Kada koristite savršenu kombinaciju rezolucije, brzine i osetljivosti na svetlo, ne pružate samo izvanredan rad. Taj rad postaje vaše remek-delo. PREGLED NAJVAŽNIJE KARAKTERISTIKE DODATNA OPREMA TEHNIČKE SPECIFIKACIJE Kreativnost bez granica. Izvanredni rezultati svaki put. Dobro došli u raskoš pune slike FX formata kakvu još niste videli. Od studija do najudaljenijih mesta na svetu. Proširi tekst Ovako brzina izgleda pri 45,4 MP. Napravite pobednički snimak uz najbolju kombinaciju brzine, oštrine i preciznosti. Rafalno okidanje do 9 fps u punoj rezoluciji. Fenomenalan autofokus. Proširi tekst Objedinjeni osetljivost na svetlost, preciznost i izraz Otkrijte detalje koji se kriju u najmračnijim scenama i najdubljim senama. Uz vrhunski ISO opseg od 64–25.600, proširiv sa 32 na 102.400 (ekvivalentna vrednost). Proširi tekst Ovo je vaše delo. 45,4 miliona piksela upotrebljenih na pravi način. Performanse su najvažnije. Odlične rezultate dobijate samo kada spojite snimanje fotografija izuzetno visoke rezolucije sa mogućnošću fotografisanja u bilo kom okruženju i mogućnošću prilagođavanja. Proširi tekst PRIRODA KOMERCIJALNA SPORTSKA FOTOGRAFIJA Budite jedinstveni. Uz rezoluciju, oštrinu i brzinu možete da pravite jedinstvene, zapanjujuće slike. Uvedite gledaoce u priču. Budite izvanredni. Uhvatite pokret uz neverovatnu kombinaciju brzine, rezolucije i preciznosti. VENČANJE MODA Jake emocije. Nežni pokreti. Prenesite energiju i moć intimnih trenutaka uz preciznu kontrolu i zapanjujuću oštrinu. Prkosite izuzecima. Odredite svoja pravila. Kada imate mogućnost da prekoračite ograničenja, vaše fotografije neće biti samo impresivne. Biće epske. Video zapis Dotaknite srca gledaoca. Kada radite u pravom, punom 4K/UHD formatu i ne morate da brinete o isecanju, vaše scene neće biti samo sjajne. Biće filmske. POVEZIVANJE Fotografišite više. Ne čekajte ni časa. D850 će pojednostaviti proces rada uz brzi prenos podataka i bežičnu vezu. Proširi tekst ISTRAŽITE SNAPBRIDGE Odricanje odgovornosti u vezi s povezivanjem: ¹ Oznaka imena i logotipi Bluetooth® su registrovani žigovi u vlasništvu kompanije Bluetooth SIG, Inc. i korporacija Nikon i njene podružnice te oznake koriste pod licencom. ² Wi-Fi® i logotip Wi-Fi Certified su registrovani žigovi udruženja Wi-Fi Alliance®. Android i Google Play su žigovi kompanije Google Inc. Svi Nikon žigovi su žigovi korporacije Nikon.

The Multichannel Flagship Interface The Fireface UFX III is the center of any multitrack studio, handling up to 94 channels I/O with ease. Its unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME’s famous low latency hardware and driver designs guarantee flawless operation in any mode and application. Packed with professional features, including SteadyClock FS, MADI I/O (64 channels), a powerful DSP, USB 3.0 (full 94 channel I/O Class Compliant ready), TotalMix FX, Direct USB Recording, and support for the Advanced Remote Control USB (available separately), the Fireface UFX III is the professional’s preferred tool for multitrack recording, mixing and mastering. Powerful USB 3 Performance The front panel of the Fireface UFX III provides four high-performance XLR/TRS combo inputs for microphone, instrument and line signals, two stereo headphone jacks with +19 dBu output level, MIDI I/O, and a USB port. In combination with the DURec function (Direct USB Recording), the USB port allows independent recording of selected input and output signals (up to 80 channels) to a connected USB storage medium. The rear panel reveals the full connectivity of the Fireface UFX III. Besides another MIDI I/O, the two optical ADAT I/Os, an AES/EBU I/O, and eight balanced analog outputs with line level (including XLR stereo monitor outputs) are available. With the new Multi-Mode, the two ADAT I/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I/O. Furthermore, the Fireface UFX III offers an optical MADI interface (SC) with 64 bidirectional channels. The Word Clock connectors (BNC) work as additional coaxial MADI input and output if required. Comprehensive MADI Connectivity The Fireface UFX III opens the doors to a host of RME and 3rd party digital and analog I/O solutions. Expanding your analog channel count, the ability to route/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series. To further enhance MADI flexibility, the Fireface UFX III boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I/O (12 analog plus 16 ADAT plus AES), the MADI I/O is still available via RME’s integrated hardware mixer TotalMix FX. Word Clock I/O (BNC) can be switched to MADI I/O (coaxial), and a special split mode even supports the use of both MADI I/Os simultaneously, with 32 channel each on optical and coaxial. Powerful Applications for Mixing, Monitoring and Measurement included The Fireface UFX III comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DIGICheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians. The additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi. DC-Coupled Outputs - CV/Gate Voltage Control Most audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies. Whilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs. All of the Fireface UFX III’s line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog/MOTM/Synthesizers formats) and other studio hardware. USB 3 Class Compliant Audio The Fireface UFX III operates in two different modes: driver-based USB 3 and Class Compliant. The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions. No proprietary drivers are required, the device will be directly recognized when the CC firmware is loaded. The Fireface UFX III is RME's first audio interface with full USB 3.0 support in Class Compliant Mode. This makes all channels available in driverless operation for Linux, Mac and iPadOS. An iPad Pro with USB C can manage up to 94 channels for recording and playback in TotalMix FX for iPad and on system level. ARC USB Remote Control - Plug’n Play Plus The optional available ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch. The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX III. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX III. DURec (Direct USB Recording) DURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the front USB port. The Fireface UFX III records on USB thumb drives or hard drives with up to 2 TB capacity. The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer. The Direct USB Recording converts the Fireface UFX Series both into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks. Live concerts, band rehearsals or spontaneous jam sessions can be directly recorded and played back from the medium - even completely stand-alone without computer or software. SPECS Fireface UFX III Analog AD, Line In 1-8, rear Input: 6.3 mm TRS, electronically balanced Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA Signal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz Filter: Short Delay Sharp, 5 / 5 / 6 samples delay THD @ -1 dBFS: < -120 dB, < 0.0001 % THD+N @ -1 dBFS: < -110 dB, < 0.00032 % Channel separation: > 110 dB Maximum input level: +19 dBu Input: 6.3 mm TRS jack, electronically balanced Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced Input sensitivity switchable between Lo Gain and +4 dBu Input level for 0 dBFS @ Lo Gain: +19 dBu Input level for 0 dBFS @ +4 dBu: +13 dBu Variable digital gain: 0 to +12 dB Minimum level for 0 dBFS: +1 dBu, -1.2 dBV Microphone In 9-12, front As AD, but: Input: XLR, electronically balanced Input impedance @ 1 kHz: 3.4 kOhm Signal to Noise ratio (SNR) @ 0 dB Gain: 117 dB (AES17), 119.5 dBA THD+N @ -1 dBFS, Gain 20 dB: < -110 dB, < 0.00032 % Frequency response @ 44.1 kHz, -0.1 dB: 10.7 Hz – 20.3 kHz Frequency response @ 96 kHz, -0.5 dB: 5.1 Hz – 45.0 kHz Frequency response @ 192 kHz, -1 dB: 3.5 Hz – 88 kHz EIN @ 60 dB Gain, 150 Ohm, A-Weighted: -129.8 dBu Gain range: 75 dB Maximum input level, Gain 0 dB: +18 dBu Maximum input level, Gain 75 dB: -57 dBu CLIP LED: 0 dBFS SIG LED: -60 dBFS Instrument In 9-12, front As AD, but: Input: 6.3 mm TS jack, unbalanced Input impedance @ 1 kHz: 1 MOhm Signal to Noise ratio (SNR): 116 dB (AES17), 118.5 dBA Frequency response @ 44.1 kHz, -0.5 dB: 2.4 Hz – 20.0 kHz Frequency response @ 96 kHz, -1 dB: 1.6 Hz – 28 kHz Frequency response @ 192 kHz, -3 dB: 0.8 Hz – 54 kHz THD+N @ -1 dBFS, Gain 20 dB: < -107 dB, < 0.00045 % Gain range: 42 dB Maximum input level, Gain 8 dB: +21 dBu Maximum input level, Gain 50 dB: -21 dBu DA, Line Out 3-8, rear Output: 6.3 mm TRS jack, servo-balanced Signal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA Signal to Noise ratio (SNR) @ +4 dBu: 116 dB (AES17), 118 dBA Signal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz Frequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz THD+N: < -110 dB, < 0.00032 % Channel separation: > 110 dB Output level switchable Hi Gain, +4 dBu, -10 dBV Output level at 0 dBFS @ Hi Gain: +19 dBu Output level at 0 dBFS @ +4 dBu: +13 dBu Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu) Output impedance: 75 Ohm DA - Stereo Monitor Output XLR (1-2) As DA, but: Output: XLR, balanced Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV Output level at 0 dBFS @ 24 dBu: +24 dBu Output level at 0 dBFS @ Hi Gain: +19 dBu Output level at 0 dBFS @ +4 dBu: +13 dBu Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu) Output impedance: 150 Ohm DA - Stereo Monitor Output Phones (9-12) As DA, but: Output: 2 x 6.3 mm TRS stereo jack, unbalanced Maximum output level at 0 dBFS, High: +19 dBu Maximum output level at 0 dBFS, Low: +2 dBV Max power per channel @ 32 Ohm load, 0.02% THD: 200 mW (2.5 Vrms, +10 dBu) Signal to Noise ratio (SNR) @ High: 116.5 dB (AES17), 118.5 dBA Signal to Noise ratio (SNR) @ Low: 115 dB (AES17), 117 dBA Output impedance: 2 Ohm MIDI 2 x MIDI I/O via 5-pin DIN jacks Galvanically isolated by optocoupled input Hi-speed mode: Jitter and response time typically below 1 ms Separate 128 byte FIFOs for input and output 1 x MIDI I/O via MADI Invisible transmission via User bit of channel 56 (up to 48 kHz) Invisible transmission via User bit of channel 28 (up to 96 kHz) Digital Clocks: Internal, ADAT, AES, SPDIF, word clock Jitter suppression: > 50 dB (> 1 Hz) Effective clock jitter influence on AD and DA conversion: near zero PLL ensures zero dropout, even at more than 100 ns jitter Digital Bitclock PLL for trouble-free varispeed ADAT operation Supported sample rates: 28 kHz up to 200 kHz Digital Inputs MADI Optical via FDDI duplex SC connector 62.5/125 and 50/125 compatible Coaxial via BNC (Word Clock input), 75 Ohm High-sensitivity input stage (< 0.2 Vpp) Accepts 56 channel and 64 channel mode, plus 96k Frame Standard: up to 64 channels 24 bit 48 kHz S/MUX: up to 32 channels 24 bit 96 kHz S/MUX4: up to 16 channels 24 bit 192 kHz Lock range: 25 kHz – 54 kHz Jitter suppression: > 50 dB (> 1 Hz) AES/EBU 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 High-sensitivity input stage (< 0.3 Vpp) SPDIF compatible (IEC 60958) Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (> 1 Hz) ADAT Optical 2 x TOSLINK, format according to Alesis specification Standard: 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 4 channels 24 bit 96 kHz Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz Bitclock PLL ensures perfect synchronisation even in varispeed operation Lock range: 31.5 kHz – 50 kHz Jitter suppression: > 50 dB (> 1 Hz) SPDIF optical (ADAT 2) 1 x optical, according to IEC 60958 Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (> 1 Hz) Word Clock BNC Internal termination 75 Ohm switchable Automatic Double/Quad Speed detection and internal conversion to Single Speed SteadyClock guarantees super low jitter synchronization even in varispeed operation Not affected by DC-offsets within the network Signal Adaptation Circuit: signal refresh through auto-center and hysteresis Overvoltage protection Level range: 1.0 Vpp – 5.6 Vpp Lock Range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (> 1 Hz) Digital Outputs MADI Optical via FDDI duplex SC connector 62.5/125 and 50/125 compatible Coaxial via BNC (Word Clock input), 75 Ohm High-sensitivity input stage (< 0.2 Vpp) Accepts 56 channel and 64 channel mode, plus 96k Frame Standard: up to 64 channels 24 bit 48 kHz S/MUX: up to 32 channels 24 bit 96 kHz S/MUX4: up to 16 channels 24 bit 192 kHz Lock range: 25 kHz – 54 kHz Jitter suppression: > 50 dB (> 1 Hz) AES/EBU XLR, transformer-balanced, galvanically isolated, according to AES3-1992 Output level Professional 4.5 Vpp, Consumer 2.6 Vpp Format Professional according to AES3-1992 Amendment 4 Format Consumer (SPDIF) according to IEC 60958 Single Wire mode, sample rate 28 kHz up to 200 kHz ADAT 1 x TOSLINK, format according to Alesis specification Standard: 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 4 channels 24 bit 96 kHz Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz SPDIF optical (ADAT 2) 1 x optical, according to IEC 60958 Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (> 1 Hz) Word Clock BNC Max. output voltage: 5 Vpp Output voltage @ 75 Ohm termination: 4.0 Vpp Output impedance: 10 Ohm Frequency range: 27 kHz – 200 kHz General Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts Idle power consumption: 19 Watts Typical power consumption: 22-25 Watts Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5") Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3") Total depth: 240 mm (9.4”) Weight: 3 kg ( 6.6 lbs) Temperature range: +5° up to +50° Celsius (41° F up to 122°F) Relative humidity: < 75%, non condensingAll trademarks are the property of their owners.

LG 86NANO863PA Proizvođač: LG Dijagonala ekrana: 86" Rezolucija ekrana: 3840 x 2160 Podržani signali: Digitalni DVB-T2/C/S2 Smart TV: Da Garantni rok: 2 Godine 5.01 5.0

Components The cabinet is made from a heavily damped, thin-wall rigid birch ply carcass, with a 25mm back panel. The bass driver is new, using the same cone technology as the Response D15 but with a revised coil and magnet. Driver Features The tweeter is the same 1" silk dome as used in other ProAc models and the drive units are seamlessly mated with an HQ network designed and built by ProAc. Sound quality from the D2 is one of extreme transparency; a lush and potent bass response and a silky detailed high frequency. The D2 also have a huge sound stage with pinpoint imagery. The speakers are designed to sit on high mass stands from 18" high depending on your seating position. Performance Nominal Impedance: 8 ohms Recommended Amp: 30-150W Freq Response: 30hz-30Khz Sensitivity: 88.5db linear 1W @1M Driver Bass: New 165mm ProAc unit Magnet: Excel Magnet system Bass Cone: glass fibre weave Plug: copper phase plug Tweeter: 1" silk dome Air cooled: + inner damping Crossover HQ network: finest components Optional: bi-wiring/bi-amping Using: oxygen cable General Mode: Stand mount rigid high mass Grill: Acoustic transparent crimplene Dimensions (HWD): 430 x 203 x 260mm Weight: 24 lbs (11kg) /cabinet

EAN: 8806087954357 Dijagonala ekrana: 86" (218.4 cm) Rezolucija: 4K Ultra HD 3840 x 2160p Vrsta digitalnog tjunera: DVB-T2/C/S2 Operativni sistem: webOS Procesor za sliku: α9 Gen6 AI Processor 4K

Technology I25 modular integrated amplifier is the latest iteration of Primare’s now iconic integrated amplifiers and among the first to use our new UFPD 2 power system, a radical reworking of Primare’s award-winning UFPD all-analog Class-D technology. Providing 100 watts at 8 ohms of absolutely linear UFPD 2 amplification across the entire audible bandwidth, I25 delivers naturally fast, clean and agile sound with an unprecedented ability to bring music to life. The modular design of the I25 allows for a sophisticated digital to analog conversion module, DM25, as well as a Prisma network player module module, SM35, to be added to the amplifier at any time for unprecedented system customization. I25 continues a Primare tradition of delivering astonishing performance from compact and elegant integrated amplifiers for easy installation into virtually any living environment. The look and feel of Scandinavia We believe that every aspect of our products – the way they look, the satisfying feel of the controls – contributes to the overall experience of living with Primare. As a result, Primare products exude the hallmarks of Scandinavian design – simple, elegant designs, with approachable and easy to understand functionality. An example of this is our signature control knob, known throughout the industry for both its appearance as well as how it feels in the hand as an input is selected or volume adjusted. – or as we say lagom, not too much not too little, everything in balance, proportion, and harmony. UPFD 2 2 x 100W 8 ohms / 2 x 200 4 ohms RCA5 x stereo pair analog inputs RCA1 x stereo pair analog LINE output RCA1 x stereo pair analog PRE output C25 remoteIR system control IR3.5 mm input/output 12V Trigger3.5 mm output RS232outboard system control port Weight11 Kg Dimensions430 x 106 x 420 mm (WHD) Finishesblack

The I35 is an integrated analogue amplifier – capable of providing exemplary performance. It is the latest Iteration of Primare's now iconic 30 series integrated amplifiers and is the first to use the new UFPD 2 power system, a radical reworking of Primare’s award-winning UFPD all-analog Class-D technology. Providing 150 watts at 8 ohms of absolutely linear UFDP 2 amplification across the entire audible bandwidth, the I35 delivers naturally fast, clean and agile sound with an unprecedented ability to bring music to life. This superb unit allows you to upgrade in the future and add the DAC Stage, Primare's new I35 Prisma or upgrade to the CD35 Prisma. The optional configurations offered allows you to build your perfect system for today and tomorrows technology. The Primare I35 range allows you to configure your system to provide the best sound quality for the components you require. Technology Providing 150 watts at 8 ohms of absolutely linear UFPD 2 amplification across the entire audible bandwidth, the I35 Prisma delivers naturally fast, clean and agile sound with an unprecedented ability to bring music to life. Output Power 2x 150W 8Ω 2x 300W 4Ω Analog Inputs 2 pair XLR 3 pair RCA Outputs PRE 1 pair RCA Line 1 pair RCA Frequency Response 20 Hz - 20k Hz, - 0.2dB THD + N < 0.01%, 20Hz - 20kHz, 10W at 8Ω Signal to Noise - 100 dB Dimensions (WxDxH) 430mm x 420mm x 105mm Colour Available in Black

Product Key Features Very high SPL in a compact cabinet. Flat frequency response. Optimised directivity by phase coherency. Class G low temperature amplifier stage. Compatible with industry standard mouting systems. Amplifier unit acoustically uncoupled from speaker cabinet. Protection circuits with overload indicator. Real balanced input. Designed for stereo and multichannel monitoring. Magnetically shielded for use close to video monitors. AOI Technology. ALG Technology. CPR Technology. PSC Technology. Product Data Power RMS: 120 + 50W Program Power: 170W Input Impedance: Sym, 10k Ohms Sensitivity for 100 dB @ 1m: 0.775 V Signal to Noise Ratio: 96 dBA Continuous Max SPL@1m: 108 dB (single) Input Overload: 24 Vpp Program Max SPL@1m: 119 dB (pair) Response at -6dB: 38 - 23000 Hz Tolerances: ±2 dB (44Hz - 20kHz) Distortion THD: less than 1.4% (90Hz-12kHz) Phase tolerances: ±45° (190Hz - 20kHz) Dispersion (P.N. 4 - 16 kHz) at -6 dB: 90° x 90° (H x V) System: 2 Way(s) Crossover frequency: 2.4 kHz Woofer's dim. Ext. / Diaphragm: Ø217 mm / Ø170 mm Tweeter's dim. Ext. / Diaphragm: Ø100 mm / Ø25 mm Connectors: 1 x XLR F / 3P Signal input: 1=GND, 2=(+), 3=(-) Material: MDF Dimensions W x H x D mm: 250 x 400 x 300 Gross / Net Weight: 14.5 / 13.2 kg Voltage: 115/230V (50-60Hz) Consumption Standby-Quiescent-Max: 1.2 - 5 - 150 W Mean / Max Humidity: less than 75% / less than 90% External Temperature: 5 - 40°C

FEATURES A/D CONVERSION Improved overload handling for smoother clipping and analog warmth, handled by PCM4222 D/A CONVERSION Dual DAC architecture for enhanced stereo imaging and signal-to-noise ratio 64-BIT MASTER CLOCKING Sharp conversion timing via 4th gen AFC jitter management technology HIGH-END D/A Dedicated D/A converter for greater convenience, allows monitoring a secondary source TRANSPARENT ANALOG MONITORING A -1dB stepped relay attenuator with 0.05dB precision and full bypass option SOFTWARE CONTROL Super intuitive OS X & Windows compatible software panel DESCRIPTION FIVE HIGH-PERFORMANCE COMPONENTS: A/D CONVERTER WITH OPTIMIZED OVERLOADS HANDLING The famous Burr-Brown (TI) A/D converter PCM4222 is unsurpassed in terms of sound quality and performance. D/A CONVERTER WITH DUAL DAC ARCHITECTURE HIGH-END HEADPHONE AMP WITH A DEDICATED D/A CONVERTER RELAY-BASED ANALOG VOLUME CONTROL FOR ACCURATE MONITORING MASTER CLOCK WITH 4TH GENERATION OF ANTELOPE’S AFC JITTER MANAGEMENT “Given its price and its incredible flexibility and functionality, the Pure2 is an excellent option for mastering and archiving studios.” Photo by Sophie Brill Jessica Thompson is a GRAMMY-nominated mastering and restoration engineer and audio archivist at Coast Mastering in Berkeley, California. Her remaster of Erroll Garner’s iconic live performance The Complete Concert By the Sea (Sony/Legacy) was nominated for Best Historical Album GRAMMY, 2016 FLEXIBLE CONTROL Access all Pure2 features via Mac & PC app or through the front-panel controls All Pure2 features are available in an intuitive software control panel for Mac or Windows provides users the ability to manage all facets of the device operation. Pure2 is also configurable via the front panel with user-definable presets. EASY LIFE We know the engineer’s life is not a glamorous one. So we tried to make it easier. You can set up Pure2 in a couple of minutes. All you actually need is one USB cable (provided in the box) and a laptop of your choosing (Win 7.1 or higher / Mac OSx 10.9 or higher) and you can start capturing stereo audio at 192 kHz. After setting it up, just download the Control Panel, a few clicks and you’re set. SPECIFICATIONS Analog Inputs 2 x Combo Balanced Analog (XLR / 1/4 TRS) factory calibrated to +20dBu Digital Inputs 1 x AES/EBU on XLR (32kHz to 192kHz) @ 110 Ohms terminated 1 x S/PDIF on RCA (32kHz to 192kHz) @ 75 Ohms terminated 1 x TOSLINK on optical fiber: up to 96kHz Word Clock Input 1 x Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz Analog Outputs 1 x Stereo pair of Balanced XLR Outputs from D/A Converter (Main Output) is factory calibrated to 20dBu and user adjustable from 8dBu to 26dBu 1 x Stereo pair Balanced Outputs for monitors (2 x 1/4 TRS) 1 x 1/4 TRS Front Headphones 20dBu Digital Outputs 1 x AES/EBU on XLR (32kHz to 192kHz) @ 110 Ohms terminated 1 x S/PDIF on RCA (32kHz to 192kHz) @ 75 Ohms terminated 1 x TOSLINK on optical fiber: up to 96kHz Word Clock Outputs 8 x Outputs @ 75 Ohms 3Vpp on BNC 32 – 192kHz USB I/O USB 2.0 Hi-Speed; Data stream up to 480Mbits/192kHz, 4 channels I/O playback/record, Type B External Reference Clock 1 x 10M Atomic Clock Input @ 75 Ohms 1Vpp on BNC 1 x Word Clock Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz A/D Converter Dynamic Range: 122dB THD+N: -105dB D/A Converters Main DAC Dynamic Range 127dB; THD+N -107dB Monitor DAC Dynamic Range 120dB; THD+N -103dB Headphones DAC Dynamic Range 120dB; THD+N -100dB Clock Specifications <+/-0.02 PPM, oven controlled at 64.5°C/ 148.1°F Clock Aging < 1 ppm per year Clock Calibration < +/-0.001 ppm Atomic Clock Input 10MHz @ 1Vpp, BNC Sample Rates (kHz) 32, 44.1, 48, 88.2, 96, 176.4, 192 Operating Temperature 0-50°C, 32-122°F Weight 3 kg, 6.6 lb approx. Dimensions (Approx) 483mm(W) x 44mm(H) x 220mm (D) 19”(W) x 1.75”(H) x 8.66”(D) Power Supply ~110VAC 60Hz/ ~220VAC 50Hz selectable Atomic Clock Input 1 x 10M Input @ 75 Ohms 1Vpp on BNC Fuses 2 x 0.8A 250VAC 5mm x 20mm Type T (or Time delay) System requirements Windows OS: Windows 7/8/8.1/10 Disk Space: Minimum 512 MB available disk space USB: 1x USB 2.0 Port Required USB bandwidth: 80%-90% CPU: Intel or AMD equivalent CPU with at least 2GHz operating frequency Memory (RAM): 4GB Minimum (8GB or more Recommended) MAC OS X: 10.9/10.10/10.11/10.12 (Sierra Recommended) Disk Space: Minimum 512 MB available disk space USB: 1x USB 2.0/3.0 Port Required USB bandwidth: 80%-90% Memory(RAM): 4GB Minimum (8GB or more recommended) CPU: Intel Core 2 Duo (Minimum) Intel Core i3 ™ or higher (Recommended) Additional Info: Internet connection required for product activation.

MP32 FEATURES 32 MIC PRES MP32 features 32 Class-A mic preamps Hi-Z, line, mic compatible DIGITAL REMOTE CONTROL Control the MP32’s input types, gain levels, routing and presets via a user-friendly app 32-CHANNEL OUTS 32-channel outputs handled by four D-Sub 25 connectors PHANTOM POWER Independently assignable phantom power FULL SPEED USB Full Speed interface for software control panel FULL CONTROL Intuitive Control Panel for Windows and OS X DESCRIPTION ANALOG FEEL MP32 features 32 class-A mic pres with phantom power, 32 line inputs, of which 4 can operate as Hi-Z instrument inputs. All inputs are XLR combos on the front panel of the MP32. MP32’s mic preamps are open and transparent, yet designed to maintain both signal clarity and sonic realism consistently throughout the recording process. The MP32 offers excellent headroom and up to 68 dB of gain in 1 dB steps, more than enough to power even the most demanding ribbon mics, while maintaining ultra-low THD+N (-110.5 dB). DIGITAL CONVENIENCE Control MP32 via its fast and flexible software control panel A user-friendly control panel for OS X or Windows allows for easy remote management of the device’s input types and mic gain levels. The intuitive software control panel provides fast set up and easy fine-tuning of individual mic preamp gain, as well as the independent assignment of phantom power and mic/line/hi-z switching. Complex gain structure and preamp settings are made incredibly simple by the user-defined presets, just a mouse click away. In addition, individual V/U style metering allows for instant signal confirmation at a glance of the software. LET’S RECAP In just 2U space: 32 class-A mic pres with phantom power; 32 line inputs, 4 of which can operate as Hi-Z instrument inputs; all front panel inputs are XLR combos. Plus, the MP 32 offers up to 68 dB of gain in 1 dB steps, while maintaining ultra-low THD+N (-110.5 dB). SPECIFICATIONS Analog Inputs 32 channels Mic / Line on XLR Combos on the front panel; 1-4 of 32 channels are (HiZ) – Instrument selectable XLR Combos on the front; XLR Combos Analog Mic (XLR only): 20dBu max balanced @ 2Kohm Line (1/4 only): 29dBu max balanced @ 13K (to gnd) Hi-z (1/4 only): 20dBu max unbalanced @ 1,1Mohm Analog Outputs 32 x Lines on 4 x D-SUB 25 (32 channels), 26 dBu max balanced @50 Ohms USB I/O USB 2.0 Full-Speed Type B For use with the software control panel Dimensions (Approx) Width: 482 mm/19”/Rack Height: 88 mm/3.5”/2U Depth: 210 mm/8.3” Mic Preamp Gain Mic Pre: 5 to13dB in one 8dB step, 13 to 68dB in 1dB steps Line: -9 to 20dB in 1 dB steps Hi-z 4 to 40dB in 1 dB steps THD + N: 110.5 dB EIN: -129dBu Operating Temperature 0-50°C, 32-122°F Weight 6kg/ 13lb approx. Power Supply AC Universal Input 95-264V, 50 or 60Hz Power Consumption 44 Watts Max System requirements Windows OS: Windows 7/8/8.1/10 Disk Space: Minimum 512 MB available disk space USB: 1x USB 2.0 Port Required USB bandwidth (for firmware update): 80%-90% CPU: Intel or AMD equivalent CPU with at least 2GHz operating frequency Memory (RAM): 4GB Minimum (8GB or more Recommended) MAC OS X: 10.9 Mavericks or higher (10.14 Mojave Recommended) Disk Space: Minimum 512 MB available disk space USB: 1x USB 2.0/3.0 Port Required USB bandwidth: 80%-90% Memory(RAM): 4GB Minimum (8GB or more recommended) CPU: Intel Core 2 Duo (Minimum) Intel Core i3 ™ or higher (Recommended) Additional Info: Internet connection required for product activation.

The ProAc Tablette range has been in development for almost 40 years. The first speakers in the range were originally released in 1979, and now these 10th generation ProAc Tablette 10 Signature loudspeakers are about to up the game even further. With an all new design, these speakers have been constructed using a thin walled, heavy damped infinite baffle enclosure – the same baffle that was previously used in the BBC LS3/5a. This design method allows the Tablette 10 Signatures to boast an added flexibility in its positioning options, meaning you can now place these loudspeakers directly against the wall – a method of positioning that would not be possible with ported enclosures. Each of the Tablette 10 Signature Loudspeakers includes a new, cutting edge drive unit in order to offer a much better sound reproduction when compared to previous models, and the bass driver uses a Paganni Mika cone. This Paginna Mika cone is constructed using reed leaves mixed with Mika and then coated with an acoustic dope. A specially designed crossover can be found in these loudspeakers, designed for use within a sealed enclosure, and including a network that shapes the response in order to deliver a richer bass and a more transparent midrange. The tweeter found within the speakers is ProAc’s popular 1 inch silk dome. More flexibility in positioning options 10th generation Tablette speaker Paganni Mika bass driver cone New, cutting edge drive units Specially designed crossover Please note that the Tablette 10 Signatures do not come with the stands pictured ProAc Tablette 10 Signature Speakers follow the hugely successful introduction of the Tablette 10 in 2017, sharing many of its proven components. Signature Model This new Signature model uses the same cabinet and ProAc soft dome tweeter utilised in the Tablette 10 but the performance if further enhanced through the addition of a new bass driver made of the same Paginna Mika cone material but with a high-quality copper magnet system and phase plug. Silk Dome Tweeter The tweeter used in the Signature model is ProAc's highly renowned 1" silk dome model which is also used in many of ProAc's other models. During the design, several speakers were used as comparison those being the LS3/5a, ProAc D2, Spender BC1 and Quad Esl 57. Rich and Smooth When designing the Tablette 10, the legendary LS35A design was used for comparison and the resulting ProAc speaker is even less coloured. Tablette 10 Signature not only improves on this but the midrange and bass qualities benefit from a finely tuned crossover designed after many months of listening. This gives it a smoother and more detailed presentation over the standard model which can be clearly heard on various types of music, whether vocal or instrumental. A thin-walled heavy damped infinite baffle enclosure means the Tablette 10 Signature can be positioned with its rear baffle close to a wall on a shelf but will give its best performance when stand-mounted. Cabinet Design Tablette 10 Signature is available in ProAc's 5 standard wood finishes; Black Ash, Cherry, Mahogany, Maple and Silk White along with the Rosewood and Ebony premium finishes. On top of high quality sound, you can be assured you'll get a visually appealing wood design that fits in well with your personal taste or home decor. Brand Proac Product Specifications Nominal Impedance 10 Ohms Rec Amplifiers 5 to 50 WATT Freq Response 55Hz – 30 kHz Sensitivity 86 dB linear for 1 WATT at 1 metre Bass/Midrange Proac 5 inch with Paganni Mika cone, with acoustic coating and coper excel magnet system with solid copper phase plug Tweeter 1 inch (25mm) Proac silk dome air cooled and inner damping Crossover Finest components on dedicated circuit board. Multi-strand oxygen-free copper cable throughout. Split for optional bi-wiring or bi-amplification Dimensions H – 12” (305mm) W – 7” ½ (191mm) D – 6” ¼ (159mm) Weight 24lb (11kg) each Mode Stand mounting recommended. Can be shelf mounted if necessary Grille Acoustically transparent crimplene

Power and control The DB2D's digital signal processing ensures punch and control for scintillating home theater – and to make more of your music. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. A question of balance The back-to-back (opposed) drivers cancel out cabinet resonances, ensuring all that power is used to create room-shaking bass, not wasted vibrations. The digital advantage Digital amplification is cool-running and energy efficient, even when working hard, while Dynamic EQ and Room EQ ensure a precise sound for music and movies. Take control By placing control in the palm of your hand, our subwoofer app not only makes our DB Series subwoofers a snap to set up, it also helps maximize your sound quality. Size & weight Dimensions Height: 430mm (16.9 in) Width: 377mm (14.8 in) Depth: 360mm (14.2 in) Net weight 36kg Technical details Technical features 1000w Class D Hypex amplifier 2 x 250mm (10 in) Aerofoil™ cone drive units in a balanced configuration Digital preamplifier with Dynamic EQ App-based set-up and BT-LE control Description DB Series Subwoofer Drive units 2 x 250mm (10 in) Aerofoil™ cone drive units in a balanced configuration Frequency range -6dB at 8.5Hz - 500Hz Frequency response 10Hz - 350 Hz -3dB (centered on level at 100Hz) Max power output 1000W Inputs 2 x XLR 2 x RCA 2 x 3.5mm 12V trigger RS-232 - 9-pin D connector

The SB4000 subwoofer delivers on the full potential of the Sledge STA-1200D amplifier’s power with precision and control to produce room energising SPLs and effortless low frequency extension with pinpoint accuracy at all drive levels. Dual ferrite magnet motor assembly weighing nearly 40lbs generates immense magnetic force and excursion of the 13.5-inch driver to produce massive low frequency output well below the limits of human hearing. Edge wound voice coil with eight-layer aluminium flat wire minimises distortion and power compression while providing excellent heat dissipation and linearity ensuring precise control. Lightweight and rigid composite cone with premium glass fibre dust cap generate massive output with pinpoint accurate frequency response. Proprietary injection molded gasket and long-throw parabolic surround ensure longevity and allow extreme excursion and SPLs. Chest-thumping slam and low frequency extension below the threshold of human hearing, with refined musicality – a level of subwoofer performance not seen at this price before. The SB4000 Subwoofer's sophisticated DSP amplifier, innovative driver and a sealed box design master room gain and command a space with deeper bass and higher output levels than what is typically possible from a subwoofer of its size. The SB4000 sets all performance benchmarks for a subwoofer and leaves larger and more expensive subs trembling in its wake. Unparalleled Performance Low Frequency Depth, Power and Detail, the SVS SB4000 powered subwoofer demolishes all preconceived notions about subwoofer performance and technology by taking command of any room with deep, effortless bass and adding visceral energy to every listening experience. With trickle down technology from the 16-Ultra Series, named top subwoofers in the world by nearly every audio publication and industry group in 2017, the SB4000 obliterates expectations and delivers a level of unrivaled subwoofer performance only available from SVS. Sledge Amplifier Massive Output, Sophisticated DSP, Advanced Power Management rated conservatively at 1,200 watts RMS, and 4,000+ watts peak power, the SB-4000 Sledge STA-1200D amplifier uses an efficient Class D design combined with fully discrete MOSFET output and a sophisticated Analog Devices DSP engine. The result is a level of effortless power and advanced processing not available from any other powered subwoofer manufacturer. Smartphone App Groundbreaking smartphone app works with Apple iOS® and Android® devices to unleash the full depth, force and nuance of the SB4000 powered subwoofer by controlling all DSP functions including: volume, parametric EQ, low pass filter, phase, polarity, room gain, port tuning, custom presets and system settings. SVS SB4000 Subwoofer Specification Colour Finish Premium Black Ash | Piano Gloss Black Grille Protective non-resonant steel mesh grille Driver Front-firing 13.5" driver Amplifier Rear-mounted amplifier Cabinet Construction Robust Medium Density Fibreboard (MDF) Cabinet Construction Cabinet Dimensions H-W-D Without Grille 465mm x 453mm x 473mm With Grille 465mm x 453mm x 530mm Shipped Dimensions (598mm) x (598mm) x (712mm) Weight Unboxed 46.6kg Shipped Weight 53.45kg Included Accessories Protective Non-Resonant Steel Mesh grill | IR Remote Control | High Current 6" Power Cord | Elastomer Feet

ProAc Response D2R Speakers is a ribbon tweeter version of the flagship D2, hugely popular high-quality stand-mount monitor which combines an exceptional midrange with great weight and scale even after 15 years of production. Ribbon Version ProAc's new ribbon tweeter version retains the current bass driver and incorporates a new Stewart Tyler crossover design to flawlessly integrate the drivers. The new cabinet aperture is routed differently from the original dome tweeter cabinet so the D2R cabinet is designed to accept both types of tweeter. Tech Specs - Nominal Impedance: 8 ohms - Recommended Amp: 30-150W - Freq Response: 30hz-30Khz - Sensitivity: 88.5dB (1W @1m) - Bass: glass fibre weave cone - Magnet: Excel Magnet - Plug: copper phase, oxygen cable - Tweeter: 1" silk dome - Optional: bi-wire/bi-amp - Dimensions (HWD): 430 x 203 x 260mm - Weight: 11kg

ach driver has its own chamber with optimised bass reflex porting. This arrangement produces a cardioid dispersion pattern which maximises the front radiation and reduces unwanted radiation behind the subwoofer. The recommended iK42 amplifier optimises the DSP parameters for front and rear drivers to maximise the rear rejection — from 21dB at 43Hz to 28dB at 75Hz. This keeps low frequencies away from stages, turntables and walls as well as reducing reverberant energy in the room, greatly improving the system’s low frequency response accuracy and impact. In front of the enclosure, the output from the two drivers is additive, giving an extra 2dB of output when compared with a conventional 1 x 18” subwoofer. The enclosure is constructed from plywood and finished with a hard-wearing textured paint. It is equipped with four grab handles and foam-backed perforated steel grilles protect the front and rear drivers. It can be used individually, stacked or flown individually by means of threaded flying inserts The SXC118 is an ideal partner for WPM and WPS line arrays or our range of point source loudspeakers where low frequency pattern control is required. Interlocking skids prevent movement when stacked and a threaded plate in the top surface facilitates pole- mounting of up to 4 WPM enclosures or a singular point source enclosure. The product is supplied as standard without castors but they can be purchased as an accessory. By adding the input board cover accessory, the subwoofer is fully weather resistant and suitable for permanent outdoor usage. TYPE Compact, cardioid subwoofer FREQUENCY RESPONSE (1) 43Hz – 150Hz ±3dB, -10dB @ 34Hz DRIVERS 18” (460mm)/4” (100mm) voice coil, long excursion, ferrite magnet, waterproof cone 14” (356mm)/3.5” (88mm) voice coil, long excursion, neodymium magnet, waterproof cone RATED POWER (2) 18”: 1000W AES, 4000W peak 14”: 800W AES, 3200W peak SENSITIVITY (10) 104dB MAXIMUM SPL (9) 140dB peak NOMINAL IMPEDANCE 18”: 8Ω 14”: 8Ω DISPERSION (-6DB) Cardioid ENCLOSURE Multi-laminate birch and poplar ply FINISH Textured black paint PROTECTIVE GRILLE Black HEX perforated steel CONNECTORS 2 x NL4 PIN CONNECTIONS (INPUT) 18”: +1, -1; 14”: +2, -2 PINS CONNECTIONS (LINK) 18”: +1, -1; 14”: +2, -2 FITTINGS Two skids on base, with mating channels on top M20 top-mounted thread plate for pole mounting Two bar handles on each side Four fittings for optional transit cover 16 x M10 Mounting Points 16 x M8 inserts for optional castors Two bar handles on each side DIMENSIONS (INCL SKIDS) (W) 635mm x (H) 603mm x (D) 824mm (952mm incl castors) (W) 25in x (H) 23.7in x (D) 32.4in (37.5in incl castors) WEIGHT 69kg (152lbs) 73kg (161lbs) incl castors Martin Audio SXC118 The loudspeaker shall be a compact cardioid subwoofer consisting of an 18” reflex-loaded transducer radiating to the front of the enclosure and a 14” reflex-loaded transducer radiating to the rear. The transducers shall be driven independently by separate channels of a dedicated controller amplifier. Power handling of the 18” transducer shall be 1000W AES, 4000W peak. Power handling of the 14” transducer shall be 800W AES, 3200W peak. Rated impedance of each transducer shall be 8 ohms. The on-axis frequency response shall be 43Hz-150kHz +/- 3dB and the loudspeaker shall produce a maximum SPL of 140dB peak calculated at 1 metre. The loudspeaker enclosure shall be constructed from multi-laminate plywood with a textured coating. The drivers shall be protected by a perforated steel grille and the enclosure shall be fitted with a threaded pole-mount plate, bar handles, skids and flying inserts. The rear connector panel shall be fitted with two NL4 type connectors. Dimensions including skids, excluding castors (W x H x D) shall be 635mm x 603mm x 824mm (25in x 23.7in x 32.4in). Dimensions including skids and optional castors (W x H x D) shall be 635mm x 603mm x 952mm (25in x 23.7in x 37.5in). Weight excluding castors shall be 69kg (152lbs). Weight including optional castors shall be 73kg (161lbs). The loudspeaker shall be the Martin Audio SXC118.

Classic Neve transformer mic preamplifier with wide range of equaliser settings Exclusive Neve Marinair™ transformers used on input and output stages 3 switchable EQ bands HP and LP filters with High Q setting Output: Maximum output >+26dBu into 600 ohms. Output impedance is 75 ohms @1kHz. Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output Freq. Response: +/-0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out. Noise: Not more than -83dBu at all Line gain settings EQ In/Out Hand crafted and tested precisely to original 1970 design While the 1084 builds on the same basic design of the world-famous 1073, it offers a significantly different palette of frequency selections. Occupying a special place in the imagination of engineers and producers, the Neve 1084 delivers an incredibly fat, smooth sound. While the Neve 1084 builds on the same basic design of the world-famous Neve 1073®, it offers a significantly different palette of frequency selections. The 1084 also features a “Q” switch, allowing the user to choose between two different Q types, either narrow or wide with respect to the parametric band. These added features and the 1084’s extended versatility make it a preference over the 1073. The 1084’s three EQ bands provide selectable frequency, with cut and boost capability, and a mid-frequency band which benefits from a High Q Presence switch. The high pass filter can be switched between 45Hz, 70Hz, 160Hz & 360Hz, and the low pass filter between 6kHz, 8kHz, 10kHz, 14kHz, & 18kHz. Both boast 18dB per octave slopes. Handcrafted and completely hand wired in Burnley, UK by Neve’s dedicated professionals, the 1084 reissue has been reproduced to the exact specifications of the original modules. Where innovation has improved on previous technology, Neve has welcomed such improvements. However, not all things lend themselves to enhancement. Example: audio transformers. While other manufacturers use replacements, AMS Neve alone has access to the original hand-wound transformers. This is an important factor when you consider that an analogue preamp is only as good as its transformer. That is why only a Neve sounds like a Neve. All Neve mic preamplifiers are designed to accept signals from a wide range of microphone and line sources. Uncompromisingly low noise and distortion with generous overload performance are noteworthy hallmarks of all Neve products. Please note: All classic units are custom built to the same specifications as the original unit. Therefore, we aim to get these units delivered between 6-8 weeks from date of purchase.

Remote Control of legendary Neve microphone preamp design Four genuine 1081 Mic preamp channels in a single 9.5” wide unit Two units can be linked together to provide 8-channels in a 19” unit with optional 19″ rack-mount kit Remote control using a Mac or PC with Neve Remote Control software XLR Mic input can be switched between Mic and electronically balanced Line Switchable 48V Phantom power supply Digital I/O Option: Firewire/AES interface with four channels of A/D conversion to either AES or FireWire and 4 channels of D/A conversion. Analogue Insert (pre A/D converter) per channel. "A classic preamp with modern control and I/O facilities, this is a great-sounding design offering Neve's typically larger-than-life character, massive gain capability and a huge headroom margin" Hugh Robjohns, Sound on Sound Four Classic Mic Preamps, One Powerful Remote-Controlled Unit The 4081 Quad Mic Preamp builds on the incredible success of the 1081 and 1081R modules and provides both powerful control and legendary Neve sound. Every function of the 4081 can be controlled directly from the front panel or by remote control using a Mac or PC with Neve Remote Control software. This provides a simple and elegant solution for users of ProTools, Nuendo, Cubase and similar DAW systems. Multiple 4081 units can be linked together to create up to 64 independent channels of Mic Preamps or Line Level inputs – all controlled from a single computer. And now with Version 2.00 software, metering information is displayed within the Remote Mic Control window, which is passed back from the 4081 unit(s) to the Remote Mic Control software running on the computer being used for remote control.

Ekran Osvetljenje: 400cdm² Uglovi gledanja: 178° horizontalni, 178° vertikalni Odziv: 8ms Rezolucija: 3.840 x 2.160 Tip ekrana: TFT LCD Veličina ekrana: 86" Touchscreen: Da Nativni kontrast: 1.200:1 Ostalo: Anti-glare Tip panela: TFT Tip: Smart Signage Pozadinsko osvetljenje: DLED Odnos stranica: 16:9 Vertikalno osvežavanje: 60Hz Paleta boja: 1.07 milijardi boja Priključci Slotovi Audio ulaz: 2x 3.5mm, SPDIF VGA D-sub: 1 Ostali priključci Slotovi: 1x RS-232, RJ-45 Analogni video ulazi: Komponentni YPbPr Audio izlaz: 3.5mm, Cinc kabl HDMI priključci: 3x HDMI USB priključci: 2x USB 2.0, 3x USB 3.0 Audio Zvučnici: Ugrađeni Snaga zvučnika: 2x 15W Softver Verzija: Android™ 8.0 Dodatne funkcije Podržane tehnologije: Infrared touch Ostalo: Eshare Pro software, Freeze Screen Fizičke karakteristike Montiranje na zid: VESA 800mm x 400mm Masa: 79kg Boja: Crna Reklamacioni period Reklamacioni period: 24 meseca Vaše ime Mail Komentar Ocena: Pošalji DEKLARACIJA Naziv artikla IQBOARD 86” IQTouch LE900 4K UHD LED Interaktivni Display IQLE90086 Naziv i vrsta robe Pametne table Uvoznik Precizan podatak o uvozniku je dostupan na deklaraciji proizvoda Prava potrošača Zagarantovana sva prava kupaca po osnovu zakona o zaštiti potrošača Neophodni kolačići pomažu da sajt bude upotrebljiv omogućavajući osnovne funkcije kao što su navigacija na stranici i pristup bezbednim oblastima web sajta. Web sajt ne može da funkcioniše pravilno bez ovih kolačića. Trajne kolačiće koristimo za olakšanu funkcionalnost prijave korisnika, kao što je “Ostanite prijavljeni”. Takođe koristimo trajne kolačiće da bismo bolje razumeli navike korisnika, te kako bismo poboljšali web stranicu prema vašim navikama. Statistički kolačići pomažu vlasnicima web sajta da razumeju interakciju posetilaca sa web sajtom anonimnim sakupljanjem informacija i izveštavanjem. Marketing kolačići se koriste za praćenje posetioca na web sajtovima. Namera je da se prikažu reklame koje su relevantne i privlačne za pojedinačnog korisnika a time i od veće vrednosti za izdavače i treće strane oglašivače.

86″ 4K HDR Smart QNED, 218cm, 4K Ultra HD, 100/120Hz, Mini LED, HDR10, HLG, Dolby Vision IQ, DVB-T2/S2/C, H.265/HEVC, 4× HDMI, 2× USB, USB recording, LAN, WiFi, Bluetooth, Netflix, HBO, webOS, VESA, 40W, Dolby Atmos, AI Sound Pro, Dolby Digital, E Model LG 86″ (189 cm) 4K HDR Smart QNED MiniLED Televizor | 86QNED863RE Opis televizora 4K HDR Smart QNED Ekrana - tehnologija QNED MiniLED Ekrana - dijagonala 86" (217 cm) Ekrana - rezolucija 3840 × 2160 - 4K Ultra HD Ekrana - osvežavanje 100 Hz Smart TV Da HDR Da Video tehnologije HDR10; HDR10+; Filmmaker; HLG; HGIG; AI Picture Pro; Precision Dimming; AI Super Upscaling 4K Procesor α9 AI Processor 4K Gen6 OS - Operativni sistem LG webOS Smart TV Digitalni tjuner DVB-T2/T/C/S2/S Audio tehnologije Dolby Atmos; DTS-HD; Dolby Digital; Clear Voice Pro; AI Acoustic Tuning; AI Sound Pro Snaga zvučnika (RMS) 40W Bežična veza Wi-Fi Bluetooth Da Ethernet (LAN) priključak Da HDMI priključak 4 USB priključak 2 x USB 2.0 Ostali priključci SPDIF (optički digitalni audio izlaz); RF x2; CI Dodaci Magic Remote - daljinski upravljač; Naponski kabl VESA dimenzije 600 x 400 Dodatne funkcije AMD FreeSync Dimenzije sa postoljem 1925x1174x370mm Dimenzije bez postolja 1925x1105x46.1mm Težina sa postoljem 67.9kg Težina bez postolja 59.7kg Klasa energetske efikasnosti G Link ka proizvodjacu https://www.lg.com/rs

Garancija:

Dijagonala: 42' (107cm)Ekran: OLEDRezolucija: 3840 x 2160SMART: DaWiFi: DaSMART_OS_TIP: WebOSTip Tunera: DVB-T2/C/S2MCI frekvencija: 100HDMI: 4

Very high quality, high intelligibility compact loudspeaker system producing a 2-way solution with output that defies it's size With amazing clarity for speech and musical reproduction Perfect for discreet installations and audio visual presentations where sound quality is paramount but size also matters Features state of the art components including our new NVPD compression driver situated between two 6" woofers Complete on-board control with electronic crossovers, phase alignments, equalisation and speaker protection Features: Professional, Baltic birch construction with wear resistant polymer coating. 124dB sustained output, 127dB peak with very high dynamic range and low noise floor. 370W of total power with complete on-board speaker management system. 350W high efficiency, current enhancing, switching low frequency amplifier. Very high quality 20W, low IM distortion, Class AB, high frequency amplifier with transformer balanced output. Compact, asymmetrical, low profile cabinet design allows for use as a front fill or in under balcony applications with high pass filter to adjust equalization and phase response. Wide dispersion 100° H x 100° V horn. New patent pending 1.75" (44mm) Nitride Titanium diaphragm compression driver with complex geometry phase plug for higher output, exceptionally low distortion, extended frequency response and neodymium magnet structure. Two 6" woofers feature neodymium magnetic motor structures that dramatically increase force, lower distortion and provide increased frequency response linearity. Proprietary top handle design for simplified handling and carrying, integrates one M10 suspension point, Omnimount™ bracket point and four M6 points. Additional side and bottom M10 points for flexible bracket, rigging and installation options. "Top-hat" pole mount fitted at the base of the cabinet. LED indicators for signal present and Power ON status.

Dijagonala: 86' (218cm)Ekran: QNEDRezolucija: 3840 x 2160SMART: DaWiFi: DaSMART_OS_TIP: WebOSTip Tunera: DVB-T2/C/S2MCI frekvencija: 120Miracast: DaHDMI: 4

86″ 4K UHD Digital Signage Display - 24/7 Operation - Commercial Display Model Hisense 86″ 4K UHD Digital Signage Display - 24/7 Operation | 86BM66AE Link ka proizvodjacu

Posebno interesantan za audiofile koji inače preferiraju zvučnike je Phonitor Matrix, koji olakšava miksovanje pružajući zvučnu sliku koja je bliska iskustvu slušanja studijskog monitora. Više od uobičajenog crossfeed kontrolera, Matrix simulira više različitih prostornih okruženja za slušanje, kao i različite uglove (postavljenosti) zvučnika. Takođe, njegova primena umanjuje i zamor prilikom slušanja. Integrisani SPL DAC768 zasniva se na dvokanalnom, 32-bitnom konverteru (AKM AK4490) sposobnom da barata sa sample rates do 768 kHz, odnosno DSD plejbekom do DSD256. Kombinacija sa SPL-ovom 120 V tehnologijom ovom sistemu pruža visok dinamički opseg, nisku distorziju i audio signal kristalne čistoće. Dva VU metra na prednjem panelu pokazuju ulazne nivoe za izabrane izvore. Prikazani su nivoi između -20 i 5 dB, gde 0 dB odgovara +4 dBu. Osetljivost VU metara je podesiva (prekidačem). Phonitor xe ima ugrađeno dual-pojačalo koje balansirane slušalice 'tera' dvostrukom snagom standardnog ¼“-nog džeka, što učvršćuje odziv baseva i ukupni plejbek čini transparentnijim. Bilo koji daljinski na infracrveno zračenje može se koristiti za kontrole funkcija uređaja. Form Factor: Tabletop Number of Headphone Channels: Single Channel Headphone Output Power: 1 W per Side into 600 Ohms (Max, 1 kHz) 2 W per Side into 300 Ohms (Max, 1 kHz), 3.7 W per Side into 120 Ohms (Max, 1 kHz) 2.9 W per Side into 47 Ohms (Max, 1 kHz), 2.7 W per Side into 32 Ohms (Max, 1 kHz) Digital Chipset DAC: SPL DAC768 Analog Audio I/O: 2 x XLR 3-Pin Balanced Input, 1 x Stereo RCA Unbalanced Input 2 x XLR 4-Pin Balanced Output, 2 x 1/4" TRS Unbalanced Output Digital Audio I/O: 1 x RCA Coaxial Input, 1 x TOSLINK Optical Input 1 x XLR 3-Pin AES3 Input USB: 1 x USB Type-B Frequency Response Outputs: 10 Hz to 300 kHz (Balanced), 10 Hz to 300 kHz (Unbalanced) Maximum Input Level: 32.5 dBu (Balanced or Unbalanced), Maximum Output Level: +30 dBu Dynamic Range Outputs: 130.5 dB (Balanced), 135.5 dB (Unbalanced) Impedance Inputs: 20 Kilohms (Balanced), 10 Kilohms (Unbalanced) Outputs: 0.36 Ohms (Balanced), 0.18 Ohms (Unbalanced) THD+N XLR Balanced Headphone Outputs: 0.00082% (at 0 dBu, 1 kHz, 100-Kilohm Load) 1/4" Headphone Outputs: 0.00082% (at 0 dBu, 1 kHz, 100-Kilohm Load, Unbalanced) Šum: -98 dBu (A-Weighted, Balanced), -103 dB (A-Weighted, Unbalanced) Crosstalk - Balanced Headphone Outputs: -90 dB (1 kHz) Headphone Outputs: -90 dB (1 kHz) Damping Factor Outputs: 180 at 40 Ohms (Balanced), 180 at 40 Ohms (Unbalanced) Digital Audio Sample Rates - Coaxial S/PDIF: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (PCM) Optical S/PDIF: 44.1 / 48 / 88.2 / 96 kHz (PCM) USB ulazi: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 / 352.8 / 384 / 705.6 / 768 kHz (PCM) 2.8 / 5.6 / 11.2 MHz (DSD) AES3: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (PCM) AC Input Power User Selectable: 115 VAC, 60 Hz (T 1 A 250 V), 230 VAC, 50 Hz (T 500 mA 250 V) Potrošnja el.energije: 0.7 W (Standby), 40 VA (Maximum) Dimenzije: 330 x 278 x 100 mm (sa nožicama), Težina: 5.1 kg