz, -3dBFS Crosstalk: <-110dB @ 20Hz to 20kHz, -1dBFS Frequency Response/Sample Rate: +0/-0.1dB @ sample rate: 44.1kHz: 20Hz-20kHz, 48kHz: 20Hz-22kHz, 88.2kHz 20Hz-41kHz, 96kHz:20Hz-44kHz • Analog Outputs XLR Balanced Impedance: <50W Full Scale Level Input Level: 26dBu Dynamic Range: >105dB Signal to Noise Ratio: >105dB A-weighted THD+N: <.0025% @ 1kHz, -3dBFS Frequency Response Sample Rate using "Thru" Preset: +1/-0.1dB @ sample rate: 44.1kHz: 20Hz-20kHz, 48kHz: 20Hz-22kHz, 88.2kHz 20Hz-41kHz, 96kHz:20Hz-44kHz • Connections and Features Other Connections Other Features Remote Control: RJ-45 for Eve/Net Bypass Relay AES and AUDIO signals bypassed at power down Other Remote Control Inputs: Up to 2 foot pedals Sampling with Time Compression/Expansion @ 48kHz Up to 174 seconds mono (5V control inputs) or 6 foot switches, or combination Other Remote Control Outputs: 2 isolated relay closures, rated at 1A at 30VDC MIDI Connections: MIDI In, MIDI Out, and MIDI Thru PCMCIA Interface: 68 pin PCMCIA 2.0/JEIDA 4.0) Supports type 1 SRAM cards up to 4MB for data storage Compact Flash supported with CF to PCMCIA adaptor (supplied) • Digital Interfaces Sample Rates: 44.1, 48, 88.2, 96kHz or external DIGITAL Inputs/Outputs: 2 channels AES/EBU or S/PDIF at 44.1 to 96kHz Word Clock I/O • Physical Power 90 watts 100V-130V, AC 220V-240V, AC 50/60 Hz Size Inches: 3.5h x 19.0w x 12.5d CM: 8.9h x 48.3w x 31.7d Weight 12 pounds (5.5kg) net 17 pounds (8.0kg) shipping weight

The Evolution of the Digital Mixer. StudioLive® 32SX: 32-channel digital mixer and USB audio interface Power meets efficiency. Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive mixers famous, the StudioLive 32SX is the perfect compact 32-channel digital mixing solution. Powered by the dual-core PreSonus FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space. The scalable digital mixer. The StudioLive 32SX digital mixer and the complete PreSonus StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Connect a StudioLive 32R to use as a remote stage box or monitor mixer. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network thanks, to the flexibility of Digital Patching onboard your StudioLive 32SX digital mixer and in UC Surface remote mixer software. Superior sound. We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32SX digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SX mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SX mixer scene, the mic preamp trim values can also be recalled along with the other settings. Record music with or without a computer. PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SX digital mixer or on your Mac® or Windows® computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple and hassle-free so you can focus on mixing the show. The best music recording software… included. Studio One revolutionized music recording, making common mixing and production tasks as easy as drag-and-drop. Tight integration with StudioLive 32SX digital mixers allows you to control preamp levels and more right from the Studio One software console. Press the DAW button on your StudioLive 32SX, and your Studio One controls are right under your fingertips on your digital mixer. Studio One control can be toggled on and off, allowing you to quickly switch between your live mix and your production mix with the press of a button. Studio One Artist is included with the StudioLive 32SX, so you can start recording right out of the box. Remote control your digital mixer from anywhere—on any device. PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows, iPad® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 32SX digital mixer, remotely controlling your mix from anywhere just got easier. Flexible mixing for studio and stage. The StudioLive 32SX was designed to fit well in any application. Its 16 FlexMixes can be individually configured to function as an aux bus, a subgroup, or a matrix mix. Four designated effects buses provide a total of 24 mix buses plus an independent solo bus and the main mix. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. Inputs and buses can be freely routed internally, out to your AVB network, and over the USB bus, allowing you to customize your StudioLive 32SX for your unique mixing style. The best USB audio interface for mixing. With 128 (64x64) channels of recording over USB, you can record every input channel and bus on your StudioLive 32SX for the ultimate recording rig. Each channel can independently access its analog input or its dedicated digital return from your computer. Ten pre-installed vintage EQ and classic compressor Fat Channel plug-in models can be used onboard your mixer as well as within Studio One. And you also get Fat Channel Collection Vol. 1... which includes 15 additional vintage-modeled EQs and Compressors—a $499 (USD) value if purchased separately. Fat Channel plug-ins can be inserted on every input channel and output bus, giving you extensive, studio-style processing while mixing and recording. A complete networked solution. StudioLive Series III networked products form an ecosystem that is easily expanded and quickly configured. Designed to enhance each other, these products are at the forefront of AVB networking technology. Connect to StudioLive Series III rack mixers and add a dedicated monitor mixer. Route audio to EarMix 16M personal monitor mixers for customized mixes on stage. With powerful plug-in processing, advanced recording features, and a full complement of analog I/O in a compact chassis, the StudioLive 32SX is an ideal centerpiece for sound systems of any size. Three year warranty—for all Series III and III S mixers When we introduced the StudioLive Series III S mixers, we upgraded all Series III mixer warranty programs to three years as well, including both console and rack mixers. Even if you bought yours two and a half years ago, you're covered. We take our build quality seriously, and if anything goes wrong with your mixer in your first three years of ownership (assuming you don't throw it in a swamp or anything like that) we'll repair it. Includes Studio Magic Plug-in Suite. This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes. Features Powered by the new dual-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class 40 input-channel digital mixer with 25 touch-sensitive motorized faders 32 local digitally controlled XMAX mic/line inputs 2 balanced stereo aux inputs 1 stereo tape input (RCA, USB, AVB or SD) 4 FLEX FX returns 1 Talkback 26 mix buses 16 FlexMixes (Aux, Subgroup, Matrix) 4 dedicated FLEX FX buses 4 dedicated subgroups Stereo Main bus 286 simultaneous processors HPF Gate / Expander Compressor with Fat Channel plug-in models 4-band/6-band parametric EQ with Fat Channel plug-in models Limiter 31-band Graphic EQ 4 FLEX FX slots featuring legendary classic reverb emulations and delays State Space-Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays with 4 dedicated effects buses 24 DCAs to control groups of channels 128-channel (64x64) recording over USB Onboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode AVB Networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more User Profiles for managing multiple operators with custom permissions Per channel digital patching from any analog, AVB, USB, or SD Card source DAW Control Advanced Studio One control integration MCU emulation mode optimized for Logic HUI emulation mode optimized for ProTools Remote control every mix function from your computer, iPad, or Android tablet with UC Surface (included) Put your musicians’ monitor mix under their fingers with QMix-UC (included) for iOS or Android Capture 3.0 multitrack software included Automated Virtual Soundcheck Store StudioLive mix scenes with your audio Advanced Studio One integration (Studio One Artist Included) XMAX mic preamp control from Studio One Control Fat Channel parameters from Studio One mixing console Technical Specifications Microphone Preamplifier Input Type - XLR Female, balanced Frequency Response to Main Output (at unity gain) - 20-20 kHz, ±0.5 dBu Input Impedance - 1 k? THD to Main Output - <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) - 94 dB Common Mode Rejection Ratio (1 kHz at unity gain) - 65 dB Gain Control Range (±1 dB) - 0 dB to +60 dB Maximum Input Level (unity gain) - +12 dBu Phantom Power (±2 VDC) - 48 VDC, switchable per channel Line Inputs Type - 1” TRS Female, balanced Frequency Response to Main Output (at unity gain) - 20-20 kHz, ±0.5 dBu Input Impedance - 10 k? THD to Main Output - <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) - 94 dB Maximum Input Level - +18 dBu Tape Inputs Type - RCA Female, unbalanced (stereo pair) Maximum Input Level - +12 dBu, ±0.5 dBu XLR Outputs Type - XLR Male, balanced Maximum Output Level - +24 dBu, ±0.5 dBu Output Impedance - 100? Line Outputs Type - 1” TRS Female, balanced Maximum Output Level - +18 dBu, ±0.5 dBu Output Impedance - 100? Tape Outputs Type - RCA Female, unbalanced (stereo pair) Maximum Output Level - +18 dBu, ±0.5 dBu Output Impedance - 100? Headphone Output Type - 1” TRS Female, active stereo Maximum Output - 100 mW/ch. @ 60? load Frequency Response - 20 Hz – 20 kHz (± 0.5 dB) THD+N - 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd S/N Ratio - 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd System Crosstalk Input to Output - -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) Adjacent Channels - -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) Digital Audio and Control ADC Dynamic Range - 115 dB (A-wtd, 48 kHz) DAC Dynamic Range - 115 dB (A-wtd, 48 kHz) USB Recording Port - USB 2.0, Type-B AES/EBU Output - XLR Male Network Control Port - RJ-45 AVB Audio Network Port - Locking XLR Ethernet Internal Processing - 32-bit, ?oating point Sampling Rate - 48 kHz, 44.1 kHz A/D/A Bit Depth - 24 Reference Level for 0 dBFS - +18 dBu Total System Latency - 1.9 ms (local routing, analog in-analog out, all processing active) Clock Jitter - <20 ps RMS (20 Hz - 20 kHz) Jitter Attenuation - >60 dB (1 ns in, 1 ps out) Power / Environmental Connector - IEC Input-Voltage Range - 90 to 230 VAC (±10%) Power Requirements (continuous) - 85W Recommended Ambient Operating Temperature - 0° to 40° Celsius / 32° to 104° Fahrenheit Physical Height - 6.51” (165.36 mm) Width - 25.98” (659.81 mm) Depth - 22.97” (583.84 mm) Weight - 30 lbs. (13.6 kg) Computer system requirements: Below are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®. Mac macOS® 10.11 or higher (64-bit only) Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended) 4 GB RAM (8 GB or more recommended) Windows Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64 Intel Core 2 Duo (Intel Core i3 or faster recommended) 4 GB RAM (8 GB or more recommended) Mac and Windows Systems USB 2.0 port Internet connection Internal or external 7200 RPM storage drive highly recommended 30 GB hard disk space Monitor with 1366x768 resolution iOS iOS 10 or later iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation) Android Android™ 5.0 (Lollipop) or later Android smartphone (QMix-UC) Android tablet (8-inch) with 1024x768 resolution (UC Surface) Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer. Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.

Četvorokanalno pojačalo visokog kvaliteta idalno za touring. 4 x 1500 po kanalu na 2 Ohm-a, 4 x 1250 W po kanalu na 4 Ohm-a i 4 x 625 W po kanalu na 8 Ohm-a. Malih dimenzija i težine.

Najnoviji osmokanalni mikser istaknutog proizvođača baziran je na šemama originalnih konzola iz 70-ih i idealan je i za profesionalne i za projekt studije. 8 premium kanala plus 8 mix sabirnica sa zasebnim izlazima, inline monitoring za svaki ulaz, proslavljeni Vintage Series 80 EQ po kanalu i opcioni 24/192 Firewire interfejs. Tehnička specifikacija - 8 Premium Channel Strip Module - 8 Mix Busses with outputs - Direct Outs on every channel - Inline Monitoring for every input channel strip - Additional 8 Monitor Returns in Group Section - Vintage Series 80 EQ for every input channel - 6 Aux Sends every input channel strip - 8 Fully-Dedicated Stero Aux Returns - Super Accurate 12-Stage LED Meter - Meter Bridge - Optional ADAT/SPDIF digtial output - Fully balanced outputs

Tehnička specifikacija Od kad se pojavio na tržištu ne prestaje da mami uzdahe i uzima nagrade. Dvoprocesorska arhitektura i napredne mogućnosti analognog i digitalnog povezivanja, uz čuvene Eventide efekt algoritme, te tehnologiju harmonizacije sa H3000 procesora, čine ovaj uređaj jednim od najprivlačnijih studijskih i visokobudžetnih Live efekt procesora na tržištu. Features I/O Ports for Maximum Versatility The rear panel has a port to support all your needs, including AES/EBU, S/PDIF and ADAT™ Lightpipe™ for digital applications. Analog balanced XLR-type and unbalanced ¼" inputs and outputs. The ¼" jacks even accept a high impedance instrument signal. There's Word Clock In and Out on BNC connectors and two pedal ports for performers. And of course, full MIDI (IN/OUT/THRU) including an external power jack for your cabling convenience. There's even a serial port which makes it easy to update Eclipse's software from the internet; no chip changing needed. Easy Set-Up and Operation The Eventide knob and keypad make setup and operation easy. If you're familiar with our H3000 series Harmonizer units, you've already got the basics. Hot Keys Hot Keys provide quick access to the eight most important parameters on every preset. In addition, you can customize the Hot Keys on any preset to create your own unique program. Dedicated Tap Button The tap button isn't just for delays. It's also the frequency rate of the LFO modulating your sample and hold filter, or the speed of your autopanner or tremolo. The Tap function can be set to average out from 2 to 12 taps. Design Your Own Presets You get a complete selection of presets, but Eclipse makes it easy to design your own. Load one or two algorithms, pick a routing, assign the Hot Keys, and tweak. Flash Card Slot Your presets can be stored easily in the Eclipse or on an affordable compact flash card. Transferring presets from one Eclipse to another is simple with compact flash cards.

Osmokanalno pojačalo isporučuje 8 x 250 W na 4, 8, 16 Ohm-a. Idealno za hotele, restorane, fabrike, klubove, konferencijske dvorane, trgovačke centre. Zauzima 2 rack visine. Rade i na: 70V i 100V.

Mercury is the first Mastering DA converter in 120V rail technology. Mercury is a stereo digital to analog converter that fulfills the highest demands both technologically and tonally. A total of seven digital inputs, two AES/EBU, two SPDIF, two TOSLINK as well as USB can be connected to Mercury. AES input 2 also supports Dual-Wire (DW) mode. Each digital sources has its dedicated and illuminated switch for instant selection and fast comparison. DAC with DLP120 We looked at many converter designs and asked why innovations are almost exclusively on the digital side and very rarely on the analog side. Maybe it's because most of the developers have their background in digital technology and therefore develop analog technology more like a ‘cookbook’. We have 30 years of experience in analog technology and consider ‘cookbook’ designs rather boring, inefficient and in need of improvement. The output of the DAC-IC (AK4490) is an analog signal that must be filtered with a low-pass filter. This analog circuit is typically operated with the same voltage as the DAC-IC - for example 5V. Imagine that the first stage that finds the analog signal has a dynamic range and signal-to-noise ratio limited by this voltage. What a bottleneck. The Mercury uses our 120V technology instead of the standard technology. And this twice in the newly developed DLP120 module. DLP stands for "Dual Low Pass". These are two separate analog filters in 120V technology. Depending on the type of digital signal, the analog signal passes through the PCM or DSD filter and can freely unfold into a huge dynamic range. This is audibly better. Velvet Sound® DA Converter The DA converter (DAC) in the Mercury is the AK4490-Velvet Sound® converter chip from AKM. It offers a bit depth of 32 bits and a maximum sampling rate of 768kHz for PCM digital signals and DSD4 or DSD256 for direct-stream digital signals. AES & DW AES (or more precisely AES3 or AES/EBU) is a standard for the exchange of digital audio signals between professional audio devices. AES3 was jointly developed by the Audio Engineering Society (AES) and the European Broadcasting Union (EBU). An AES signal transports two encoded PCM audio channels at a maximum sampling rate of 192 kHz. The standard is defined under IEC 60958 Type I. A special feature is the Dual-Wire mode (DW), where two AES jacks are operated together to double the maximum sampling rate. The second AES input therefore has two XLR jacks. Dual-Wire allows Mercury to be connected to any digital AES/EBU source. Balanced, 3-core, 110 Ohm "twisted pair" cables with XLR plugs are used for connection. Coaxial The consumer version of AES is S/P-DIF (Sony/Philips Digital Interface). It is the most common method for connecting digital audio devices worldwide. Typically, the digital output of a CD player is connected here. The jacks are labeled "Coaxial" and carry two encoded PCM audio channels with sampling rates up to 192kHz. This standard is defined under IEC 60958 Type II. Unbalanced, 2-wire 75-Ohm coaxial cables with RCA connectors are used for connection. Optical The two 'Type II Optical' connectors use optical fibre with an F05 connector better known by the Toshiba brand name TOSLINK. Just like the coaxial S/P-DIF inputs, these inputs support sampling rates up to 192kHz for encoded PCM audio. USB The USB port, for connecting a computer, converts PCM and DSD audio formats. Sample rates up to 768kHz are supported for PCM audio. For DSD audio up to DSD4 (quad-rate DSD or DSD256). No special driver is required for an Apple Mac, as Apple natively supports USB class 2 up to a sampling rate of 768kHz. To use Mercury to its full extent on a Windows PC, the SPL Mercury driver should be installed. With this driver, higher sampling rates than 44.1kHz and 48kHz can be output on a Windows PC. DSD via USB A playback of (unencrypted) DSD data from the computer can only be done via USB. Specific software players such as Audirvana Plus (Mac), Channel D Pure Music (Mac), J River Media Center (Mac/PC), Signalyst (PC), Foobar2000 (PC), JPlay (PC) support DSD playback. The USB Audio 2.0 specification defines different formats for handling PCM audio signals, but it does not define the handling of the DSD format. In 2012, representatives of many companies and institutions have developed a standard known as "DSD over PCM" or "DoP". This will represent and detect DSD audio in the PCM frames of the USB specification. SACD or BluRay players usually do not output the DSD stream for copy protection reasons. This means that such a player can only be connected to one analog input, e.g. on the SPL DMC Mastering Console. PCM & DSD Pulse Code Modulation (PCM) is a method of encoding sampled audio signals that is commonly used for uncompressed audio. It is the standard format for digital audio in computers, on compact discs, in digital telephony and other digital audio applications. Direct-Stream Digital (DSD) is a trademark of Sony and Philips. Both developed DSD for SACD (Super Audio CD), which was to become the designated successor to the CD (which was also developed by the two companies). Since PCM and DSD are digital formats, there are other ways of playback. The highest resolutions for music are now available from download portals such as HD Tracks, Qobuz, HIGHRESAUDIO, primephonic, HDMusicStore, Bleep, Cybele, Gimell, HD-Klassik, 7 Digital etc. DSD is fundamentally different from conventional PCM. While in a PCM stream the amplitude of an analog signal is sampled regularly at equal intervals and each sample thus obtained is quantized to the closest value within the digital stages, a DSD stream stores a sequence of 1-bit values before a "decimation" process converts the signal into a PCM signal. Volume Control On the analog side, Mercury offers a regular stereo output, which can be calibrated to all common reference levels, as well as another stereo output with continuously adjustable output level. Thus Mercury can also be used as a state-of-the-art monitor controller. The volume control for the variable output of the Mercury is completely analog. In most other designs the volume control is done digitally as part of the converter chip functionality. A disadvantage of digital volume control is that the original bit resolution is only available at 0dB (maximum value). As volume control we use the ALPS RK27 "Big Blue" potentiometer which provides a nice, sensitive feeling and excellent channel synchronisation. So not only the auditory, but also the haptic experience is on the highest level when adjusting the volume. 0dBfs Reference Level Holding the Sync button down for more than two seconds will cause Mercury to change from Sync to 0dBfs display. In this mode it is possible to define the analog level of a full scale digital signal (0dBfs = 0dB full scale). Mercury supports all currently used reference levels starting with 0dBfs = 14dBu. Followed by 15, 16, 17, 18, 20, 22 and finally 24dBu.

With its simplicity, quality and plentiful inputs, WZ4 16:2 will be loved by seasoned engineers and novice operators alike. This is a true all-purpose mixer, providing a full 16 high specification mic/line inputs in a compact, straightforward format that has made it a consistent best seller. WZ4 16:2 features our acclaimed 4 band EQ with 2 sweepable mids, high quality 100mm faders, 6 aux sends, 12 segment bargraph metering and our unique QCC connector system for easy desktop, rack or flightcase mounting. New features for this 4th generation MixWizard console include two newly designed digital FX engines with 20 studio quality FX presets, EQ in/out switching and the option to fit a multichannel USB interface with high quality 16 channel soundcard for easy multitrack recording and 2-track playback. If you’re looking for professional grade, all-purpose analogue mixers in a compact, rack mountable frame, the MixWizards continue to set the bar. 19″ Rack mountable 16 mic/line inputs with balanced XLR/TRS jack, insert and direct output 100mm faders 4 band EQ with 2 swept mids 6 Aux sends – 2x pre fade / 2x switched / 2x post fade* 2 Stereo returns Dedicated mono output fader – can be switched to provide an L+R mono feed for a centre or fill speaker, or sub bass feed Independent A-B output for 2-track recording, monitor foldback, speaker fills etc Tri-colour, 12 segment bargraph metering Twin FX engines with 20 studio quality FX presets +48V Phantom Power Signal and Peak LEDs Lamp socket USB multitrack recording option Footswitch connector (mutes/unmutes the ST1 FX Return) *Can be reconfigured with internal jumpers