Za montažu ovog zvučnika potrebna je dubina od samo 50 mm Between 2" stud frames or where pipework or cabling reduces mounting depth, the hybrid back-box construction and proprietary full-range driver array combine to deliver consistent audio quality with exceptional installation versatility. The hybrid back-box provides the best of all worlds for installer and customer. Combined, the three proprietary 3" mid-bass units achieve the bass output of a 6 1/2" driver, all from a super-stealthy flush-fitted profile. In keeping with Monitor Audio’s renowned design rigour, the crossover comprises high quality film capacitors and low loss inductors - selected for signal integrity - ensuring peerless audio detail and dynamics from a speaker of its size and application. When the CSS230 is in ‘ported’ mode, a fine gauze protects the acoustic system from dust ingress. Optional square or premium grille can be used with this model. Key Features Super-slim mounting depth 50 mm (2") designed to fit within 2” stud walls or where space is restricted Hybrid CP ‘Controlled Performance’ style, enclosed or open back-box option provides flexible high performance options and sound isolation in one (pictured right) Driver configuration of three 3" C-CAM bass/mid-range drivers in a radial array around a 19 mm C-CAM Gold Dome tweeter (fixed position) and high quality crossover design offers Monitor Audio’s award-winning signature sound quality Gold plated sprung push terminals are reliable and easy to connect Magnetically attached ‘Trim-less’ round and square grille options for discreet, reliable and easy servicing, flexible in-wall/ceiling installation, paintable to blend with décor Patented Tri-Grip dog leg fixings – Reliable, robust and quick to install Existing CB6 pre-construction bracket for easier system design and planning Frequency Response (-6 dB) 100 Hz – 30 kHz sealed ‘CP’ (85 Hz – 30 kHz –open back) Nominal Impedance 8 ohms Sensitivity (1W@1M) 86 dB Maximum SPL 103.8 dBA Power Handling (RMS) 40 Watts – Full range (60 watts with crossover set to 100 Hz @ 12 dB/Octave) Recommended Amplifier Requirements 10 - 60 W Drive Unit Complement 3 x 3" C-CAM cone bass-mid drivers 1 x 19 mm (3/4") C-CAM Gold Dome tweeter Crossover Recommendation 100 Hz at a minimum of 12 dB/Octave (24 dB/Octave optimum) Connection Gold Plated Sprung push terminals – for bare wire connection up to 4 mm(2) Overall Diameter (Including Grille) 250 mm (913/16") Overall Depth (Including Grille) 54 mm (21/8") Cut-Out Hole Diameter 211 mm (81/4") Mounting Depth 50 mm (2") Optional Square Grille - Outer Dimensions 249 x 249 mm (9 3/16") Fixing Type 3 position Tri-Grip dog leg fixings Construction Material ABS (UL94 rated, RoHS2 Compliant) – Painted steel grille Weight 2.88 kg (6 lb 5 oz) Pre-Construction Bracket CB6 Pre-Construction Bracket (Purple)

PVX™ 10 PASSIVE LOUDSPEAKER Decades of experience building the best sound reinforcement enclosures in the world has led to the next generation of PVX enclosures by Peavey.PVX Loudspeakers are some of the most versatile enclosures on the market. Equally suited for live or pre-programmed music, these enclosures are designed to be used on a speaker stand or flown vertically... Decades of experience building the best sound reinforcement enclosures in the world has led to the next generation of PVX enclosures by Peavey. PVX Loudspeakers are some of the most versatile enclosures on the market. Equally suited for live or pre-programmed music, these enclosures are designed to be used on a speaker stand or flown vertically or horizontally for permanent installation. The new and improved PVX lineup features the addition of foam grille cloth behind the powder-coated steel grille. This new design improves the weather resistance of the loudspeakers. No matter what the application, the PVX series is an outstanding addition to any sound reinforcement solution. PVX series loudspeakers deliver superior sound quality by utilizing advanced materials such as the roadworthy molded polypropylene exterior. Lightweight, durable and weather resistant, these two-way speaker systems will handle more than 400 watts continuous power with 800 watts peak power. They feature heavy-duty woofers with 2-3/8" voice coils. The PVX 10 includes the Peavey RX 10N 1.0" titanium diaphragm compression driver coupled to a constant directivity horn. Our Quadratic Throat Waveguide Technology makes our speakers more efficient at focusing the sound where it needs to be, ensuring louder performance with less likelihood of unwanted feedback. Two-way sound reinforcement enclosure 10" heavy-duty woofer with 2 3/8" voice coil & 50 oz. magnet RX™ 10N compression driver, with 1.0 inch titanium diaphragm 400W program/800W peak power handling Peavey's exclusive Quadratic Throat Waveguide™ technology, 100 by 60 degree coverage Asymmetrical horn aims the sound down 10°, at the audience, not over their heads Crossover network for driver protection and EQ High frequency driver protection Durable plastic injection-molded trapezoidal enclosure Extra angled section on right side allows floor monitor use Full-coverage heavy-duty perforated steel grilles, with powder coat finish and weather resistant foam cloth Pole mount molded-in Top and bottom flying point inserts Packed Weight: 28.22 lb (12.8 kg) Packed Length: 22.4" (56.9 cm) Packed Width: 16.1" (40.89 cm) Packed Height: 14.2" (36.07 cm)

* Idealan za isplative instalacije, gde se zahtevaju jednostavnost proizvoda i solidne akustične performanse 2-sistemski dizajn * 1″ (25 mm) C-CAM visokotonac sa UD Waveguide I za realističan zvuk * 5″ (127 mm) C-CAM mid-bas drajver za čist srednji i pun bas * Patentirani Quik-Link konektor za zvučnički kabl za bržu instalaciju * Tri-Grip II za lako i sigurno postavljanje Opis C1S Tier 1 mali plafonski zvučnik je dizajniran za isplative instalacije, gde su zahtevane jednostavnost proizvoda i solidne akustične performanse. To je 2-sistemski model sa C-CAM drajverom srednjeg basa i C-CAM visokotoncem. Prednost u pogledu performansi od posedovanja i jednog i drugog u okviru jednog dizajna znači znatno poboljšanu jasnoću, širu disperziju u okruženju za slušanje i jasan, realističan zvuk hi-fi kvaliteta koji biste očekivali od bilo kojeg Monitor Audio pasivnog zvučnika. Ima dimenziju izreza od 171 mm i koristi patentirani Quik-Link konektor za zvučnički kabl, koji pravi revoluciju u lakoći i brzini instalacije zvučnika. Tri-Grip je takođe razvijen za jednostavnu, pouzdanu i čvrstu montažu. Opciona kvadratna rešetka se može koristiti sa ovim modelom. SPECIFIKACIJA Brend Monitor Audio Broj visokotonskih jedinica 1 Dimenzije 171 mm, 201 x 201 x 103​ mm (eksterne dimenzije), 99 mm (dubina) Frekvencijski raspon 40 Hz - 30 kHz Impedansa 8 Ω (nominalna) Koncepcija 2-sistemski Masa 1,4 kg Osetljivost 84 dB Preporučena snaga pojačala 25 - 100 W Prečnik srednjotonskih jedinica 127 mm Princip rada Pasivni Specifičnosti kvadratna rešetka (opciono) Tip Ugradni DEKLARACIJA Uvoznik Precizan podatak o uvozniku je dostupan na deklaraciji proizvoda Zemlja porekla Precizan podatak o zemlji porekla je dostupan na deklaraciji proizvoda Prava potrošača Zagarantovana sva prava kupaca po osnovu zakona o zaštiti potrošača

* Idealan za isplative instalacije, gde se zahtevaju jednostavnost proizvoda i solidne akustične performanse 2-sistemski dizajn * 1″ (25 mm) C-CAM visokotonac sa UD Waveguide I za realističan zvuk * 7″ (178 mm) C-CAM mid-bas drajver za čist srednji i pun bas * Patentirani Quik-Link konektor za zvučnički kabl za bržu instalaciju * Tri-Grip II za lako i sigurno postavljanje Opis C1M Tier 1 plafonski zvučnik srednje veličine je dizajniran za isplative instalacije, gde su zahtevane jednostavnost proizvoda i solidne akustične performanse. To je 2-sistemski model sa C-CAM drajverom srednjeg basa i C-CAM visokotoncem. Prednost u pogledu performansi od posedovanja i jednog i drugog u okviru jednog dizajna znači znatno poboljšanu jasnoću, širu disperziju u okruženju za slušanje i jasan, realističan zvuk hi-fi kvaliteta koji biste očekivali od bilo kojeg Monitor Audio pasivnog zvučnika. Ima dimenziju izreza od 212 mm i koristi patentirani Quik-Link konektor za zvučnički kabl, koji pravi revoluciju u lakoći i brzini instalacije zvučnika. Tri-Grip je takođe razvijen za jednostavnu, pouzdanu i čvrstu montažu. Opciona kvadratna rešetka se može koristiti sa ovim modelom. SPECIFIKACIJA Brend Monitor Audio Broj srednjotonskih jedinica 1 Broj visokotonskih jedinica 1 Dimenzije 212 mm, 242 x 242 x 103​ mm (spoljne dimenzije), 99 mm (dubina) Frekvencijski raspon 30 Hz - 30 kHz Impedansa 8 Ω (nominalna) Koncepcija 2-sistemski Masa 1,9 kg Osetljivost 86 dB Preporučena snaga pojačala 35 - 130 W Prečnik srednjotonskih jedinica 178 mm Princip rada Pasivni Specifičnosti kvadratna rešetka (opciono) Tip Ugradni DEKLARACIJA Uvoznik Precizan podatak o uvozniku je dostupan na deklaraciji proizvoda Zemlja porekla Precizan podatak o zemlji porekla je dostupan na deklaraciji proizvoda Prava potrošača Zagarantovana sva prava kupaca po osnovu zakona o zaštiti potrošača

The ESI M8U eX is a 16-port USB 3.1 Gen 1 MIDI interface with a USB hub offering automatic port configuration and flexible routing for composers, producers, beatmakers, and synth aficionados. Ideal for connecting a variety of keyboards, drum machines, and synth modules with or without a computer, it supports standalone and USB-to-host operation. It features 16 MIDI 5-pin ports—each automatically assigned as an input or output according to the signal detected—and per-port red/green LEDs for easy I/O status indication. An integrated 3-port USB hub on the rear panel allows convenient hookup of USB devices such as a keyboard, mouse, and authorization dongle. The M8U eX is class compliant with macOS and Windows computers, and connects to your host via USB 3.1 Gen 1. It can be powered via USB (excluding the USB hub) or a 5 VDC power supply (including the USB hub). The M8U eX is supplied with a USB cable and power supply. 100% class compliant, works without driver installation Compact MIDI interface with 16 MIDI ports; eight on the front and eight on the rear Automatic signal detection allows each MIDI port to work as an input or output Front-panel LEDs indicate each port's status as input (green LED) or output (red LED) Operates in standalone or USB-to-host mode Dedicated mode selector and status LED Integrated 3-port USB hub allows connection of USB devices such as a keyboard, mouse, and dongle Standalone mode enables MIDI thru and MIDI merge configurations without a computer Backward compatible to USB 2.0 Rear-panel laptop lock connector Supports simultaneous use with multiple units (available separately)

THE ZOOM V3 VOCAL PROCESSOR GIVE YOUR VOICE NEW DIMENSIONS Whether you’re streaming, recording, or collaborating online, the V3 is packed with effects, harmonizing options, pitch correction and more. Your voice will sound amazing - from home, or anywhere else. BACK YOURSELF UP Create and arrange your own backup vocals. Add up to two voices to create your 3-part harmonies in both major and minor keys. CREATIVE VOICE EFFECTS Choose from 16 voice-changing effects like Unison and Vocoder to enhance your performance. V3’s parameter knob allows you to fine-tune your sound. The special effects enable you to alter your voice for video game streaming, podcasts, and YouTube videos. MOMENT OF CLARITY The V3 provides a professional quality pre-amp so you can sound your best. The Enhance function automatically optimizes the performance of any mic. V3 FEATURES V3 offers 16 creative voice effects plus compression, reverb, delay and enhance Add up to two voices to create 3-part harmonies across a full octave Independent compression, reverb and delay controls Built-in Enhancer for increased sound clarity 48V phantom power for condenser microphones USB 2.0 audio interface capable of recording up to 16/24/32-bit, 44.1 kHz Line outputs for connecting to PA systems or mixing consoles Headphone output with dedicated volume control Auxiliary input Operates for 3.5 hours on 4 AA batteries or with Zoom AD-16 AC adapter SPECS EFFECTS: 16 types CONCURRENT EFFECTS: 5 SAMPLING FREQUENCY: 44.1 kHz A/D CONVERSION: 24-bit 128× oversampling D/A CONVERSION: 24-bit 128× oversampling SIGNAL PROCESSING: 32-bit FREQUENCY RESPONSE: 20 Hz–20 kHz (+1 dB/−3 dB) (10 kΩ load) INPUTS MIC IN: XLR jack INPUT GAIN: +3 – +40 dB MAXIMUM INPUT LEVEL: +4 dBu INPUT IMPEDANCE: 3 kΩ or higher (1 kHz) PHANTOM POWER: +48 V AUX IN: Stereo mini jack RATED INPUT LEVEL: −10 dBu INPUT IMPEDANCE (LINE): 22 kΩ OUTPUTS L/R OUT: Unbalanced TS jacks MAXIMUM OUTPUT LEVEL: +6 dBu OUTPUT IMPEDANCE: 100 Ω PHONES: Stereo mini jack MAXIMUM OUTPUT LEVEL: 20 mW + 20 mW (into 32 Ω load) EQUIVALENT INPUT NOISE (WHEN PHANTOM POWER OFF): –125 dBu or less (A-weighted, 150 Ω input, +40 dB input gain) NOISE FLOOR (RESIDUAL NOISE): –75 dBu CONTROL INPUT: FS01/FP02M input POWER POWER: AC adapter (9 V DC 500 mA, center negative) (ZOOM AD-16) 4 AA batteries (about 3.5 hours continuous operation time when using alkaline batteries) USB: CONNECTOR: Micro USB AUDIO INTERFACE OPERATION: 2-in/2-out USB2.0 Full Speed, 44.1 kHz, 16/24/32-bit Power can also be supplied through the USB port. When using a cable designed only for power, other USB functions cannot be used. WEIGHTS AND DIMENSIONS EXTERNAL DIMENSIONS: 150 mm (D) × 190 mm (W) × 50 mm (H) WEIGHT: 0.59 kg (excluding batteries)

10in | 6out Audio Interface Designed to take your recordings to the next level in every way, the iD14 (MKII) delivers professional audio performance in a compact and modern desktop package, giving you everything you need to make studio quality recordings at home. Every iD interface features the Audient Console Mic Preamp, the same discrete circuit design found in our renowned recording console the ASP8024-HE. Designed to deliver ultra- low noise and low distortion with a touch of classic analogue warmth, iD14’s two Audient mic pre’s will give you the professional sound you deserve. Its all in the details iD14’s converters make sure you hear every nuance, every detail of your audio, enabling you to take your recordings to the next level. Offering an incredible 120dB of dynamic range you will hear your audio more accurately, make better creative decisions and experience stunning clarity directly from your desktop. Be immersed Connect and listen to your mixes through two sets of speakers with iD14’s four line outputs. Alternatively use the extra line outputs to send audio to an external headphone amp for distribution to your artists. Dual Headphone Outputs Powerful performance Equipped with both a jack and mini jack connection and a powerful headphone amp capable of driving headphones up to 600Ohms, iD14 is ready to take on the most demanding recording sessions. JFET Instrument Input Plug and play Designed to replicate the input stage of a classic valve amplifier, iD14’s harmonically rich JFET Instrument Input is the perfect sonic foundation for your guitar or bass and amp sims. More channels, more possibilities Plan for the future with iD14’s digital input. Supporting both ADAT and SPDIF, iD14 gives you the option to add up to eight extra mic pre inputs letting you expand your rig and take on larger sessions. Specs: 24 bit / 44.1 - 96 kHz ADC dynamic range: 121 dB DAC dynamic range: 126 dB 2 x Audient Class A console microphone preamps 2 Combined mic / line inputs: XLR / jack combination socket Mic Gain 58 dB, <0.002% THD + N 48 Volt phantom power (only with power pack operation) Discrete JFET instrument input on the front D.I. Gain: -5 to 45 dB (incl. +10 dB software boost) Combined ADAT and S / PDIF input (TOSLINK) 4 Line outputs: 6.3 mm jack Speaker mute button Powerful headphone amplifier with independent DAC Headphone outputs: 1x 6.3 mm jack, 1x 3.5 mm jack iD Control regulator with ScrollControl for DAW integration Desktop housing made entirely of metal Dimensions: 173 x 120 x 62 mm Weight: 1.25 kg

Audio-Technica ATH-M50x PURPLE AND BLACK Limited Edition This is the most critically acclaimed model in the M-Series line, praised by top audio engineers and pro audio reviewers year after year. The ATH-M50x features the same coveted sonic signature, now with refined earpads and detachable cables. From large-aperture drivers to sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals. Critically acclaimed sonic performance praised by top audio engineers and pro audio reviewers Proprietary 45 mm large-aperture drivers with rare earth magnets and copper-clad aluminum wire voice coils Exceptional clarity throughout an extended frequency range, with deep, accurate bass response Circumaural design contours around the ears for excellent sound isolation in loud environments 90° swiveling earcups for easy, one-ear monitoring Professional-grade earpad and headband material delivers more durability and comfort Detachable cable (3 cables included) Specifications: Type: Closed-back dynamic Driver Diameter: 45 mm Magnet: Neodymium Voice Coil: CCAW (Copper-clad aluminum wire) Frequency Response: 15 - 28,000 Hz Max Input Power: 1,600 mW @ 1KHz Sensitivity: 99 dB Impedance: 38 ohms Folding/collapsible: Yes Weight: 10 oz (284 g) without cable/connector Cable - Detachable: Yes Cable Includes: 1.2m-3m coiled, 3m straight, 1.2m straight cables Connector: Gold-plated stereo 1/8” (3.5 mm) connector with strain relief Accessories included: Screw-on 1/4” adapter, pouch Color : Purple- Limited Edition

The Torpedo Captor… … is the little brother of the award-winning Torpedo Reload. The Torpedo Captor is an easy to use reactive Loadbox perfect for unleashing your favorite tube amp in a variety of modern applications and venues. If you just require attenuation from your amp to your cab, Captor has you covered. And if you want an easy and modern way to record your tube amp, Captor is simply “load” and record. The concept You love the sound of your amplifier pushed right to the magic sweet spot where the best tones are. Until now, the only available option was blasting your sound through a 4×12″ to properly excite a microphone. Enter Torpedo, the simplest and most realistic way to get your sound to your audience. Use the amp you love! Everything that makes a real amp rule over all the other alternatives is retained. You can even record silently late at night. Gone is the backache from the loadout, complaints from neighbours, venue staff or even bandmates and the frustration of not being able to sound at one’s best trying to reduce the volume. Torpedo Captor was designed to cover the needs of direct recording or miking any kind of guitar or bass amp, in a live or studio situation. Reactive loadbox Playing silently or at low volumes is often a requirement, especially at home but more and more on stage or in the studio. To play your amp without a cabinet you need a Loadbox. Two notes is known for the most accurate and feature rich Loadboxes in the world, using the reactive technology, in other words mimicking perfectly the impedance of a speaker. Your amp will absolutely believe it’s connected to a real cabinet. Analog speakersim When using the Captor on stage to feed a PA, you will need to polish the sound coming from your amp. The analog speaker sim is derived from the acclaimed Le Preamp series. You will be able to get a detailed and focused sound for your monitor or the front of house while keeping a low volume on stage. Add a Torpedo C.A.B. with its large collection of IR Cab Sims for the ultimate direct solution. Format, versions The Captor is the size of a large DI box, so you can conveniently place it on your pedalboard or on top of your amp. The Captor comes in 4, 8 or 16 Ohm versions, make sure to get the one that matches with your amp. Attenuator If you wish to keep a cabinet on stage, the Captor features a direct speaker THRU or ATT output. It allows for full volume or a fixed – 20dB attenuation. Keep your amp in its sweet spot while at manageable volumes. On stage The Torpedo Captor is all you need to mic an amp on stage without the hassle of using a microphone. The Torpedo Captor is an amplifier DI box, designed to be used between the amp head and the speaker cabinet. This doesn’t involve any changes for the guitarist or bassist, who can play his/her amp as usual, while the PA gets a speaker simulated signal, directly usable for the FOH. The speaker simulation can simulate a guitar or bass cabinet. The Torpedo Captor can be powered with 48V phantom power, suppressing the need for an additional power supply. The Torpedo Captor can also help in reducing the sound level on stage. By using the power attenuated speaker output, the guitarist or bassist can play his/her amp loudly, whilst keeping the direct feedback from his/her speaker cabinet at a more manageable level. The Torpedo Captor can suppress the need for a speaker cabinet, allowing silent playing and lighter setup. The internal 100W reactive loadbox allows to play the amp without any speaker cabinet. Monitoring can be achieved with the embedded speaker simulation, through a dedicated stage monitor system. In the studio The Torpedo Captor can be used to directly connect an amplifier to a sound interface or a mic preamp. Miking can be achieved through the Torpedo WoS plug-in software, allowing for a simpler and faster recording process. At home The Torpedo Captor adds an amplifier input to your sound interface. You can mic your amplifier without the need of a specially designed miking room. Miking can be achieved through the Torpedo WoS plug-in software. The Torpedo Captor can be used for power attenuation or silent playing of your amplifier. Monitoring can be achieved through the embedded guitar or bass speaker simulation, or through the Torpedo WoS plug-in software. Wall of Sound and the famous Torpedo virtual cabinets Wall of Sound (WoS) is a speaker and miking simulation plugin. A plugin is a software you can load on a track of your sequencer, such as Cubase, Logic, Pro Tools, Reaper, inside your Digital Audio Workstation. With your Torpedo Captor and WoS you have the best configuration to record amazingly good guitar or bass tones for all your musical projects. The Torpedo Captor comes with a 16 virtual cabinets usable with WoS and all Torpedo hardwares (C.A.B., Live, Studio, VB-101). To download your 16 cabinets, register your product on the Two notes Website, download and install the Wall of Sound (WoS) plugin. You will be guided step by step through the process. Once you have become familiar with the sound and operation of the Wall of Sound plug-in, please feel welcome to explore the in-app Two notes Boutique which will allow you to audition and have the option to purchase additional cabinets. Specs Reactive loadbox Input impedance: 4, 8 or 16 Ohms Admissible power: 100W RMS Cooled by fan, thermal security: the amp and musician work in security. Input / Output Speaker Input: 1/4″ Jack unbalanced (TS, Tip/Sleeve) Speaker Att: 1/4″ Jack unbalanced (TS) – Attenuation: -20dB. Speaker Thru: 1/4″ Jack unbalanced (TS) – Directly connected to Speaker Input. Disconnects the loadbox when used. Line Output: 1/4″ Jack balanced (TRS) – Impedance: approx 1 kOhms – Without speaker simulation DI Output: XLR balanced – Impedance: 600 Ohms – With or without speaker simulation Speaker sim Guitar or Bass, analog, based on acclaimed Torpedo virtual cabinets Power Power is required only for the XLR DI output and speaker simulation. Phantom power or DC jack, 2.1×5.5mm, negative center. Current : 5mA Dimensions & weight 175 x 126 x 62 mm 1 kg

Zahvaljujući revolucionarnoj Class-D tehnologiji pojačala i unutrašnjoj "switch-mode" tehnologiji za napajanje, Eurolive D serija zvučnika ima mnogo bolji odnos snage i težine nego neki drugi konkurencijski zvučnici. Da pojednostavimo, dobijate mnogo snage bez prenosenja teških zvučnika. A što se tiče kvaliteta zvuka ovih zvučnika, napravljen je veliki korak unapred u poređenju sa B212A i B215A - a dodani su još i dva nova modela: B210D i B08D za manje zahtevne aplikacije. S obzirom na njihov visoko efektni dizajn, one daju 550/200W najčišće i najsoftnije snage koje ste ikada čuli iz kompaktnih zvučničkih sistema. Integrisani zvučni procesor Vam daje potpunu kontrolu + zavisnu zaštitu LF i HF pretvarača, zahvaljujući ugrađenom aktivnom hi-pass filteru, koji virtualno eliminiše distorziju - pa čak i kod ekstremnih snaga. Kao dodatak, sva četiri modela imaju mic/linijski ulaz sa ultra niskim nivoom šuma (ULN) + kontrolom za glasnoću, te zaduženi 2-band ekvilajzerom (Bass/Treble) za jednostavniju kontrolu. Aktivna dvosistemska kutija manjih dimenzija. Snaga 550W. Woofer 15". Tehnička specifikacija: * High-power 550-Watt 2-way PA sound reinforcement speaker system for live and playback applications * Ultra-compact and light weight system delivers excellent sound even at extreme sound pressure levels * Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight * Internal switch-mode power supply for noise-free audio, superior transient response and very low power consumption * Integrated sound processor for ultimate system control and speaker protection * Extremely powerful 15'' long-excursion driver provides incredibly deep bass and acoustic power * State-of-the-art 1.35'' aluminum-diaphragm compression driver for exceptional high-frequency reproduction * Ultra-wide dispersion, large-format exponential horn * Ultra-low noise Mic/Line input with Volume control and Clip LED * Dedicated 2-band EQ for perfect sound adjustment * Additional Line output allows linking of additional speaker systems * Versatile trapezoidal enclosure design allows different positioning: - Stand mounting with 35-mm pole socket - Tilts on its side for use as a floor monitor * Ergonomically shaped handles for easy carrying and setup * High-quality components and exceptionally rugged construction ensure long life * Conceived and designed by BEHRINGER Germany

Tajna dobrog filma, krije se iza dobrog zvuka. Zoom Q3 je napravljen da na vase video snimke skrene svaku paznju visokim kvalitetom zvuka. A sasvim sigurno je da ce velicina i brzina rada ovog uredjaja uciniti da zauvek zaboravite na dosadasnje stantrdne kamkordere. Video rezolucija 640 ｘ 480 piksela, Mikrofonske kapsule kao kod H4n modela. Smestanje podataka u realnom vremenu u .MOV formatu kroz MPEG4-SP video kompresiju. Audio format WAV i MP3. Recording Media SD memory card (16MB-2GB), SDHC memory card (4GB-32GB) Image Sensor VGA CMOS sensor Focal Length 0.8m to infinity Video Compression MPEG4-SP Video Resolution 640 ｘ 480 pixels (VGA) Video Format MOV Frame Rate 30 frames/sec Audio Format PCM (Quantization : 16/24bit, Sampling Frequency : 44.1/48/96kHz) MP3 (Bit Rate : 48/56/64/80/96/112/128/160/192/224/256/320kbps) *96kHz sampling is not available in Movie mode. Functions Lo-cut filter, Auto REC level, 2x digital zoom LCD Screen 2.4-inch QVGA Built-in Mic 120-degree X/Y stereo (Maximum Sound Pressure Level: 130dB SPL) Built-in Speaker Monaural, 400mW 8Ω Phones / Line Out: put 1/8" Stereo phone jack TV Out NTSC/PAL compatible, Stereo audio USB USB2.0 High speed compatible, Mass storage class operation Power Requirements 2 x AA battery (Alkaline / Ni-MH), AC adaptor (DC5V/1A/center positive) Battery Life 2 hours (Movie mode), 4 hours (Audio mode) Dimensions 55(W) x 132.5(D) x 32(H)mm Weight 130g (without batteries)

Multi-Efekt Dual Procesor - hardverski efekat dizajniran i za laganu kontrolu s PC-ija kao plagina ili live sound. 99 User-Configurable Programs 4 Routing Configurations USB Connection VST Software MIDI In / Out Tap Tempo Feature Audition Button to preview effect dbx® Dynamics Compressor De-esser 24-bit Effects Effects: Chorus Flanger Phaser Tremolo/Pan Pitch Shift Detune Rotary Reverbs Small Hall Large Hall Small Plate Large Plate Chamber Room Spring Delays studio Delay Tape Slapback Mod Delay Pong Delay Slapback dbx® Dynamics Compressor De-esser

Behringer KM1700 1,700-watt Stereo Power Amplifier at a Glance: Accelerated Transient Response ensures a tight and punchy sound Streamlined controls for simple operation Broad connectivity accommodates nearly any source Accelerated Transient Response ensures a tight and punchy sound The Behringer KM1700's Accelerated Transient Response design employs transistors with high slew rates and a high-current toroidal transformer to coordinate your audio with your speakers. This ultra-fast transient response ensures that every beat of your music comes through loud and clear, with maximum punch and clarity. Rail tracking effectively modulates the KM1700's power supply rails with only the peaks of the input signal, giving rise to efficient performance with low signal distortion. Streamlined controls for simple operation Using the Behringer KM1700 is dead simple. Push the Power button and an LED shows you that the unit is on. A pair of positive-dent Gain controls with signal LEDs provides you with an at-a-glance view of your levels. A Mode switch selects between mono, stereo, and bridge modes. A Limiter switch turns the KM1700's overload protection on and off. You also get Ground-lift and Sensitivity switches. Broad connectivity accommodates nearly any source To provide you with near-universal compatibility, the Behringer KM1700 is loaded with XLR and 1/4" input connectors. Dual locking connectors or touch-proof binding posts create a secure connection for your speakers. We're impressed by the excellent compatibility of the KM1700. Behringer KM1700 1,700-watt Stereo Power Amplifier Features: 1,700W 2-channel power amplifier (into 8 ohms in bridge mode) Accelerated Transient Response design and high-current toroidal transformer deliver maximum punch and clarity Easy-to-use front panel controls and LED indicators for easy operation XLR and 1/4" input connectors accommodate nearly any source Connect your speakers securely via dual locking connectors or touch-proof binding posts Switchable limiter yields maximum output with reliable overload protection Independent DC and short-circuit protection on each channel protects your amplifier and speakers Front-to-back ventilation prevents overheating Lightweight yet durable all-steel chassis

The Torpedo Captor… … is the little brother of the award-winning Torpedo Reload. The Torpedo Captor is an easy to use reactive Loadbox perfect for unleashing your favorite tube amp in a variety of modern applications and venues. If you just require attenuation from your amp to your cab, Captor has you covered. And if you want an easy and modern way to record your tube amp, Captor is simply “load” and record. The concept You love the sound of your amplifier pushed right to the magic sweet spot where the best tones are. Until now, the only available option was blasting your sound through a 4×12″ to properly excite a microphone. Enter Torpedo, the simplest and most realistic way to get your sound to your audience. Use the amp you love! Everything that makes a real amp rule over all the other alternatives is retained. You can even record silently late at night. Gone is the backache from the loadout, complaints from neighbours, venue staff or even bandmates and the frustration of not being able to sound at one’s best trying to reduce the volume. Torpedo Captor was designed to cover the needs of direct recording or miking any kind of guitar or bass amp, in a live or studio situation. Reactive loadbox Playing silently or at low volumes is often a requirement, especially at home but more and more on stage or in the studio. To play your amp without a cabinet you need a Loadbox. Two notes is known for the most accurate and feature rich Loadboxes in the world, using the reactive technology, in other words mimicking perfectly the impedance of a speaker. Your amp will absolutely believe it’s connected to a real cabinet. Analog speakersim When using the Captor on stage to feed a PA, you will need to polish the sound coming from your amp. The analog speaker sim is derived from the acclaimed Le Preamp series. You will be able to get a detailed and focused sound for your monitor or the front of house while keeping a low volume on stage. Add a Torpedo C.A.B. with its large collection of IR Cab Sims for the ultimate direct solution. Format, versions The Captor is the size of a large DI box, so you can conveniently place it on your pedalboard or on top of your amp. The Captor comes in 4, 8 or 16 Ohm versions, make sure to get the one that matches with your amp. Attenuator If you wish to keep a cabinet on stage, the Captor features a direct speaker THRU or ATT output. It allows for full volume or a fixed – 20dB attenuation. Keep your amp in its sweet spot while at manageable volumes. On stage The Torpedo Captor is all you need to mic an amp on stage without the hassle of using a microphone. The Torpedo Captor is an amplifier DI box, designed to be used between the amp head and the speaker cabinet. This doesn’t involve any changes for the guitarist or bassist, who can play his/her amp as usual, while the PA gets a speaker simulated signal, directly usable for the FOH. The speaker simulation can simulate a guitar or bass cabinet. The Torpedo Captor can be powered with 48V phantom power, suppressing the need for an additional power supply. The Torpedo Captor can also help in reducing the sound level on stage. By using the power attenuated speaker output, the guitarist or bassist can play his/her amp loudly, whilst keeping the direct feedback from his/her speaker cabinet at a more manageable level. The Torpedo Captor can suppress the need for a speaker cabinet, allowing silent playing and lighter setup. The internal 100W reactive loadbox allows to play the amp without any speaker cabinet. Monitoring can be achieved with the embedded speaker simulation, through a dedicated stage monitor system. In the studio The Torpedo Captor can be used to directly connect an amplifier to a sound interface or a mic preamp. Miking can be achieved through the Torpedo WoS plug-in software, allowing for a simpler and faster recording process. At home The Torpedo Captor adds an amplifier input to your sound interface. You can mic your amplifier without the need of a specially designed miking room. Miking can be achieved through the Torpedo WoS plug-in software. The Torpedo Captor can be used for power attenuation or silent playing of your amplifier. Monitoring can be achieved through the embedded guitar or bass speaker simulation, or through the Torpedo WoS plug-in software. Wall of Sound and the famous Torpedo virtual cabinets Wall of Sound (WoS) is a speaker and miking simulation plugin. A plugin is a software you can load on a track of your sequencer, such as Cubase, Logic, Pro Tools, Reaper, inside your Digital Audio Workstation. With your Torpedo Captor and WoS you have the best configuration to record amazingly good guitar or bass tones for all your musical projects. The Torpedo Captor comes with a 16 virtual cabinets usable with WoS and all Torpedo hardwares (C.A.B., Live, Studio, VB-101). To download your 16 cabinets, register your product on the Two notes Website, download and install the Wall of Sound (WoS) plugin. You will be guided step by step through the process. Once you have become familiar with the sound and operation of the Wall of Sound plug-in, please feel welcome to explore the in-app Two notes Boutique which will allow you to audition and have the option to purchase additional cabinets. Specs Reactive loadbox Input impedance: 4, 8 or 16 Ohms Admissible power: 100W RMS Cooled by fan, thermal security: the amp and musician work in security. Input / Output Speaker Input: 1/4″ Jack unbalanced (TS, Tip/Sleeve) Speaker Att: 1/4″ Jack unbalanced (TS) – Attenuation: -20dB. Speaker Thru: 1/4″ Jack unbalanced (TS) – Directly connected to Speaker Input. Disconnects the loadbox when used. Line Output: 1/4″ Jack balanced (TRS) – Impedance: approx 1 kOhms – Without speaker simulation DI Output: XLR balanced – Impedance: 600 Ohms – With or without speaker simulation Speaker sim Guitar or Bass, analog, based on acclaimed Torpedo virtual cabinets Power Power is required only for the XLR DI output and speaker simulation. Phantom power or DC jack, 2.1×5.5mm, negative center. Current : 5mA Dimensions & weight 175 x 126 x 62 mm 1 kg

Šest pinski kabl dužine 12 metara namenjen spajanju KV2 sistema.

Audiofilski 8-ulaza/8-izlaza ADAT audio interfejs sa MIDAS mikrofonskim pretpojačalima! Imate potrebu za konverzijom digitalnog više-kanalnog signala u analogni, ili suprotno? Novi BEHRINGER ULTRAGAIN DIGITAL ADA8200 je prosto jednostavan za korišćenje, fino se uklapa u bilo koje rack kućište u 1H prostor, zahvaljujući MIDAS dizajniranim mikrofonskim pretpojačalima i integrisanim A/D i D/A konverterima koji Vam omogućavaju optimalnu konverziju signala - bez i najmanjeg traga distorzije ili iskvarenosti signalne slike. ULTRAGAIN ADA8200 je odabir profesionalaca. Tehnička specifikacija: * Ultra-high quality 8-channel A/D and D/A interface for virtually any digital recording/mixing environment * 8 state-of-the-art MIDAS designed Mic Preamplifiers * Phantom power on all microphone inputs * Reference-class Cirrus Logic 24-bit converters for ultimate signal integrity * Processes 48 and 44.1 kHz sample rates * External sample rate synchronization via word clock or ADAT input * Optical ADAT in/out interface for ultimate compatibility * All mic/line inputs routed to the ADAT output * ADAT input routed to all Line outputs * "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving * High-quality components and exceptionally rugged construction ensure long life * Conceived and designed by BEHRINGER Germany

ZNAČAJKE I SPECIFIKACIJA: 10 A (2300 Watt max.) For video and audio applications Technology from the PL series LiFT offers linear AC power filtering to ensure clean power for unequaled audio & video clarity Transient voltage surge suppressor, SMP (Series Multi-Stage Protection Plus) Automatic shutdown when external overvoltage over 270 V IEC320 Input and 2x IEC320 outputs Ready for mounting, for example, directly to the back of plasma or LCD screens Dimensions: 45 x 216 x 127 mm Weight: 1.36 kg

The four compact flat cans mounted on a bar with integrated control make the CLMPAR 1 the ideal basic kit for stage lighting. Each of the four flat cans is fitted with 108 ultra-bright 10-mm LEDs, creating awe-inspiring brightness and the perfect colour mix. The CLMPAR 1 is equipped with 3-pole inputs and outputs to enable actuation via DMX with 6, 9 or 15 channels. Alternatively, the CLMPAR 1 can be actuated by an optional controller. Of course, the CLMPAR 1 also works in standalone mode, with a microphone for sound control integrated into the bar. A 4-way foot controller is available as an optional extra. The CLMPAR1 is powered via a removable earting contact cable and is equipped with a 28-mm TV adapter for tripod-mounting. The practical transport case is included as standard. 4 x 108 ultra-bright 10-mm LEDs Tripod-mounting using 28-mm TV adapter Actuated via DMX, optional controller or in standalone mode Operated via DMX, in master/slave mode or standalone mode Compact, bright and all-purpose Practical transport case included as standard Specifications Product: Compact LED Lighting Set Type: 4 Flat Can Bar Colour Range: RGB Number of LEDs: 4 x 108 LED Type: 10 mm Beam Angle: 25 DMX Input: XLR 3-pole DMX Output: XLR 3-pole DMX Mode: 6/9/15-channel selectable DMX Functions: RGB, Master Dimmer, Strobe, Sound Control, Colour Jump, Colour Fade Remote Connector: XLR-5 pole Standalone Modes: Static Colour, Colour Change, Colour Fading, Sound Control, Slave, Auto Run Controls: Mode, Enter, Value Up, Value Down Indicators: LCD Display Power Supply: 100 V AC - 250 V AC Power Consumption: 50 W Power Connector: IECC Euro Power Socket male/female Housing Material: Metal Housing Colour: Black Dimensions: 1030 x 290 x 100 mm

Tehnička specifikacija * Reproduces the instrument vibrations authentically * 100% hum and noise free * Super sensitive Nanoflex pickup * Volume and tone control * 1/4" output socket * 3V cell battery * Very low power consumption Dodatne informacije The Shadow SH 965 NFX-B is a professional double bass pickup that provides absolute natural sound with zero hum. The pickup is based on the revolutionary Nanoflex-technology, that makes no compromise in preserving these features. Its built to reproduce the vibrations of your bass authentically with every move of the bow in all positions. No instrument modification was a must in developing this pickup system. For centuries bass makers worldwide selected the best woods to make, create and build the upright bass as it sounds today. Many hours of trimming the top and the bridge are invested to create the ultimate bass sound. Nanoflex pickups not only take the vibrations of the strings like common undersaddle pickups. Nanoflex senses the vibrations of the strings and the body of the instrument simultaneously. Due to active amplification directly at the pickup and 100% shielding of the entire system, no sound will be lost and no hum created.

The Torpedo Captor… … is the little brother of the award-winning Torpedo Reload. The Torpedo Captor is an easy to use reactive Loadbox perfect for unleashing your favorite tube amp in a variety of modern applications and venues. If you just require attenuation from your amp to your cab, Captor has you covered. And if you want an easy and modern way to record your tube amp, Captor is simply “load” and record. The concept You love the sound of your amplifier pushed right to the magic sweet spot where the best tones are. Until now, the only available option was blasting your sound through a 4×12″ to properly excite a microphone. Enter Torpedo, the simplest and most realistic way to get your sound to your audience. Use the amp you love! Everything that makes a real amp rule over all the other alternatives is retained. You can even record silently late at night. Gone is the backache from the loadout, complaints from neighbours, venue staff or even bandmates and the frustration of not being able to sound at one’s best trying to reduce the volume. Torpedo Captor was designed to cover the needs of direct recording or miking any kind of guitar or bass amp, in a live or studio situation. Reactive loadbox Playing silently or at low volumes is often a requirement, especially at home but more and more on stage or in the studio. To play your amp without a cabinet you need a Loadbox. Two notes is known for the most accurate and feature rich Loadboxes in the world, using the reactive technology, in other words mimicking perfectly the impedance of a speaker. Your amp will absolutely believe it’s connected to a real cabinet. Analog speakersim When using the Captor on stage to feed a PA, you will need to polish the sound coming from your amp. The analog speaker sim is derived from the acclaimed Le Preamp series. You will be able to get a detailed and focused sound for your monitor or the front of house while keeping a low volume on stage. Add a Torpedo C.A.B. with its large collection of IR Cab Sims for the ultimate direct solution. Format, versions The Captor is the size of a large DI box, so you can conveniently place it on your pedalboard or on top of your amp. The Captor comes in 4, 8 or 16 Ohm versions, make sure to get the one that matches with your amp. Attenuator If you wish to keep a cabinet on stage, the Captor features a direct speaker THRU or ATT output. It allows for full volume or a fixed – 20dB attenuation. Keep your amp in its sweet spot while at manageable volumes. On stage The Torpedo Captor is all you need to mic an amp on stage without the hassle of using a microphone. The Torpedo Captor is an amplifier DI box, designed to be used between the amp head and the speaker cabinet. This doesn’t involve any changes for the guitarist or bassist, who can play his/her amp as usual, while the PA gets a speaker simulated signal, directly usable for the FOH. The speaker simulation can simulate a guitar or bass cabinet. The Torpedo Captor can be powered with 48V phantom power, suppressing the need for an additional power supply. The Torpedo Captor can also help in reducing the sound level on stage. By using the power attenuated speaker output, the guitarist or bassist can play his/her amp loudly, whilst keeping the direct feedback from his/her speaker cabinet at a more manageable level. The Torpedo Captor can suppress the need for a speaker cabinet, allowing silent playing and lighter setup. The internal 100W reactive loadbox allows to play the amp without any speaker cabinet. Monitoring can be achieved with the embedded speaker simulation, through a dedicated stage monitor system. In the studio The Torpedo Captor can be used to directly connect an amplifier to a sound interface or a mic preamp. Miking can be achieved through the Torpedo WoS plug-in software, allowing for a simpler and faster recording process. At home The Torpedo Captor adds an amplifier input to your sound interface. You can mic your amplifier without the need of a specially designed miking room. Miking can be achieved through the Torpedo WoS plug-in software. The Torpedo Captor can be used for power attenuation or silent playing of your amplifier. Monitoring can be achieved through the embedded guitar or bass speaker simulation, or through the Torpedo WoS plug-in software. Wall of Sound and the famous Torpedo virtual cabinets Wall of Sound (WoS) is a speaker and miking simulation plugin. A plugin is a software you can load on a track of your sequencer, such as Cubase, Logic, Pro Tools, Reaper, inside your Digital Audio Workstation. With your Torpedo Captor and WoS you have the best configuration to record amazingly good guitar or bass tones for all your musical projects. The Torpedo Captor comes with a 16 virtual cabinets usable with WoS and all Torpedo hardwares (C.A.B., Live, Studio, VB-101). To download your 16 cabinets, register your product on the Two notes Website, download and install the Wall of Sound (WoS) plugin. You will be guided step by step through the process. Once you have become familiar with the sound and operation of the Wall of Sound plug-in, please feel welcome to explore the in-app Two notes Boutique which will allow you to audition and have the option to purchase additional cabinets. Specs Reactive loadbox Input impedance: 4, 8 or 16 Ohms Admissible power: 100W RMS Cooled by fan, thermal security: the amp and musician work in security. Input / Output Speaker Input: 1/4″ Jack unbalanced (TS, Tip/Sleeve) Speaker Att: 1/4″ Jack unbalanced (TS) – Attenuation: -20dB. Speaker Thru: 1/4″ Jack unbalanced (TS) – Directly connected to Speaker Input. Disconnects the loadbox when used. Line Output: 1/4″ Jack balanced (TRS) – Impedance: approx 1 kOhms – Without speaker simulation DI Output: XLR balanced – Impedance: 600 Ohms – With or without speaker simulation Speaker sim Guitar or Bass, analog, based on acclaimed Torpedo virtual cabinets Power Power is required only for the XLR DI output and speaker simulation. Phantom power or DC jack, 2.1×5.5mm, negative center. Current : 5mA Dimensions & weight 175 x 126 x 62 mm 1 kg

HYBRID COMPACT MIXER / USB INTERFACE ZEDi-8 gives musicians, recording artists and venues the ruggedness and hands-on control of an analogue mixer, paired with the versatility and convenience of a 2×2 USB interface. Whether it’s bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZEDi-8 is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that ZEDi-8 comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes. PRODUCT FEATURES 2 in, 2 out USB Audio Interface (24-bit/96kHz) Cubase LE Software included Cubasis LE App included 2 Mic / Line Inputs with separate XLR and TRS jack sockets 2 Stereo Inputs with TRS jack sockets 2 Guitar DI high impedance inputs, eliminating the need for DI boxes Lo-cut filter for cleaning up unwanted low frequency noise 2 band EQ for easy creative and corrective tonal shaping 60mm smooth travel fader on main mix XLR main outputs Flexible signal monitoring 8 LED signal metering 48V Phantom Power for condenser mics Robust internal power supply

Aktivna dvosistemska zvučna ugaoija snage 300W, opremljena 12" vuferom i 1" compression drajverom i eliminatorom mikrofonije, prvenstveno namenjena za monitoring. ugaoija ima svoj 3-band ekvilajzer kao i volume kontrolu kako bi ste na samoj ugaoiji mogli da obojite i pojačate sebi monitoring onako kako Vama odgovara. Tehnička specifikacija: * High-power 300-Watt 2-way monitor speaker system for live and playback applications * Exceptional sound quality, wide frequency bandwidth and dynamic range * Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight * Adjustable feedback filter and integrated limiter for ultimate system control and speaker protection * Integrated sound processor for ultimate system control and speaker protection * Ultra-low noise Mic/Line input with Volume control and Clip LED * Dedicated 3-band EQ for perfect sound shaping * Extremely powerful 12'' long-excursion driver provides incredibly deep bass and acoustic power * High-resolution 1'' HF driver for exceptional high-frequency reproduction * Proprietary horn design for ultra-wide sound dispersion * Internal switch-mode power supply for noise-free audio, superior transient response and very low power consumption * Integrated 35 mm pole socket for stand mounting and use as PA system * High-quality components and exceptionally rugged construction ensure long life * Conceived and designed by BEHRINGER Germany

The ADJ VPar Pak is a compact, low profile LED Par kit with two VPAR LED Pars, a soft case gig bag and an IR wireless remote. The LED Pars feature five 4-Watt, 4-IN1 LED (red, green, blue and amber), a scissor yoke, rubber feet for uplighting and a 4-button DMX display. The VPar is designed for uplighting and stage lighting, and will bring color and excitement to any party. This fixture features an unique “sit-flat” design so that it may sit directly on the ground or inside truss without the scissor yoke because the power & DMX ins and outs are mounted on the side of the fixture, not on the rear. The VPars offer smooth RGBA Color Mixing, have 40-degree beam angles, 15 built-in color macros, 5 operational modes (including DMX, Sound Active and Master/Slave), and has 8 DMX Channel modes for a variety of programming options. Users can also use the included ADJ LED RC2 IR wireless remote to change colors and functions of the LED Pars. Pack Includes: 2x VPAR LED Pars 1x Soft Case Gig Bag 1x ADJ LED RC2 IR Wireless Remote Specifications: Ultra bright slim flat black Par with 5x 4-Watt, 4-IN-1 QUAD LEDs (RGBA) – casts no RGB shadows Smooth RGBA Color Mixing (fast or slow color change operation) Unique “sit-flat” design: Power & DMX Ins/Outs intelligently designed so the unit can be set flat on the ground or set inside truss Great as an architectural wall wash or for performance stages where traditional stage lighting emit a lot of heat onto performers 8 DMX Channel modes: 1, 2, 3, 4, 5, 6, 7 or 8 channels 5 Operational modes: RGBA Dimmer mode, sound active mode, static color mode, auto run mode (3 auto run modes), and DMX Control Digital DMX Display with 4-button menu for easy navigation Stand Alone or Master/Slave Configuration Beam Angle: 40 degrees 15 built-in Color Macros DMX-512 protocol Color strobe effect Linkable via 3-pin XLR cable Electronic Dimming: 0-100% Flicker Free Includes a scissor yoke to hang on truss, mount on a wall or set on the ground Long Life LEDs (50,000 hrs.) Power Draw: 21W Max IEC AC input and out put on the side of the fixture to daisy chain the power cords (link up to 30 fixtures) Compatible with ADJ LED RC2 wireless infrared remote control up to 30 ft./ 10M (included in the pak) Multi-voltage operation: AC 100V-240V 50/60Hz Dimensions (LxWxH): 225 x 220 x 85mm Weight: 1.2 kg. VPAR Gig Bag inner dimensions (LxWxH): 225 x 200 x 240mm System Weight: 3 kg.