The large-diaphragm dynamic capsule utilizes a supercardioid pickup pattern to effectively reduce ambient sound such as room noise at the sides of the mic. To isolate the pickup element from handling noise, vibrations, and rumble, the ZDM-1 employs an integrated shock-absorbing mechanism. The ZDM-1's integral humbucking circuit improves the signal-to-noise ratio by inhibiting electromagnetic interference from common sources such as wireless devices, power lines, computer displays, and more. The all-metal body and grille afford ruggedness and durability for reliable use session after session. The ZDM-1 includes a pivoting mic stand mount for easy positioning and a custom windscreen for attenuation of plosives and breath noise. Large-diaphragm dynamic design captures smooth, broadcast-quality sound Classic end-address style Supercardioid polar pattern provides focused pickup and excellent isolation High 135 dB SPL handling ensures clean recordings every time 50 Hz to 18 kHz frequency response with tight bass and smooth highs enhances vocal tone for radio, podcasting, and more Internal shockmount provides isolation from bumps and handling noise Built-in humbucking circuit rejects electromagnetic interference Balanced XLR output connector All-metal body and grille stands up to daily use Includes pivoting mic stand mount, threaded adapter, and custom windscreen Zoom ZDM-1 Specs Microphone Primary Applications Studio Recording, Broadcast Form Factor Stand/Boom Mount Sound Field Mono Operating Principle Pressure Gradient Capsule 1 x Dynamic Polar Pattern Supercardioid Orientation End Address Circuitry Solid-State Pad None High-Pass Filter None Tone Adjustment None Indicators None On-Board Controls None Windscreen Foam (Included) Performance Frequency Range 50 Hz to 18 kHz Maximum SPL 135 dB SPL Impedance 200 Ohms Load Impedance 200 Ohms (Minimum) Sensitivity -54 dBV/Pa Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Male Headphone Connector None Physical Color Black Mounting 3/8"-16 Female, 5/8"-27 Female (with Included Hardware) Included Case None Included Filters None Construction Material Metal Dimensions ø: 2.12 x L: 5.19" / ø: 5.38 x L: 13.18 cm Weight 14.11 oz / 400 g Packaging Info Package Weight 1.31 lb Box Dimensions (LxWxH) 8.4 x 5.1 x 3.5"

Connects to Computers Get started right away, as this mic works directly with your computer. No separate interface or preamp is required. Cardioid Polar Pattern for the Untreated Room The microphone makes use of a directional cardioid polar pattern to minimize off-axis sound. This polar pattern naturally, yet effectively tamps down room tone and focuses the audio capture on what's directly in front of the mic, so everyone can clearly hear your voice. A cardioid polar pattern is one of the best natural defenses against unwanted room noise. Broadcast-Quality Audio Capture The mic records audio at sample rates and resolutions up to 16-bit / 48 kHz, giving you the broadcast standard for media playback. This mic will capture audio at the same sample rate and resolution that all your viewers or listeners would likely hear it. Handy Hardware Included With a tabletop mic stand, a mic mount, and a USB cable, you can get up and running right away. MXL Tempo Specs Microphone Primary Applications Podcast, Web-Streaming, Conferencing Form Factor Desktop / Stand/Boom Mount Intended Sound Sources Speech/Voice Over Capsule Condenser Polar Pattern Cardioid Orientation Side Address High-Pass Filter None Tone Adjustment None On-Board Controls None Windscreen None Performance Frequency Range 40 Hz to 18 kHz Sensitivity -47 dB Connectivity Output Connectors (Digital) 1 x USB-B Female Headphone Connector 1 x 1/8" / 3.5 mm Wireless Connectivity None Bluetooth None Digital Audio A/D Conversion 16-Bit Sample Rate 44.1 kHz 48 kHz OS Compatibility Windows macOS *As of June, 2017: Check with manufacturer for the most up-to-date compatibility Power Bus Power USB Operating Voltage Not Specified by Manufacturer Physical Color Black Mounting Mic Clip/Stand Adapter (Included) Desktop Stand (Included) Mounting Thread Size 5/8"-27 Female Included Case None Included Filters None Dimensions ø: 1.85 x L: 7.5" / ø: 46.9 x L: 190.5 mm Weight 0.65 lb / 294.83 g

With its cardioid polar pattern, the mic rejects sound coming from behind the capsule to tamp down on pesky room ambience; this is a plus for many people who podcast from their home. All the accoutrements you need to get started are included. Mount the mic in the supplied shockmount, plug the included USB cable to your computer, and you're good to go. As a significant bonus to the entry-level engineer, the EM-91CU ships with a download for ProTools | First, Avid's entry into their industry-standard editing/mixing software. Also included is a software bundle containing 23 high-quality plug-ins to get your recordings polished for broadcast. Connects to Computers, Android, and iOS Devices Get started right away, as this mic works directly with your computer. No separate interface or preamp is required. Cardioid Polar Pattern for the Untreated Room The microphone makes use of a directional cardioid polar pattern to minimize off-axis sound. This polar pattern naturally, yet effectively tamps down room tone and focuses the audio capture on what's directly in front of the mic, so everyone can clearly hear your voice. Broadcast-Quality Audio Capture The mic records audio at sample rates and resolutions up to 16-bit / 48 kHz, giving you the broadcast standard for media playback. Handy Hardware Included With an included shockmount and USB cable, you can get up and running right away. Simply place the mic in the mount and run the USB cable from the mic into your computer. Industry-Standard Software Included Avid Pro Tools has been an industry standard in studios and homes for decades, and the EM-91CU offers you a gateway into the world of Pro Tools with free, included software. Pro Tools | First (available for macOS and Windows operating systems) is easy enough for beginners, yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios, collaborate online with anyone, anywhere, and create at the speed of your imagination. You also get Tracktion's Waveform OEM and the DAW Essentials Collection. In addition to the powerful plug-ins within Pro Tools | First, this mic comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tuner Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effects White Boost: Boost gain without coloring tone

Podcast Pro odlikuje se visoko izlaznom dinamičkom kapsulom koja omogućava mikrofonu da snimi veliku jasnoću, bogatstvo i dubinu. Mikrofon takođe nudi odlično bočno odbacivanje zahvaljujući super kardioidnom polarnom paternu. Ovo je sjajno za snimanje vokala u okruženjim gde ima gužvi. Zahtevajući manje gaina od tradicionalnih dinamičnih mikrofona, Podcast Pro se može brzo podesiti zahvaljujući plug and play XLR povezivanju. Ovo omogućava trenutnu vezu sa interfejsima, zvučnim karticama i mikserom. S obzirom da je mikrofon dizajniran posebno za izgovorenu reč, biti potrebno malo ili nikakvog EQ-a pri podešavanju Podcast Pro-a. High-grade konstrukcija i dizajn The Podcast Pro izrađen je korišćenjem unutrašnje pregrade i tri sloja zvučne zaštite, sa unutrašnjim pop filterom koji pomaže u borbi protiv plosivnog zvuka. To takođe obezbeđuje da pri upravljanju Podcast Pro-om nije potrebno spoljni vetrobran. Bez obzira da li snimate u profesionalnom studiju, kućnom okruženju, radio stanici ili okruženju uživo, Podcast Pro će se odlično pokazati svaki put. Karakteristike Dinamički mikrofon sa tesnim superkardioidnim paternom Idealno za podkast,emitovanje emisija, radio, voiceover i gejming Snima zadivljujuće detalje i dubinu Nije potreban nikakav EQ Rezultati studijskog kvaliteta po neverovatnoj ceni Dizajniran, razvijen i ručno izrađen u UK Pokriveno doživotnom garancijom Crni završni sloj Specifikacije: Tip mikrofona: dinamički Polar patern: superkardioidni Frekventni odziv: 50Hz – 15kHz Osetljivost: -50dB ±2dB Impedansa: ≤600 Ohms Konektor: Three-pin XLR Napajanje: Fantomsko napajanje nije potrebno Dimenzije: 180 x 82 x 60 mm Težina: 320g Proizvodni kod: ST-PODCAST-PRO

With its cardioid polar pattern, the mic rejects sound coming from behind the capsule to tamp down on pesky room ambience; this is a plus for many people who podcast from their home. All the accoutrements you need to get started are included. Mount the mic on the supplied desktop stand, plug the included USB cable to your computer, and you're good to go. As a significant bonus to the entry-level engineer, the EM-USB ships with a download for ProTools | First, Avid's entry into their industry-standard editing/mixing software. Also included is a software bundle containing Tracktion Waveform OEM and 23 high-quality plug-ins to get your recordings polished for broadcast. Connects to Computers, Android, and iOS Devices Get started right away, as this mic works directly with your computer. No separate interface or preamp is required. As a bonus, the EM-USB also works with Android and iOS devices, provided you bring your own powered USB 3 hub and device-appropriate adapter to the party. Cardioid Polar Pattern for the Untreated Room The microphone makes use of a directional cardioid polar pattern to minimize off-axis sound. This polar pattern naturally, yet effectively tamps down room tone and focuses the audio capture on what's directly in front of the mic, so everyone can clearly hear your voice. Headphone Monitoring & Easy-to-Use Controls With its built-in 3.5mm jack, the EM-USB allows you to monitor your audio right from the microphone itself. The controls couldn't be simpler: mic gain, headphone volume, and a handy mute button are all on hand, so you can get the perfect recording and monitoring level right from the mic itself. Broadcast-Quality Audio Capture The mic records audio at sample rates and resolutions up to 16-bit / 48 kHz, giving you the broadcast standard for media playback. Handy Hardware Included With an included tripod stand, mic mount, and USB cable, you can get up and running right away. Simply place the mic in the mount, attach the mount to the stand, and run the USB cable from EM-USB into your computer. Industry-Standard Software Included Avid Pro Tools has been an industry standard in studios and homes for decades, and the EM-USB offers you a gateway into the world of Pro Tools with free, included software. Pro Tools | First (available for macOS and Windows operating systems) is easy enough for beginners, yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios, collaborate online with anyone, anywhere, and create at the speed of your imagination. You also get Tracktion's Waveform OEM and the DAW Essentials Collection. In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tuner Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effects White Boost: Boost gain without coloring tone

24 Bit 96 kHz studio grade quality as in professional recording studios Accurate signal conversion by a large diaphragm condensor capsule Headphone output with Zero Latency Monitoring Mute button for muting microphone Gain switch for miking loud instruments CREATE BETTER Wherever music is created, beyerdynamic, microphones and musicians go hand in hand. On the world’s largest and smallest stages and studios. The new USB Studio Microphone FOX captures music anywhere, anytime. FOR CREATORS For home studio and mobile recordings Singer-Songwriters, Vocalists, Musicians, Podcasters, Gamers and YouTubers perform arts free of technical distraction. CAPTURES SOUND With its classy style and outstanding design elements, FOX fits in every home studio or any place away from home. No melody will be lost because your studio is always with you. Record songs, podcast and much more with the according software.

ZHIYUN LED Fiveray V60 Combo je kompaktan (dužine od 45cm) lako prenosiv i svestran, ima varijabilnu temperaturu boje od 2700 do 6500K, za fino podešavanje izlazne svetlosti, dostupno je kontinuirano zatamnjenje od 0 do 100%. Njegova intuitivna dugmad i ekran vam omogućavaju da brzo prelazite između različitih podešavanja bez komplikacija. Predviđen da bude u ruci, V60 je lagan izvor svetlosti sa više funkcija koji se uklapa skoro svuda. Šifra: 86162

ZHIYUN LED Svetlo Fiveray M20 Combo odlikuje se jednostavnošću i funkcionalnošću u svom kompaktnom kućištu od 8x8cm. Ovo svetlo ima temperaturu boje koja se može podesiti od 2700 do 6500K, posebnu funkciju zatamnjivanja od 0 do 100% i vreme rada do 40 minuta pri maksimalnoj osvetljenosti. Integrisana baterija se puni za oko dva sata. Šifra: 86157

ZHIYUN LED Svetlo Fiveray M20c RGB Led Combo odlikuje se jednostavnošću i funkcionalnošću u svom kompaktnom kućištu od 8x8cm. Ovo svetlo ima temperaturu boje koja se može podesiti od 2700 do 10.000K, posebnu funkciju zatamnjivanja od 0 do 100% i vreme rada do 40 minuta pri maksimalnoj osvetljenosti. Integrisana baterija se puni za oko dva sata. Šifra: 86158

The Solid State Logic SSL E Series EQ Module for API 500 Series Rack is an API 500-series "lunchbox" style rack module with circuitry from the classic SSL 4000 E Series console channel strip. This sound has been heard on countless recordings throughout the 1980s to the present. The module features two different EQs that were found on editions of the console produced between 1981 and 1989, each with a unique response curve and tonal character. The two EQ designs include the "Black-242" and the "Brown-02". The unit includes a fully parametric LMF and HMF with Q control. Both the HF and LF sections include a bell curve option. As with many modules, the nominal input/output level is +4 dBu. Brown Knob EQ Features classic logarithmically symmetric design ensuring that the ±3 dB up/down points retain the same musical interval from the center frequency regardless of frequency and amplitude settings Black Knob EQ Features enhanced cut and boost ranges (±18 dB instead of ±15 dB) together with a different control law for tighter control of low frequencies Packaging Info Package Weight 0.8 lb Box Dimensions (LxWxH) 11 x 7.3 x 2.8"

Airence Expansion Module 6 Mic / Line (inc Phantom power) Desktop Or Flush Mounting NOTE: You must have a D&R Airence, this module will not function as a stand along mixer.

Snaga (RMS): 80 W + 40 W, (Program Power: 120 W) Ulazna impedansa: Sym, 10 kΩ, Osetljivost (Sensitivity): za 100 dB @1 m: 0.775 V SPL: Continuous Max SPL @1 m: 104 dB (single), Program Max SPL @1 m: 115 dB (pair) Drajveri - HF Driver: 1 x 3.9" / 100 mm Tweeter, LF Driver: 1 x 8.5" / 217 mm Woofer Distorzija (THD): manja od 1.5% (100 do 12 kHz) Phase Deviation: Phase Tolerances: ±45° (180 Hz to 20 kHz) Disperzija: 90 x 90° (Horizontal x Vertical) Crossover Frequency: 3.0 kHz Vufer: 6.9" / 175.0 mm, Diaphragm: 5.1" / 130.0 mm Visokotonac: 3.9" / 100.0 mm, Diaphragm: 1.0" / 25.0 mm Konektor: XLR ženski, tropinski, Wiring Scheme - Signal Input: 1=GND, 2=(+), 3=(-) Frekvencijski odziv: 44 Hz do 23 kHz (na -6 dB), Tolerancija: +/-2.5 dB (50 Hz do 20 kHz) Voltaža/AC Input Power: 115 do 230 VAC, ±10% (50/60 Hz) Potrošnja energije: 1.4 W (Standby), 6 W (Idle), 100 W (Maximum) Operativna temperatura vazduha: 5 do 40°C, vlažnost 90% - 75% (preporučeno) Materijal kutije: Medijapan Dimenzije: 200 x 320 x 230 mm, Težina: 8.4 kg

Podcast Pro odlikuje se visoko izlaznom dinamičkom kapsulom koja omogućava mikrofonu da snimi veliku jasnoću, bogatstvo i dubinu. Mikrofon takođe nudi odlično bočno odbacivanje zahvaljujući super kardioidnom polarnom paternu. Ovo je sjajno za snimanje vokala u okruženjim gde ima gužvi. Zahtevajući manje gaina od tradicionalnih dinamičnih mikrofona, Podcast Pro se može brzo podesiti zahvaljujući plug and play XLR povezivanju. Ovo omogućava trenutnu vezu sa interfejsima, zvučnim karticama i mikserom. S obzirom da je mikrofon dizajniran posebno za izgovorenu reč, biti potrebno malo ili nikakvog EQ-a pri podešavanju Podcast Pro-a. High-grade konstrukcija i dizajn The Podcast Pro izrađen je korišćenjem unutrašnje pregrade i tri sloja zvučne zaštite, sa unutrašnjim pop filterom koji pomaže u borbi protiv plosivnog zvuka. To takođe obezbeđuje da pri upravljanju Podcast Pro-om nije potrebno spoljni vetrobran. Bez obzira da li snimate u profesionalnom studiju, kućnom okruženju, radio stanici ili okruženju uživo, Podcast Pro će se odlično pokazati svaki put. Karakteristike Dinamički mikrofon sa tesnim superkardioidnim paternom Idealno za podkast,emitovanje emisija, radio, voiceover i gejming Snima zadivljujuće detalje i dubinu Nije potreban nikakav EQ Rezultati studijskog kvaliteta po neverovatnoj ceni Dizajniran, razvijen i ručno izrađen u UK Pokriveno doživotnom garancijom Crni završni sloj Specifikacije: Tip mikrofona: dinamički Polar patern: superkardioidni Frekventni odziv: 50Hz – 15kHz Osetljivost: -50dB ±2dB Impedansa: ≤600 Ohms Konektor: Three-pin XLR Napajanje: Fantomsko napajanje nije potrebno Dimenzije: 180 x 82 x 60 mm Težina: 320g Proizvodni kod: ST-PODCAST-PRO

Sjajan zvuk za svaku primenu Onyx pretpojačala su tu za kristalno čist kvalitet vokala i instrumenata, zahvaljujući transparentnom "pecanju" i ultra-niskom šumu. 5 polarnih paterna Mnoštvo polarnih paterna omogućuje praktično svim (različitim) kreatorima sadržaja da s lakoćom i preciznošću rade ono što žele. Kardioid za odbijanje šuma svodi tonove iz prostorije na minimum - dok govorite direktno u mikrofon. Ukoliko želite još fokusiraniji zvuk, izaberite Superkardioid. Ukoliko snimate sa gostom, izaberite dvosmerni polarni patern; tako možete govoriti u prednji deo mikrofona, dok gost govori u zadnji - pritom strane mikrofona odbijaju neželjeni šum iz prostorije. Izaberite višesmerni polarni patern za "pikap"/hvatanje svog zvuka oko kapsule, što je odlično za rad koji zahteva višeglasje. Konačno, stereo režim sjajan je za ASMR sadržaje ili snimanje muzike. Uključeni su i desktop stalak & USB kabl. Onboard monitoring & kontrole za slušalice 3.5-milimetarski izlaz za slušalice sa nezavisnom kontrolom jačine tona nudi zgodno rešenje za monitoring (kao i za podešavanje polariteta paterna i Gain-a mikrofona). Snimanje zvuka kvaliteta (radijskog) emitovanja Mikrofon snima zvuk rezolucije & "sempl rejta" do 16-bita / 48 kHz, dajući emiterski standard plejbeku medija. Uključen softver industrijskog standarda Avid Pro Tools je industrijski standard u studijima i kućnoj upotrebi već decenijama, a EM-USB nudi pristup svetu Pro Tools-a sa besplatnim softverom, uključenim u paket. Pro Tools | First (dostupan za operativne sisteme mac & Windows) je istovremeno dovoljno jednostavan i za početnike, kao i dovoljno sofisticiran - za iskusnije muzičare/korisnike. Nabavite mnoge alate koje koriste vaši omiljeni izvođači i studiji za snimanje, sarađujte online sa bilo kim, bilo gde, i kreirajte brzinom kojom radi i vaša mašta. Takođe dobijate i Tracktion-ov Waveform OEM & DAW Essentials kolekciju. Kao poseban dodatak moćnim plag-inovima Pro Tools | First, uz ovaj mikrofon dolazi ekskluzivna Mackie Musician Collection sa 23 fantastična plag-ina.

Opis Donner N 49 Midi klavijatura N-49 MIDI klavijatura nudi 49 minijaturnih dirki koji reaguju na dodir za vašu udobnost sviranja. Pruža veću mogućnost sviranja uz odličnu kompatibilnost uređaja, tako da je vaš savršeni partner za stvaranje vaših remek-dela.Kreirajte bilo kada, bilo gde.Kompaktan i lagan.Ovu ultra mobilnu tastaturu možete lako da stavite u skoro svaku torbu i ponesete je sa sobom u studio, kafić ili hotel da biste komponovali svoju muziku. Takođe zauzima manje prostora na vašem stolu. Technicial Specifications Keyboard: 49 velocity-sensitive mini-keys Compatibility: PC and Mac Knob: Volume Knob Pitch: Joystick Sequencer: Yes Chord function: Yes Button Lights: Yes MIDI Interface/Power Supply: USB-C Functions: Chord arpeggiator, Octave, Pitch shifter , Sequencer, Sustain pedal Compatible Programs: Ableton, Cubase, Logic

Audient EVO RACK KIT Specs Compatible with: EVO 16 and SP 8 Material of Construction: Metal Dimensions: Not Specified by Manufacturer Weight: Not Specified by Manufacturer Packaging Info Package Weight: 0.48 lb Box Dimensions (LxWxH): 6.2 x 4.2 x 2"

MXL Accessories are available through most retail partners. If you need a replacement part, repair part, or can’t find what you are looking for, feel free to reach out to our support team below.

PR 30 se često upoređuje sa skupim ribbon mikrofonima zbog širokog frekvencijskog odziva i besprekornog kvaliteta zvuka. Razlika je u tome što je PR 30 sposoban da podnese nivo zvučnog pritiska koji bi uništio ribbon mikrofone. PR 30 je savršen kao mikrofon za gitaru i pojačalo, kao i za bubnjeve, ali je i kod kuće dobar kao vokalni mikrofon, zahvaljujući svom unutrašnjem pasivnom filtriranju i jedinstveno dizajniranoj mreži, koja praktično eliminiše iskakanje i praskave zvuke tokom rada sa vokalima iz blizine. Svestranost i kvalitet ugrađeni u PR 30 čine ga izborom nekih od vrhunskih profesionalnih muzičara, producenata i emitera u današnjem svetu. Uz PR 30 dobijate PR 30, Preuzmite detaljne specifikacije Proizvod: PR 30 Izlazno povezivanje: 3 pin XLR Tip: dinamički Frekventni odziv: 40 Hz – 18 kHz Polarni patern: superkardioidni Odbijanje sa zadnje strane @ 180 stepeni van ose: -40 dB Impedansa: 370 ohms balansirano Izlazna jačina: -51 dB @ 1 kHz Težina: 255 g Maksimalni SPL: 146 dB

Aston Shield GN The pop filter itself features a unique, solid stainless steel shield, with precisely acid etched hexagonal filter holes, to give crystal clear vocals, with a perfect acoustic performance for plosive (pop) control. It also presents a large surface area and curves around the mic, so vocalist movement is never an issue. The Aston Shield is also available separately as an add-on version, adapted specifically to fit the Aston Swift shock mount. Perfecting your vocal tracking, and giving a real touch of class to your mic set up, the Aston Shield is a must-have accessory for every studio., Main Features: Ultimate pop reduction Solid stainless steel pop shield with ‘Hextech’ filter holes Ultra-fast mounting system Mounts to any stand Deluxe gooseneck Hygienic washable filter Large surface area

Smooth Audio Reproduction The 770 features a flat frequency response and is ideal for accurate vocal reproduction. Cardioid Polar Pattern The cardioid polar pattern minimizes off-axis (side) audio and suppresses feedback. MXL 770 Specs Microphone Form Factor Stand/Boom Mount Sound Field Mono Operating Principle Pressure Gradient Capsule Condenser Diaphragm 0.87" / 22.10 mm Polar Pattern Cardioid Orientation Side Address Pad -10 dB High-Pass Filter Yes Performance Frequency Range 30 Hz to 20 kHz Maximum SPL 137 dB SPL Impedance 150 Ohms Signal-to-Noise Ratio 74 dB A-Weighted Equivalent Noise Level 20 dB A-Weighted THD 0.5% Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Power Operating Voltage 48 V ± 4 V Physical Color Black Mounting Shockmount (Included) Dimensions ø: 2.32 x L: 6.22" / ø: 59 x L: 157.99 mm Weight 1 lb / 0.45 kg

The HD 26 PRO - the perfect headphones for radio and television broadcast productions. Because of its closed design this headphones offer a high passive noise attenuation. The HD 26 PRO provides a very accurate sound reproduction for demanding applications. Soft ear cushions and low weight guarantee outstanding wearing comfort even in long term use. The HD 26 PRO comes with ActiveGard© to protect the hearing from sudden audio peaks more than 105 dB. The ActiveGard© function can be activated or deactivated. The modular concept of the HD 26 PRO makes changing cabel or cushions easy. Excellent wearing comfort due to low weight, splitted headband and soft cushions High passive noise attenuation due to closed design Accurate sound reproduction for demanding monitoring High sound pressure level ActiveGard© for safe and protected hearing Special cable shape reduces structure born noise perfectly Swivelling ear cap for listening to environment Easy replaceable cable and cusions due to modular concept Specifications Impedance 100 Ω (stereo) Frequency response 20 to 18.000 Hz Sound pressure level (SPL) 115 dB (1 kHz, 1V) Max. sound pressure level 128 dB (1kHz, 200 mW, ActiveGard™ off) Characteristic SPL 105 dB THD, total harmonic distortion <0.5 % ( at 1kHz ) Contact pressure ca. 3,9 N Ear coupling supra aural Jack plug 3,5 mm jack plug with screw on adapter for 1/4" (6,3mm) jack plug Cable length 1,5 m easy replacable Transducer principle dynamic, closed Weight Without cable: 180 g ActiveGard® protects from peaks more than 105 dB at 1kHz, on / off switch What's in the Box 1 Headphones 1 cable clip 1 wide head band cushion 1 screw-on adapter 1/4" (6,3mm) jack plug 1 manual

The ART HeadAmp6PRO is a six-channel stereo headphone amplifier that includes a six-channel auxiliary input section that can be used to provide the popular "More-Me" function on each headphone mix. Each output channel also features a dual function BALANCE control which will pan between LEFT & RIGHT sides of the main signal bus, or vary the MIX between the main signal bus and the AUXILIARY input for that respective channel. Bass and treble controls are included on each output channel for fine-tuning the tone. Outputs include both front and rear panel stereo 1/4-inch TRS jacks for ease of installation and quick patching capability. Two MONO select buttons on each channel select between four operating modes; 1) Stereo, 2) Mono Left, 3) Mono Right, 4) Mono Both (Left & Right) for versatile monitoring solutions. The main outputs for each channel of the headphone amplifier are rear mounted stereo TRS jacks and are wired in parallel with the corresponding output jacks on the front panel. Front panel, rear panel, or both front and rear panel outputs can be used simultaneously to drive headphones or be used as feeds to additional headphone amplifiers in a distributed audio network. Input options include XLR and 1/4-inch TRS balanced inputs with matching "Thru" jacks for bridging multiple HeadAmp 6 Pro units. An additional front panel stereo 1/4-inch TRS jack for quick patch override of the rear panel inputs is included for quick insertion of any stereo source. Eight-segment LED level indicators provide visual feedback of the signal level on all channels as well as the main signal bus. Features Six Channels with Separate Bass & Treble Controls Front & Rear Panel Output Jacks XLR & 1/4-inch TRS Balanced Inputs Operates in Stereo, Mono (Source Left), Mono (Source Right) or Summed Mono (Source Left & Right) Auxiliary Front Mounted Separate Source Input 8-Sement LED Level Indicators on all Channels & Bus Specifications Maximum Input Level: +21.5dBu Input Impedance: 40k ohm Balanced Maximum Output Level: 500 mW @ 32ohms Maximum Gain: 25.6 dB (Tone Controls Set Flat) Frequency Response: 20 Hz - 50 KHz +0, -2dB CMMR: 40dB Dimensions: 1.75 x 19 x 7.5 in / 44.5 x 482 x 190mm Weight: 6.8 lbs (3.1 kg) Power Requirements: 105-125 VAC AC 60 Hz

The ART Pro Channel II™ uses second-generation discrete Class-A microphone preamp to provide clean quiet gain while maintaining incredible transparency. A powerful dynamics processor subtly controls transients and noise of the most demanding sources. The ART Pro Channel II™ 's semi-parametric EQ offers wide tune-ability and can be patched before OR after the dynamics processor. Separate rear-mounted insert points allow patching in external signal processing gear immediately after the Mic preamp and before the EQ and dynamics processor. Both analog and LED meters provide a detailed indication of audio levels. Features Fully Featured discrete class "A" Tube Microphone Preamplifier 1/4" High Z input on the front panel Selectable plate Voltage Smooth musical sounding Optical Compressor Separate Attack and Release controls Auto/Manual Attack/Release switch Parametric EQ Large VU and LED meters Multi section clip monitor LED Selectable Source switches for VU signal monitoring of any section of the unit Two insert loops +4/-10 dB switch for optimal signal output levels Toroidal power transformer for low noise Specifications Input Impedance Mic: 150 to 3.4K Ohms, variable Instrument: 2.5M Ohms Preamp Insert: .5K Ohms Output Impedance Balanced Output: 600 Ohms balanced Unbalanced Output: 300 Ohms Insert Outputs: 300 Ohms Frequency Response Analog In to Analog Out: 12Hz to 100KHz +0, -1dB THD @ 1 KHz: <0.15% typical THD @ to to 20 KHz: <0.033% typical Equivalent Input Noise Mic/Line: -128dBu, Input shortened, Max gain, "A" weighted Instrument: -109 dBu, Input shortened, Max gain, "A" weighted Maximum Input Level Mic: +18dBu balanced Instrument: +15 dBu Maximum Gain Mic: 70dB (XLR to balanced output) Instrument: 64 dB (1/4" to balanced output Maximum Output Level Balanced: +24 dBu Unbalanced: +20 dBu Output Level At Meter 0 VU: +4 dBu/-10dBV Preamp Microphone Gain: 0 dB to +56 dB Instrument Gain: +3 dB to +50 dB Low Cut Filter: 0 - 250 Hz, 1-pole, 6 dB/Octave EQ Boost/Cut: +/- 12 dB on each band Low Freq. Tuning: 40 / 120 Hz Selectable MID 1 Freq. Tuning: 20 Hz to 2 KHz continuously variable MID 2 Freq. Tuning: 200 Hz to 20 KHz continuously variable High Freq. Tuning: 6 KHz / 18 KHz Selectable Compressor / Limiter Attack Time: 250 uSec. to 100 mSec. Release Time: 00 mSec to 3 Sec. Compression Ratio: 2:1 to 30:1 Dimensions (H x W x D - in): 3.5 x 19.0 x 9.2 Dimensions (cm): 8.9 x 48.3 x 23.3 Weight (lbs/kg): 11/5 Power Requirements: USA - 105 to 125 VAC/ 60 Hz; Export units configured for country of destination. Note: 0 dBu = 0.775 VRMS, 0 dBV = 1 VRMS

Packed in a just 1HU, this highly integrated converter has 16 x 16 balanced analog TRS sockets using studio levels up to +20dBu – individually adjustable in 1dB steps. The Low Latency Cirrus Logic converters, accompanied with a a temperature-compensated clock and jitter reduction PLL guarantee best crystal clear sound. Besides Dante, the 4 x 4 ADAT ports deliver enough bandwidth to convert all 16 x 16 analog signals at 96kHz, or even 32 x 32 channels at 48kHz. MADI adds another 64 x 64 channels, and is implemented using a modular SFP conection to offer different MADI standards (like Singlemode). Just replace the MADI module by a different model. Configuring the device is a breeze thanks to the two TFT screens. No need to consult the manual, every information is displayed clearly on the screens. Remote control via MIDI and MADI is also possible. The headphone can be connected to any analog or digital input or output: ideal for control or monitoring. The fanless, compact 1HU device is the ultimate problem solver for studio, live sound, broadcast and recording – wherever high-end, multi-format conversion is needed in the Dante network. Dante made easy: the perfect network solution for recording, broadcast, live sound, and house of worship High Quality AD/DA The Pulse DX uses the latest low latency AD/DA converters from Cirrus Logic. With a maximum sample rate of up to 192kHz and sophisticated external circuitry, they guarantee best sound with neutral frequency response and lowest THD + N. Using TRS jacks, all channels handle +20dBu studio level maximum, while each channel is individually adjustable in 1dB steps. Dante Plug & Play Integrate the Pulse16 DX seamlessly into your Dante network. Just plug it in and the device is visible on the network and ready to be routed freely using the Dante Controller software. Together with the Dante Virtual Soundcard, also from Audinate, the Pulse16 DX turns into a universal audio interface. MADI Interface The Pulse16 DX has a modular MADI interface: The MADI SFP slot is equipped with an optical LC multimode module, which can be replaced, for example, by a Singlemode module. In addition to the 64 x 64 audio channels, a MIDI signal is also embedded, which can be used for device control and for routing to the MIDI interfaces. Internal Routing Matrix All 176 x 176 analog and digital channels of the Pulse16 DX are brought together in groups of 8 using the internal routing matrix. For easy monitoring, any channel, mono or stereo, can be selected for headphone output. Dual TFT Screens Keep track of all 32 analog channels at any time: Everything is shows clearly on two TFT screens. Status information and all functions are presented clearly and intuitively, so no need to consult the manual anymore. Gone are the days of blinking LED‘s and incomprehensible operation! Flexible Remote Control A comprehensive remote software for PC and MAC is available to control the Pulse16 DX. In addition to USB, the A32 Dante can also be connected via MIDI and MIDI over MADI. All Ferrofish devices are automatically detected and listed in the software. Pulse16 DX INPUTS & OUTPUTS 16 ANALOG I/O 32 ADAT I/O 64 MADI I/O 64 DANTE I/O 16 x 16 BALANCED TRS balanced analog I/O, max 192kHz Gain/Levels: -8dBu…+20dBu (1dB steps). MADI SFP PORT SFP MADI module with optical LC connector (Multimode). Singlemode Module optional. 4 x 4 ADAT TOSLINK Each ADAT port transfers eight channels at a sample rate of 48kHz (= 32 In + 32 Out). Word Clock I/O BNC with 75 Ohm internal termination. On/Off via display. MIDI I/O For Remote Control and MIDI-over-MADI (with installed MADI module). PHONES STEREO TRS (FRONT) Monitoring of every stereo/mono I/O via an additional stereo DAC. Dante Network I/O (redundant) Two RJ-45 ports connect to any Dante audio network. Simply connect a LAN Ethernet cable (CAT5/CAT6) to the primary port. The secondary port takes automatically over in case of a network error (Dante Port Redundancy). Pulse16 DX SPECIFICATIONS Dante I/O 2 x RJ-45 Ethernet connector (CAT5/6 cables), 64 x 64 channel Brooklyn II board built-in. MADI I/O (AES10) SFP Multimode included SFP Singlemode optional SFP port for MADI optical Multimode or Singlemode SFP module 64 channels @32kHz, 44.1kHz, 48kHz 32 channels @64kHz, 88.2kHz, 96kHz 16 channels @128kHz, 176.4kHz, 192kHz Support of MIDI over MADI. Latency: 2 samples Analog Inputs (AD) 2 x CS5368 (Cirrus Logic) 16 x TRS ¼” (6.3mm), female Analog switches: +20dBu, +13dBu, +4dBu Digital gain: +20dBu … -8dBu, 1dB steps Latency @48kHz: 7.8/fs, 0.16ms @96kHz: 5.4/fs, 0.06ms @192kHz: 6.6/fs, 0.03ms OpAmps RC4580 Level indicator TFT screen, 28 levels Analog Outputs (DA) 2 x CS4365 (Cirrus Logic) 16 x TRS ¼” (6.3mm), female Digital gain: +20dBu … -8 dBu, 1dB steps Latency @48kHz: 12/fs, 0.25ms @96kHz: 9/fs, 0.09ms @192kHz: 5/fs, 0.03ms OpAmps RC4580 Headphones Out 1 x ¼” (6.3mm) TRS jack, stereo. Selectable mono or stereo source. Digitally controlled volume level. ADAT I/O 4+4 optical ports (8 channels each with 48 kHz) 16 channels @32kHz, 44.1kHz, 48kHz 16 channels @64kHz, 88.2kHz, 96kHz 8 channels @128kHz, 176.4kHz, 192kHz (SMUX4 – only with installed MADI MX option) Latency: 2 samples MIDI I/O 2 x DIN5 connector for remote control of the unit Conversion MIDI <> MIDI over MADI possible (MADI MX option required.) Wordclock I/O BNC: 1 x input, 1 x output 75 Ohm Termination switchable for input Power Supply 12V, 3A 1 x input jack with screw lock. Power required: 12VA in operation, 0,1VA in standby mode (Efficiency Level VI) Internal resettable polyfuse 1 x power supply included Additional Features SMUX4 with 192 kHz operation (requires installed MADI SFP). Delay-compensation for MADI chain (requires installed MADI SFP). MIDI over MADI Preset Management (requires installed MADI SFP) Internal Clock TCXO (temp. compensated oscillator) with high accuracy. Initial accuracy: +/-1.5ppm Over temperature range: +/-2.5ppm Aging: +/-1ppm PLL Digitally controlled PLL / Jitter reduction system Output jitter: 50ps … 100ps typ. LCD Displays 2 x TFT Color Screens for the complete control of all analog I/O levels and all settings of the unit One Key Control provides an easy control of all functions. Multi language help pages guides available (No need to study the manual.) Dimensions 1HU Depth: 19cm (7.5”) (including connectors) Weight 2 kg (4.4lbs) Ambient temperature 41°F up to 113°F (+5°C up to +45°C) Ferrofish AD/DA Converters in Comparison An exceptional choice for live sound, recording, broadcast and installation sound. Wherever high-quality, multi-format conversion is required.

Configuring the device is a breeze thanks to the two TFT screens. No need to consult the manual, every information is displayed clearly on the screens. Remote control via MIDI and MADI is also possible. The headphone can be connected to any analog or digital input or output: ideal for control or monitoring. If your studio grows, the PULSE16 grows with it: MADI I/O can be added via a MADI-SFP module together with an upgrade of the firmware. The PULSE16 then becomes a full-fledged PULSE16 MX. Upgrade your studio: the best you can connect your ADAT lightpipes to. Internal Routing Matrix All 48 x 48 analog and digital channels of the Pulse16 are brought together in groups of 8 using the internal routing matrix. For easy monitoring, any channel, mono or stereo, can be selected for headphone output. Dual TFT Display Keep track of all 32 analog channels at any time: Everything is shows clearly on two TFT screens. Status information and all functions are presented clearly and intuitively, so no need to consult the manual anymore. Gone are the days of blinking LED‘s and incomprehensible operation! Optional MADI Upgrade The PULSE16 has a SFP port which can be used to upgrade to MADI. By adding the SFP module and upgrading the firmware, the unit turns into a fully equipped Pulse16 MX, including 192kHz operation. Pulse16 INPUTS & OUTPUTS 16 ANALOG I/O 32 ADAT I/O 2 PHONES OUT 16 x 16 BALANCED TRS balanced analog I/O, max 96kHz (192kHz with MADI option) Gain/Levels: -8dBu…+20dBu (1dB steps) 4 x 4 ADAT TOSLINK Each ADAT port transfers eight channels at a sample rate of 48kHz (= 32 In + 32 Out). PHONES STEREO TRS (FRONT) Monitoring of every stereo/mono I/O via an additional stereo DAC. Word Clock I/O BNC with 75 Ohm internal termination. On/Off via display. MIDI I/O For Remote Control and MIDI-over-MADI (with installed MADI module). SFP PORT Optional MADI module. For Multimode or Singlemode MADI SFP with optical LC connector. Pulse16 SPECIFICATIONS MADI I/O (AES10) PULSE 16 MX (Multimode included) PULSe 16 optional via SFP SFP port for MADI optical Multimode or Singlemode SFP module 64 channels @32kHz, 44.1kHz, 48kHz 32 channels @64kHz, 88.2kHz, 96kHz 16 channels @128kHz, 176.4kHz, 192kHz Support of MIDI over MADI. Latency: 2 samples Analog Inputs (AD) 2 x CS5368 (Cirrus Logic) 16 x TRS ¼” (6.3mm), female Analog switches: +20dBu, +13dBu, +4dBu Digital gain: +20dBu … -8dBu, 1dB steps Latency @48kHz: 7.8/fs, 0.16ms @96kHz: 5.4/fs, 0.06ms @192kHz: 6.6/fs, 0.03ms OpAmps RC4580 Level indicator TFT screen, 28 levels Analog Outputs (DA) 2 x CS4365 (Cirrus Logic) 16 x TRS ¼” (6.3mm), female Digital gain: +20dBu … -8 dBu, 1dB steps Latency @48kHz: 12/fs, 0.25ms @96kHz: 9/fs, 0.09ms @192kHz: 5/fs, 0.03ms OpAmps RC4580 Headphones Out 1 x ¼” (6.3mm) TRS jack, stereo. Selectable mono or stereo source. Digitally controlled volume level. ADAT I/O 4+4 optical ports (8 channels each with 48 kHz) 16 channels @32kHz, 44.1kHz, 48kHz 16 channels @64kHz, 88.2kHz, 96kHz 8 channels @128kHz, 176.4kHz, 192kHz (SMUX4 – only with installed MADI MX option) Latency: 2 samples MIDI I/O 2 x DIN5 connector for remote control of the unit Conversion MIDI <> MIDI over MADI possible (MADI MX option required.) Wordclock I/O BNC: 1 x input, 1 x output 75 Ohm Termination switchable for input Power Supply 12V, 3A 1 x input jack with screw lock. Power required: 12VA in operation, 0,1VA in standby mode (Efficiency Level VI) Internal resettable polyfuse 1 x power supply included Additional Features SMUX4 with 192 kHz operation (requires installed MADI option). Delay-compensation for MADI chain (requires installed MADI option). MIDI over MADI Preset Management (requires installed MADI option) Internal Clock TCXO (temp. compensated oscillator) with high accuracy. Initial accuracy: +/-1.5ppm Over temperature range: +/-2.5ppm Aging: +/-1ppm PLL Digitally controlled PLL / Jitter reduction system Output jitter: 50ps … 100ps typ. LCD Displays 2 x TFT Color Screens for the complete control of all analog I/O levels and all settings of the unit One Key Control provides an easy control of all functions. Multi language help pages guides available (No need to study the manual.) Dimensions 1HU Depth: 19cm (7.5”) (including connectors) Weight 2 kg (4.4lbs) Ambient temperature 41°F up to 113°F (+5°C up to +45°C) Ferrofish AD/DA Converters in Comparison