Tehnička specifikacija * Height: from 650 to 1,225 mm * Leg construction: brace construction, folds compactly * Material: steel * Music desk: traditionally foldable * Music desk dimensions: 440 x 215 mm * Product Category: Baseline * Rod combination: 3-piece folding design * Size when folded: 370 mm * Special features: the K&M Classic * Type: nickel * Weight: 1.04 kg

versions in PVC and PUR for mobile outdoor applications high-flexible types with PVC jackets reelable, robust, low-temperature-flexible, abrasion-resistant with PUR jackets Construction: Conductor: stranded bare copper Insulation: PVC, different colors or numbered (LSCF840..) Mechanics: Min. Bending Radius: 5 x overall diamete Cores: 4 x 4.0 mm? Conductor: 224 x 0.15 mm

Audio-Technica AT2035 Designed for critical home/project/professional studio applications and live performance, this side-address cardioid studio condenser delivers exceptional detail and low noise. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the AT2035 handles high sound pressure levels with ease. Along with its rugged construction and high-performance specifications, the AT2035 provides an exceptional level of consistency from model to model. It comes equipped with a protective pouch and a custom shock mount. Features: Large diaphragm for smooth, natural sound and low noise High SPL handling and wide dynamic range provide unmatched versatility Custom shock mount provides superior isolation Switchable 80 Hz high-pass filter and 10 dB pad Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Includes custom shock mount & protective pouch Specs: ELEMENT Fixed-charge back plate, permanently polarized condenser POLAR PATTERN Cardioid FREQUENCY RESPONSE 20-20,000 Hz LOW FREQUENCY ROLL-OFF 80 Hz, 12 dB/octave OPEN CIRCUIT SENSITIVITY -33 dB (22.4 mV) re 1V at 1 Pa IMPEDANCE 120 ohms MAXIMUM INPUT SOUND LEVEL 148 dB SPL, 1 kHz at 1% T.H.D.; 158 dB SPL, with 10 dB pad (nominal) NOISE 12 dB SPL DYNAMIC RANGE (typical) 136 dB, 1 kHz at Max SPL SIGNAL-TO-NOISE RATIO 82 dB, 1 kHz at 1 Pa PHANTOM POWER REQUIREMENTS 11-52V DC, 3.8 mA typical SWITCHES Flat, roll-off; 10 dB pad (nominal) WEIGHT 403 g (14.2 oz) DIMENSIONS 170.0 mm (6.69") long, 52.0 mm (2.05") maximum body diameter OUTPUT CONNECTOR Integral 3-pin XLRM-type ACCESSORIES FURNISHED AT8458 shock mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch AUDIO-TECHNICA CASE STYLE R5

Specs Microphone Input Microphone Input: balanced female 3-pin, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground Microphone Input Level: from 6 mVpp to 1.4 Vpp Microphone Input Impedance: 3.2 kOhms Gain Range: 40 dB Phantom Power: +48V ± 4V Frequency Response: 20 Hz - 20 kHz +/-1.5dB Input Noise: -103 dB(A), -97 dB RMS Instrument Input Instrument Input: unbalanced, Hi-Z, TS 1/4" Jack, Tip: signal / Shield: ground Instrument Input Level: from 30 mVpp to 6.9 Vpp Instrument Input Impedance: 1 MOhms Gain Range: 27 dB Frequency Response: 20 Hz - 20 kHz +/-1.5dB Input Noise: -103 dB(A), -97 dB RMS Stereo Headphone Output Connector: 1/8" TRS Jack. Tip: right / Ring: left / Shield: ground Headphone Level Control numbered thumbwheel Headphone Level Power 100mW into 50 Ohms Stereo Headphone Output Connector: 1/8" TRS Jack. Tip: right / Ring: left / Shield: ground Headphone Level Power 100mW into 50 Ohms MIDI Input/Output Connector: 2x2.5mm TS Jack Other Input/Output DC barrel: 1x DC barrel. For power and device charging. Device Connector: mini-DIN Common Conversion: 24-bit A/D, 24-bit D/A Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz Power: USB bus powered when used with a computer Battery powered (2xAA included) when used with an iOS device DC power supply (not included, iRig PSU 3A sold separately)* Package includes iRig Pro I/O universal Audio-MIDI interface Lightning to Mini-DIN connection cable (60cm/23.62") USB to Mini-DIN connection cable (60cm/23.62") 2 x 2.5mm jack to MIDI cable (160cm/63") 2 x 1.5V AA Battery Velcro strip Dimensions Size: 43mm/1.69" x 127mm/5" x 37mm/1.46" Weight: ~120g/4.23oz (batteries excluded) Lightning to Mini-DIN connection cable: 60cm/23.62" USB to Mini-DIN connection cable: 60cm/23.62" 2.5mm jack to MIDI cable: 160cm/63" Compatibility iOS Devices Compatible with iPhone 7 Plus, iPhone 7, iPhone SE, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 6, iPhone 5s, iPhone 5c, iPhone 5, iPod touch 6th generation, iPod touch 5th generation, iPad Pro (12.9-inch), iPad mini 4, iPad Air 2, iPad mini 3, iPad Air, iPad mini 2, iPad mini, iPad 4th generation. iOS 6 or later is required. Computers Mac®: Mac OS X 10.6 or later. One free USB port. Windows®: Support using the ASIO4ALL driver on Windows XP/Vista/7/8/10. See our FAQ here for further details. Android Devices Compatible with Android devices running Android 5 or later and with USB digital audio capabilities. Micro-USB-OTG to Mini-DIN cable (sold separately) is required. * Use only the specified AC adaptor * Use only the specified AC adaptor (iRig PSU 3A) and make sure the line voltage at the installation matches the input voltage specified on the AC adaptor's body. IK Multimedia will not be responsible of any damage caused by usage of any AC adaptor other than the specified one (iRig PSU 3A). The usage of AC adaptors other than the specified one (iRig PSU 3A) could compromise the user experience in terms of: Safety risk, Apple device charging performances, Noise performances.

RODE's first-ever audio interface, the Ai-1, is perfect for the USB-C-equipped mobile media workstation. Music and filmmaking to podcasting and streaming — wherever you find yourself needing clean, dependable audio in a compact bus-powered system, the Ai-1 delivers. The Ai-1's compact design and streamlined controls, along with its USB bus powering and +48v phantom power, are all you need to make great recordings at home or on the go. Balanced 1/4" outputs and a high-quality headphone amp empower you to make accurate mixing and monitoring decisions from the studio to the coffee shop. And, it should be no surprise that the Ai-1 pairs great with the NT1-A and other popular RODE microphone models. Expect more out of your mobile interface — check out the RODE Ai-1. Features: Compact 1-channel USB-C audio interface Combination XLR-1/4" input with +48 phantom power Supports mic-, line-, and instrument-level inputs USB bus powering delivers clean performance even away from a power supply Perfect for the home recordist or mobile musician Balanced 1/4" outputs feed a set of monitor speakers High-quality headphone amp yields great results for mixing on the go Specs: Computer Connectivity: USB Form Factor: Desktop Simultaneous I/O: 1 x 2 Number of Preamps: 1 Phantom Power: Yes Bit Depth: 24-bit Sample Rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz Analog Inputs: 1 x Neutrik XLR-1/4” combo Analog Outputs: 2 x 1/4” (impedance balanced), 1 x 1/4” (headphones) Direct Monitor: Yes USB: 1 x USB Type C Bus Powered: Yes OS Requirements: Mac OS 10.10 or later, Windows 7 or later Power: USB bus-powered Depth: 100mm total (with knobs) Width: 124mm Height: 38mm Weight: 560g Input XLR/MIC INPUT Dynamic Range: 104dBA Equivalent Input Noise @ Maximum Gain: –128dBA Frequency Response: 20Hz – 20kHz better than ±1dB Gain Range: 0dB – >45dB Gain Range: 1.3k Ohms INSTRUMENT INPUT Dynamic Range: 99dBA Frequency Response: 20Hz – 20kHz better than ±1dB Gain Range: 0dB – >45dB Input Impedance: 900k Ohms Output MONITOR OUTPUTS Maximum Output Level: -6dBu Frequency Response: 20Hz – 20kHz better than ±1dB HEADPHONE Max output power at 1% THD: 32Ohms – >210mW

UR28M kombinuje interfejs i monitrol kontroler u jednoj desktop konzoli. Opremljen sa dspMixFx ovaj uređaj omogućava DPS monitoring bez latencije sa Cubaseom ili drugim DAW softverom pri profesionalnom snimanju. Dva TRS ulaza i dva kombo ulaza sa mikrofonskim preampom i fantomskim napajanjem i ulaz sa visokm impedansom. Sam kontrolor na svom panelu ima veliki broj komandnih jedinica što pruža fenomenalnu kontrolu nad velikim brojem funkcija softvera. • 24-bit/96 kHz USB 2.0 audio interface • Analog 4 in and 6 out plus stereo input for reference source • S/PDIF coaxial I/O • D-Pre Class-A discrete mic preamps supporting +48V • Latency-free DSP-powered monitoring with one REV-X reverb and four Channel Strips with any DAW by using the latest dspMixFx technology • Native VST 3 plug-ins of REV-X and Channel Strip • Digitally controlled monitor level control with DIM, Mono, and Mute fed by a 3x3 monitoring matrix • 2 separate headphone buses with individual outputs • Cross-platform compatibility: Cubase AI DAW software and drivers for Mac OS X and Windows

Open, circumaural studio reference headphones with patented S-Logic® Plus technology that delivers transparent, analytical sound for mixing and mastering. With the ULTRASONE PRO 1480i, we are expanding our portfolio to include open studio headphones. This addition perfectly complements our existing line-up of closed models for professional use. Thanks to an open construction, these dynamic over-ear headphones deliver a particularly airy, crystal clear sound. The transparent and neutral sound reproduction makes them perfect for demanding mixing and mastering tasks in which music has to be assessed analytically. High-quality 40mm Mylar transducers and light yet powerful neodymium magnets ensure detailed sound. The extremely balanced frequency range, from 20 to 20,000 Hz, covers the entire range of human hearing. So not one subtle nuance is lost in professional applications. The PRO 1480i makes use of patented S-Logic® Plus technology, which creates an incomparably spatial effect thanks to decentrally positioned sound transducers. When combined with the open construction of the headphones, a broad sound stage is created that is perfect for precisely analysing audio signals. Another advantage of S-Logic® Plus technology is the higher perceived volume: significantly lower sound pressure achieves the same listening experience. This protects your hearing, especially when using frequently and for long periods. Thus long hours of fatigue-free listening are possible. The combination of S-Logic® Plus technology and the open construction works wonders: these headphones are light and easy fitting, and open ear cups allow air to the ears. This guarantees maximum comfort, no matter how long the session. Sound engineers and musicians have a wide range of requirements for professional audio equipment in general and professional headphones in particular: they not only have to sound good and fit comfortably; they also have to be robust to master the challenges of demanding days in the studio. That’s why our ULTRASONE PRO 1480i open reference headphones have an especially solid design – guaranteeing long years of analytically precise listening. The soft velour ear cushions can easily be replaced if signs of wear and tear begin to appear after years of use. The three-meter-long coiled cable is also detachable and can be changed when a shorter cable is needed, for example. These circumaural headphones are musical allrounders that are just as suitable for classical and jazz as for rock and pop. That’s why the ULTRASONE PRO 1480i is the perfect listening tool for anyone seeking professional studio headphones with open construction as a reference for mixing and mastering. Technology: S-Logic® Plus technolgy Principle: dynamic/open SPL: 94 dB Magnet: NdFeB Driver: Mylar Driver size: 40 mm Frequency range: 20 – 20.000 Hz Impedance: 32 Ohm Ear pads: speed-switch velour ear cushions (black) Cable 1: approx. 3 m detachable coiled cable with gold-plated 3.5 mm mini jack Weight (excl. cable): 295 g Adapter: 3.5 mm/6.3 mm gold-plated adapter, screwable Case: transport bag

Instrumentalni kabl renomiranog proizvođača dužine 3 metra, izražen je od superiornih komponenti koje Vam garantiraju vrhunske zvučne karakteristike. Boja: Bela.

cable: CME 220 cable assign: FM Brand: REAN plug: 1 XLR female 3-pole 1 XLR male 3-pole

rugged PVC jacket top-class signal transmission conductor cross section: 2.5 mm² (AWG 13) high-quality copper core (99.95% pure ETP copper) conductor construction: 50 x 0.25 mm extra-short twisting length for improved EMC with transparent heat shrink on one side for free labeling

Specifications Cable Color: black Numbered XLR fan-out Cable Ø: 15 mm Available lengths 3 m (6.5 ft.) = Part No. X8X8Pro2 5 m (16.4 ft.) = Part No. X8X8Pro5 Applicable with the following RME products: OctaMic II Micstasy BOB-16 DMC-842

Specs Adapter Cable Lightning to Mini-DIN Length: 60 cm Suitable for: Rig MIDI 2 iRig Pro iRig Pro Duo iRig HD iRig Keys iRig Keys Pro iRig Pad

Orange Professional guitar cables are manufactured using the finest components available, including the highest grade copper. The use of oxygen free copper ensures optimum clarity and articulation. The dense braided shield reduces noise and electromagnetic interference. Onstage tangling is kept to a minimum by a specially designed, armour plated, nylon woven outer sleeve. Neutrik connectors which are used across the entire range of Orange Professional Cables, ensure the highest quality and durability. Guaranteed for Life (please click here for details of our lifetime guarantee).

High-Performance 768 kHz 2-Channel ADAT.SPDIF.AES/EBU AD/DA converter RME’s anniversary reference AD/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry’s biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs. The 'Black Edition', limited to 500 units, has a black front plate and does not support rack mounting. RME's anniversary reference AD/DA converter is: A high-end AD/DA converter in professional studio quality A double headphone amplifier in true high-end quality A USB DAC like no other - the most versatile and capable one A high-end AD/DA frontend and headphone amp for iPad / iPhone A multi-format converter (AES, SPDIF, ADAT) with monitoring function A DSD record and playback solution An AD/DA frontend for audio measurement at up to 768 kHz sample rate As the most flexible converter available, the ADI-2 Pro offers balanced/unbalanced analog I/Os, double Extreme Power headphone outputs, SteadyClock FS, 4-stage hardware input and output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD record and Direct DSD playback (256 / 11.2 MHz) Analog or Digital - Options Galore The ADI-2 Pro FS includes two servo-balanced analog inputs on combo XLR / TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. This universal set of I/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio. The USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases. As a computer interface the ADI-2 Pro offers a stereo (2 in / 2 out) and a multichannel mode (6 in / 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance. Perfect Sound Capture and Reproduction Aiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact. The 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate. For easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME’s latest SteadyClock FS technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used. High Resolution Display Operation RME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD/DA filters, four discrete I/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages. Professional features such as M/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME’s famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display. Extreme Power Headphone Outputs There is no use in boasting about -110 dB THD, when such values are not available in real world operation - for example when a 32 ohm headphone is connected. RME's engineers therefore designed a new headphone output stage that brings the full performance of the premium DAC to the phone jack - even when using low impedance headphones. The Extreme Power design excels with 0.1 Ohm output impedance, a maximum output level of +22 dBu, and a maximum output power of 1.5 Watts - per channel! The two, fully separated stereo headphone outputs deliver the same 120 dBA SNR performance as the line outputs, for a full hum and noise free listening experience. THD is far below -100 dB (0.001%) even at full power, for the most clear and detailed soundstage possible. The Extreme Power design also incorporates current limiting, power surveillance, overload detection and DC protection. A low power mode and a high power mode are provided, for a perfect match from IEM up to planar. Having two stereo outputs, balanced headphone operation is possible. As RME's engineers were not satisfied with the existing techniques they developed a new Advanced Balanced mode for the ADI-2 Pro, that removes most limitations of standard balanced operation, and turns this mode into a a fully new experience. The exclusive Advanced Balanced mode delivers a balanced signal path from the DAC straight to the phone, with 3 dB gain in Signal to Noise Ratio, smoothed out deviations in components, optimized frequency response, super low output impedance (0.2 Ohms), and a maximum output level of +28 (twenty eight) dBu. The Reference Converter The ADI-2 Pro is RME’s reference AD/DA converter, USB DAC, USB interface and headphone amp. It’s numerous use cases make it an ideal choice in many fields, from the home user appreciating innovative solutions offering highest sound quality, the studio owner asking for reference AD/DA conversion, the Hi-Fi enthusiast demanding a flexible yet high-end headphone amplifier, up to the industry using the portable device as front-end for measurement systems. 20 years of RME - cumulated into a precious unit, that once heard and used one will never give away. Promised. Specs: Analog Inputs XLR • Input: XLR, servo-balanced • Input sensitivity switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS • Signal to Noise ratio (SNR) @ +13/19/24 dBu: 120.x dB RMS unweighted, 124.x dBA • Signal to Noise ratio (SNR) @ +4 dBu: 119 dB RMS unweighted, 123 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.5 kHz • Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.5 kHz • Frequency response @ 192 kHz, -1 dB: 2 Hz – 92.7 kHz • Frequency response @ 384 kHz, -1 dB: < 1 Hz – 124 kHz • Frequency response @ 768 kHz, -3 dB: < 1 Hz – 180 kHz • THD @ -1 dBFS: -116 dB, 0.00016 % • THD+N @ -1 dBFS: -112 dB, 0.00025 % • Channel separation: > 110 dB TRS As input XLR, but: • Input: 6.3 mm TRS jack, servo-balanced, fully compatible to TS and RCA Analog Outputs 1/2 XLR • Output level switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS • Signal to Noise ratio (SNR) @ +13/19/24 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +4 dBu: 115 dB RMS unweighted, 118 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz • Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.9 kHz • Frequency response @ 192 kHz, -1 dB: 0 Hz – 88 kHz • THD @ -1 dBFS: -112 dB, 0.00025 % • THD+N @ -1 dBFS: -110 dB, 0.00032 % • THD @ -3 dBFS: -116 dB, 0.00016 % • Channel separation: > 110 dB • Output impedance: 200 Ohm balanced, 100 Ohm unbalanced 1/2 TS (rear) As output XLR, but: • Output: 6.3 mm TS jack, unbalanced • Maximum output level: +19 dBu • Signal to Noise ratio (SNR) @ +13/19 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +4 dBu: 113 dB RMS unweighted, 117 dBA • Output impedance: 100 Ohm Phones 1/2 As Output 1/2 TS, but: • Output: 6.3 mm TRS jack, unbalanced, stereo • Output impedance: 0.1 Ohm • Signal to Noise ratio (SNR) @ +22 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +7 dBu: 114 dB RMS unweighted, 118 dBA • Output level at 0 dBFS, Ref Level +19 dBu, load 100 Ohm or up: +22 dBu (10 V) • Output level at 0 dBFS, Ref Level +4 dBu, load 8 Ohm or up: +7 dBu (1.73 V) • THD @ +18 dBu, 32 Ohm load, 1.2 Watt: -110 dB, 0.0003 % • THD+N @ + 18 dBu, 32 Ohm load: -107 dB, 0.00045 % • THD @ +14 dBu, 16 Ohm load, 0.94 Watt: -110 dB Output Phones 3/4 As Output Phones 1/2, but: • Output levels at 0 dBFS: Hi-Power off +7 dBu, Hi-Power On +22 dBu Balanced Phones mode As before, but: • Output levels at 0 dBFS: Hi-Power off +13 dBu (9.8 V), Hi-Power On +28 dBu (19.5 V) • Output impedance: 0.2 Ohm • Signal to Noise ratio (SNR) @ +28 dBu: 120 dB RMS unweighted, 123 dBA • Signal to Noise ratio (SNR) @ +13 dBu: 118.4 dB RMS unweighted, 122 dBA • Output level at 0 dBFS, Hi-Power On, load 150 Ohm or up: +28 dBu (19.5 V) • Output level at 0 dBFS, Hi-Power Off, load 8 Ohm or up: +13 dBu (9.8 V) • Max power @ 0.001% THD: 2.9 W per channel Digital Inputs General • Lock Range: 28 kHz – 200 kHz • Jitter suppression: > 50 dB (2.4 kHz) AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • SPDIF compatible (IEC 60958) SPDIF coaxial • 1 x RCA, transformer-balanced, according to IEC 60958 • AES/EBU compatible (AES3-1992) SPDIF optical • 1 x optical, according to IEC 60958 • ADAT compatible Digital Outputs AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • Single Wire mode, sample rate 44 kHz up to 192 kHz SPDIF coaxial • 1 x RCA, according to IEC 60958 • Single Wire mode, sample rate 44 kHz up to 192 kHz SPDIF optical • 1 x optical, according to IEC 60958 • Sample rate 44 kHz up to 192 kHz Digital • Clocks: Internal, AES In, SPDIF In, ADAT In • Jitter suppression of external clocks: > 50 dB (2.4 kHz) • Supported sample rates for external clocks: 32 kHz up to 192 kHz • Internal Clocks: 44.1 kHz up to 768 kHz General • Included power supply: external switching PSU, 100 - 240 V AC, 2 A, 24 Watts • Standby power consumption: 50 mW • Idle power consumption: 10 Watts, Max. power consumption: 22 Watts • Idle current at 12 V: 850 mA (10 Watts) • Dimensions (WxHxD): 215 x 44 x 130 mm (8.5" x 1.73" x 5.1")

Alpine PartyPlug Pro EARPLUGS FOR FESTIVALS, CONCERTS AND GOING OUT - Filter earplugs with smooth, natural attenuation If you go to a concert or festival you particularly want to enjoy the music. But you don’t want to incur hearing damage or a permanent ringing in your ears. Especially for music lovers, there are now the Alpine PartyPlug Pro ™ Natural earplugs. These earplugs have special rectilinear AlpineAcousticFilters™. This means that the music is attenuated equally at all frequencies. The music quality remains perfect and only the harmful sound is muted. It’s like you’ve turned down the volume button. In addition, thanks to the filters you also won’t have an isolated feeling, and conversations remain properly audible. Enjoy music more with good earplugs Alpine PartyPlug Pro ™ Natural earplugs are specially developed for use during festivals, concerts and going out. You can wear them without any problem all day and night. The earplugs are made of soft and flexible AlpineThermoShape™ material. This forms to the ear canal for optimal fit and attenuation. The material contains no silicones. As a result, the earplugs don’t itch or irritate. Alpine earplugs are easy to clean and are durable. With free cleaning spray, cord and pouch The Alpine PartyPlug Pro ™ Natural comes with a handy pouch to keep your ear plugs in as standard. You can also attach the pouch easily to your key ring. In addition, every pack contains a carrying cord. Attach the ear plugs to the cord and hang it around your neck. Ideal if you briefly take out the earplugs. You can quickly and easily clean the earplugs with the supplied Alpine Clean cleaning spray (5 ml). Dutch Design Alpine hearing protectors are quality products from The Netherlands. Package contents Two universal earplugs with acoustic flat filters Alpine storage pouch Handy cord Alpine Clean cleaning spray (5 ml) Additional information Weight: 0.042 kg Dimensions: 12 × 8.2 × 2.3 cm Unique product specifications No more annoying ringing in your ears after the concert or party Conversations remain perfectly audible Optimum fit due to the soft AlpineThermoShape™ material Barely visible in the ear With free pouch, handy cord and Alpine Clean cleaning spray (5 ml) Reusable