Specs : 8 touch-sensitive motorized channel faders 12-segment LED level metering for channels 1 touch-sensitive motorized fader for master channel 8 x dual function encoder knobs (Enter & rotate) 11-segment LED surrounding the encoders to indicate the rotating position Large backlit LCD to display channel name, control values etc. for each channel 12-segment LED display showing time location of your project in either SMPTE or Midi beat clock (bars:beats:ticks) format 78 assignable buttons for user de ne mode Jog wheel shuttle for fast search and control Illuminated buttons for each channel including Rec-enable, Solo, Mute, Select and Monitor 6 illuminated transport buttons including Play, Stop, Rec, Rewind, Fast forward and Loop lluminated zoom key with 4 direction keys MackieControl and HUI Universal emulation iMap – Self midi mapping software is provided for user-de ned mode (MIDI Learn) Expandable to 32-channel control surface with 3 units of Qcon EX G2 User A & User B 1/4” TRS connectors for connecting with pedals Class-compliant with Windows XP, Vista (32-bit), Windows 7/8/10 (32-bit & 64-bit), and Mac OS X (IntelMac) USB 2.0 high speed connectivity Firmware upgrade available simply via USB connection and iMap software Different DAW overlays are included – Cubase/Nuendo, Logic Pro, Digital Performer, FL Studio, Samplitude, Reaper, Studio One, Bitwig, Reason, ProTools, Sonar, Audition, Ableton Live and User Define mode Robust aluminum and metal casing with Kensington lock port Dimensions: 358 x 375 x 136 mm Weight: 4515 g Includes power supply

Specs : 8 touch-sensitive motorized channel faders 12-segment LED level metering for channels 1 touch-sensitive motorized fader for master channel 8 x dual function encoder knobs (Enter & rotate) 11-segment LED surrounding the encoders to indicate the rotating position Large backlit LCD to display channel name, control values etc. for each channel 12-segment LED display showing time location of your project in either SMPTE or Midi beat clock (bars:beats:ticks) format 78 assignable buttons for user de ne mode Jog wheel shuttle for fast search and control Illuminated buttons for each channel including Rec-enable, Solo, Mute, Select and Monitor 6 illuminated transport buttons including Play, Stop, Rec, Rewind, Fast forward and Loop lluminated zoom key with 4 direction keys MackieControl and HUI Universal emulation iMap – Self midi mapping software is provided for user-de ned mode (MIDI Learn) Expandable to 32-channel control surface with 3units of QconEX G2 User A & User B 1/4” TRS connectors for connecting with pedals Class-compliant with Windows XP, Vista (32-bit), Windows 7/8/10 (32-bit & 64-bit), and Mac OS X (IntelMac) USB 2.0 high speed connectivity Firmware upgrade available simply via USB connection and iMap software Different DAW overlay are included – Cubase/Nuendo, LogicPro, DigitalPerformer, FLStudio, Samplitude, Reaper, Studio One, Bitwig, Reasons, ProTools, Sonar, Audition, Ableton Live and User define mode Robust aluminum and metal casing with Kensington lock port

Specs : Jitter: 1.92pS RMS (BNC outputs) Outputs: 6 BNC, 1 XLR AES, 1 RCA S/PDIF, 1 Optical S/PDIF (recommended max. cable length = 1,000ft of high quality, 75Ω coaxial cable) BNC: 75 Ω, 5V unterminated RCA S/PDIF: 75 Ω, unbalanced AES XLR: 110 Ω, balanced Clock Frequencies BNC (kHz) – 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 RCA S/PDIF & AES (kHz) – 44.1, 48, 88.2, 96, 176.4, 192 Optical S/PDIF (kHz) – 44.1, 48, 88.2, 96 Power: 9VDC (6W power consumption) Power connector: 2.1mm barrel connector with 5.5mm outer diameter (center pin positive) Weight: 2.2lbs Dimensions: 6.5”L x 6”W x 1.75”H (without rack ears installed) Shipping Dimensions: 13x13x5 Shipping weight: 4lbs

Make recording easy Eight award winning EVO Preamps alongside our advanced converter technology will make everything you do, sound better. Add to that, intelligent mic preamps that set their own levels with Smartgain, the all new, groundbreaking Motion UI control system, and enough I/O firepower to tackle even the biggest of sessions, EVO 16 is truly a studio powerhouse, designed from the ground up to make recording easy. The EVO Mic Preamp Get studio quality recordings Level up your audio performance with eight sonically stunning EVO Preamps. Backed by 25 years of engineering experience, our analogue mic preamp has been designed to deliver the most accurate, clean, and true to source version of your audio, no matter what you’re recording. Our EVO Preamp technology not only has all the sonic advantages of an analogue mic preamp, but combines it with digitally controlled precision, giving you the ability to set your gain with pin-point accuracy, right down to the decibel. A total gain-changer Make recording drums and larger sessions easy with Smartgain. Automatically set the gain for all 8 channels at once with a simple touch of a button. Powered by our lightning quick Smartgain algorithm, Smartgain uses advanced peak analysis to automatically analyse, adjust and set your gain to the perfect levels – all in less than 20 seconds! Your own assistant engineer Working Solo? Record, adjust levels, repeat? Sound familiar? Save time and make recording on your own a breeze with Smartgain. Simply set up your mics, hit Smartgain, start performing and EVO 16 will take care of the rest.

SSL 12 12-in/8-out A new class of audio interface SSL 12 is a 12-in/8-out USB bus-powered audio interface that enables you to get studio-quality audio into and out of your computer with minimal fuss and maximum creativity. Building upon the success of SSL 2 and SSL 2+, SSL 12 gives you more. More I/O, more performance and more versatility. SSL 12 is fully integrated with SSL 360° software: Your SSL Control Room. Here you can assign monitor controls, create multiple independent headphone mixes, choose your Loopback source, customise the 3 front panel user-buttons and much more. SSL 12 presents a combination of professional features and workflow never seen before in a portable desktop interface. Big studio features, small desktop footprint Everything you need and more, from your portable studio centrepiece Record For tracking, the ADAT connectivity, together with the on-board talkback mic and an incredibly powerful software cue mixer (that allows you to create up to 4 independent near-zero latency performer mixes) will handle the most demanding of recording sessions. Mix For mixing, alternative monitor switching and assignable front panel control room functions puts everything you need at your fingertips. Produce For production, USB Loopback, MIDI I/O and DC-coupled outputs for CV control of synths equip you with a serious toolkit to keep the creativity flowing. To top it all off, the ever-expanding SSL Production Pack (packed with a selection of must-have virtual instruments, plug-ins, samples and DAWs) helps to bring your productions to life. Total control from SSL 360° - Your SSL control room SSL 360° hosts the SSL 12 software mixer, where you can set up low-latency headphone mixes, choose your Loopback source and customise the user-assignable front panel buttons on SSL 12 via the powerful but intuitive console-style mixer on-screen. SL Production Pack FREE with SSL 12 Audio Interface We’ve been helping world-class artists, producers and engineers make great music and audio for decades. It's crucial to have the right tools for the job, so we’ve partnered with some of the industry's key brands to offer you the SSL Production Pack, bundled free with your SSL 12 audio interface. Featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, let your creativity shine and bring your productions to life with the SSL Production Pack. Ins and Outs Front-access jack sockets provide convenient access to 2 instrument DI inputs and 2 independent headphone outputs. On the rear, SSL 12 provides Neutrik® XLR Combo sockets for Mic/Line inputs, TRS jack outputs for 2 speaker sets, 5 Pin DIN MIDI I/O, 8 channels of digital audio inputs via ADAT, the USB connector and on/off power switch. Key Features 4 x SSL-designed microphone preamps with unrivalled EIN performance and huge gain range for a USB-powered device Per-Channel Legacy 4K switches - analogue colour enhancement for any input source, inspired by the 4000-series console 2 Hi-Z instrument inputs for guitars, bass or vintage instruments 2 professional-grade headphone outputs, with switchable modes of operation that cater for high impedance or high sensitivity headphones. Or re-purpose each headphone output as an additional “general purpose” balanced/unbalanced line-level output instead 32-bit / 192 kHz AD/DA Converters - capture and hear all the detail of your creations ADAT IN - expand the input channel count with up to 8 channels of digital audio Easy-to-use Headphone routing via SSL 360° for critical low-latency monitoring tasks Built In Talkback Mic that can be routed to Headphone A, B and Line 3-4 outputs 4 x dedicated balanced outputs and precision Monitor Level, with stunning dynamic range Use Outputs 3-4 to connect an alternative monitor set to or as additional line-level outputs USB Loopback with selectable source DC-coupled outputs for controlling CV input instruments & FX 3 user-assignable front panel switches - assign various monitoring functions and talkback open/close MIDI I/O SSL Production Pack Software Bundle; includes 3-months free subscription to SSL Complete, plus an exclusive collection of 3rd party DAWs, virtual instruments and plug-ins USB bus-powered audio interface for Mac/Windows - power is provided by USB 3.0, audio via the USB 2.0 protocol Software Included The SSL Production Pack includes: 3-months free access to SSL Complete subscription 3-months free access to Auto-Tune Unlimited subscription 3-months free access to Arcade by Output subscription Perpetual licenses for SSL Vocalstrip 2 and Drumstrip plug-ins IK Multimedia Amplitube 5 SE Celemony Melodyne Essential Native Instruments Hybrid Keys & Komplete Start Ableton Live 11 Lite AAS Session Bundle plug-ins 1.5 GB Samples from Loopcloud Learn more about the incredible SSL production pack here. Tech Specs System requirements and Specs: Mac OS 10.15 or later | Class-Compliant, Plug-and-play Windows 10, Windows 11 | Install included ASIO/WDM driver Connectivity USB 3.0 Type C Connector (Box includes Type C to C and Type C to A) Mic Preamps 4 x XLR-¼" combo (Mic/Line) Mic Amp EIN (A-weighted): -130.5 dBu EIN Mic Amp Gain: 62 dB Instrument/Line 2 x ¼" (Hi-Z) Max Instrument Input Level: +14 dBu Max Line Input Level: +24 dBu *Specs (Measured to AES17 Standards) Monitor Outputs Dynamic Range: >120 dB​ Max Output Level: +24 dBu​ Headphone Outputs 2 x ¼" Dynamic Range: 112 dB (High Impedance Mode) / 115 dB (Balanced Line Output Mode) Max Output: +18 dBu (High Impedance Mode) / 24 dBu (Balanced Line Output Mode) Output Impedance: <1 Ω Digital Inputs 1 x Optical (ADAT) Sample rates​ 44.1, 48, 88.2, 96, 176.4, 192 kHz Tech Specs System requirements and Specs: Mac OS 10.15 or later | Class-Compliant, Plug-and-play Windows 10, Windows 11 | Install included ASIO/WDM driver Connectivity USB 3.0 Type C Connector (Box includes Type C to C and Type C to A) Mic Preamps 4 x XLR-¼" combo (Mic/Line) Mic Amp EIN (A-weighted): -130.5 dBu EIN Mic Amp Gain: 62 dB Instrument/Line 2 x ¼" (Hi-Z) Max Instrument Input Level: +14 dBu Max Line Input Level: +24 dBu *Specs (Measured to AES17 Standards) Monitor Outputs Dynamic Range: >120 dB​ Max Output Level: +24 dBu​ Headphone Outputs 2 x ¼" Dynamic Range: 112 dB (High Impedance Mode) / 115 dB (Balanced Line Output Mode) Max Output: +18 dBu (High Impedance Mode) / 24 dBu (Balanced Line Output Mode) Output Impedance: <1 Ω Digital Inputs 1 x Optical (ADAT) Sample rates​ 44.1, 48, 88.2, 96, 176.4, 192 kHz

SPECIFIKACIJE: Computer Connectivity:USB 3.0 Form Factor:Desktop Simultaneous I/O:2 x 4 A/D Resolution:24-bit/192kHz Built In DSP/FX:UAD-2 Solo Processing, Realtime UAD Powered Plug-ins Number of Preamps:2 x mic, 1 x instrument Phantom Power:Yes Analog Inputs:2 x XLR-1/4" combo (mic/line), 1 x 1/4" (Hi-Z) Analog Outputs:2 x 1/4" Headphones:1 x 1/4" TRS USB:1 x USB-C 3.0 Software:Realtime Analog Classics plug-ins (VST, AU, AAX 64), 5 Heritage Edition plug-ins OS Requirements - PC:Windows 10 Anniversary update or later, Quad Core i7 or higher Power Supply:12V DC power supply (included) Height:1.8" Width:7.1" Depth:4.8" Weight:1.38 lbs. USB-C audio interface with 2 analog inputs and 2 analog outputs, plus 1 instrument input and a stereo headphone output Sounds amazing, with next-generation AD/DA for maximum fidelity Use outstanding UAD Powered Plug-ins for tracking and mixdown Preamps sound pristine, and Unison technology gives you spot-on emulations of classic preamps Includes a premium plug-in suite of 5 award-winning UAD plug-ins, along with the Realtime Analog Classics plug-in bundle with accurate emulations of vintage analog hardware USB 3.0 gives you ultra-low latency and huge bandwidth for higher sample rates and track counts Compact design makes it perfect for mobile recording, mixing outside of your studio, and even performing live Windows only Apollo Solo includes LUNA Recording System (Mac/Thunderbolt), plus the “Realtime Analog Classics” UAD Powered Plug-Ins Bundle* UA 610-B Tube Preamp and EQ Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp Raw Distortion Guitar Pedal Teletronix® LA-2A Compressor Legacy UA 1176LN® Compressor Legacy UA 1176SE Compressor Legacy Pultec® EQP-1A EQ Legacy Pultec® Pro EQ Legacy Precision Delay Modulation Precision Delay Modulation L Precision Reflection Engine Precision Channel Strip Realverb Pro * All other UAD Powered Plug-Ins sold separately at www.uaudio.com. All trademarks are property of their respective owners.

The SPL De-Esser is a highly specialised audio tool for removing undesired sibilant frequencies in a very simple and musical way without compromising the timbre and natural character of a voice. To solve this difficult problem, SPL has developed a new circuit design that combines ease of use with natural sound characteristics and the highest level of technical performance. The SPL De-Esser monitors the S-frequency spectrum and automatically detects the sibilant frequencies. The de-ess bandwidth is set so narrowly around the range of the sibilance that neighbouring frequencies remain unaffected. Input processed via this frequency band is mixed back into the main signal phase-inverted so that only the S-sounds are cancelled where the S-reduction controller determines the intensity of the phase-cancelled mix. The result is a neutral, unobtrusive and extremely effective de-essing process. Even at high S-reduction values the de-essing has a negligible effect on the character and timbre of the voice. Rounding out the amazingly simple control system is an automatic threshold-adjusting function. Differences in the input level caused by the varying distance to the mic, are compensated for automatically. This ensures even de-essing independent of signal level so any necessary compression may be applied post the de-esser. Conventional De-Essing Traditional de-essers use compression techniques. In addition to the threshold parameter used to set the processing level, there is a frequency controller for setting the center frequency of the process (with bandwidths generally up to 4 kHz). Processing therefore compresses the entire selected range, notjust the sibilant or S sounds. This results in the familiar and undesired side-effects such as lisping and a nasal-sounding vocal. SPL's De-Essing Specifications Inputs and outputs: Instrumentation amplifier, electronicallybalanced (differential), transformerless Nominal input level +6 dB Input impedance =22 kOhm Output impedance < 600 Ohm Max. input level +24 dBu Max. output level +22.4 dBu Minimum load 600 Ohm Relay hard bypass / power fail safety Measurements Frequency response 20 Hz-50 kHz (50kHz= -3dB) Common mode rejection > -80 dBu @1kHz Total harmonic distortion 0.002% @ 1 kHz Signal-to-noise ratio -93 dBu (CCIR 468-3) Signal-to-noise ratio -98 dBu (A-weighted) Power supply Toroidal transformer 15 VA Fuses (230/115 V) 315 mA/630 mA GND lift switch, voltage selection switch 115 V / 230V Dimensions Standard EIA 19”/IHE 482 x 44 x 237mm Weight 3.4 kg Note: 0 dBu = 0.775 V

16+16 Channel AD/DA Converter and MADI Interface The SPL Madison offers 16 analog input and 16 analog output channels of the highest sound quality. Madison combines state of the art signal conversion with highly reliable clock and MADI processing. And as a true SPL unit it is simple to operate, easy to expand and, of course, an awesome sounding conversion system. Combined with the Madicon USB3 interface this system features SmartMADI®, which allows daisy chaining Madison converters and communicating sample rate changes through the MADI stream to connected Madisons. Madison As a company with a rich heritage in analog audio engineering, it has always been our idea to put all our knowledge into the analog sections of a converter. Excellent converter technology requires an appropriate analog environment, and that is where a true difference can be made – a difference against existing solutions, and a difference in sound of course. Where ever you may have a need for reliable and pure conversion of multiple analog audio channels, the Madison meets your demand brilliantly. Since MADI is the emerging new studio I/O standard, the Madison is the perfect interface for home and project studios, commercial recording studios and scoring stages. Concept We have designed an analog audio section on 36V audio rails, reaching output levels of 24dBu. The result is simply amazing. With its straight-forward operation, flexible expansion, and pristine sound, the price per channel ratio of the Madison may set a new benchmark. Standard Broadcast and live professionals rely on the still-unsurpassed MADI since about 25 years now – with jitter-free, rock-solid transmission of many audio channels per single wire and low-cost cabling with lengths far above one mile, MADI simply offers unique advantages. AD/DAs Madison is one of the few interfaces with 16 AD and 16 DA converters built in. The converters support the following sample rates: 44.1/48 kHz, 88.2/ 96kHz and 176.4/ 192kHz with 24 bit word length and accept vari-speed up to ±10%. Reference Levels You can select between four different reference levels to match 0dBfs (full scale): 15, 18, 22, and 24dBu. Fanless Madison operates absolutely noise-fee. It's fanless absolutely silent low-power design consumes only up to 30W. MADI Chaining Up to four units can be connected to the single MADI port of the Madicon USB3 interface. MADI offers excellent and near-zero-latency digital transmission of up to 64 I/Os with galvanic insulation. SmartMADI Madicon features SmartMADI®: MADI becomes more user friendly, easier to setup and more modern SPL's Madicon and Madisons can be daisy-chained like Audio-Over-IP products, but are much easier to configure and more reliable in operation No additional MADI router required Sample rate changes are now communicated over MADI and Madison follow automatically - very convenient Option Madison can be equipped with a redundant power supply. Specs Konverter i priključci Resolution: 24 Bit Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz Varispeed: ±12.5% in 56 CH mode, -12,5% in 64 CH mode Reference Levels/Inputs: 24dBu max, selectable 22dBu, 18dBu, 15dBu Reference Levels/Outputs: 24dBu max, selectable 22dBu, 18dBu, 15dBu Clock: Internal clock circuitry from SPL, Wordclock or MADI Expandability: 4 units via MADI chain for 64 channels Wordclock: Input 75 ohms, terminated impedance Wordclock Level: Input TTL/CMOS5/CMOS3; Output 3.3Vtt MADI channels@44,1 & 48kHz: 56/64ch MADI channels@2x 44,1 & 48kHz (88,2 & 96kHz): 28/32ch MADI channels@4x 44,1 & 48kHz (176,4 & 192kHz): 14/16ch MADI formats@2x 44,1 & 48kHz (88,2 & 96kHz), 4x 44,1 & 48kHz (176,4 & 192kHz): SMUX/HighSpeed Audio Inputs 16 analog, balanced inputs, DB25/Tascam MADI optical digital input (up to 64 channels) Audio Outputs 16 analog, balanced outputs, DB25/Tascam MADI optical digital output (up to 64 channels) Analogni ulazi / mjerenja S/N: 115dB (A-weighted, 48kHz) Dynamic Range: 115dB (-60dBfs, A-weighted, 48kHz) S/(N+D): 102dB ( -1dBfs, 48kHz) Interchannel Isolation: 110dB (48kHz) Passband Response: 22kHz (-0.02dB, 48kHz) Passband Ripple: +/- 0.005dB (Decimation-LPF, 48kHz) Stopband Attenuation: 100dB (Decimation-LPF, 48kHz) Analogni izlazi / mjerenja S/N: 115dB (A-weighted, 48kHz) Dynamic Range: 115dB (-60dBfs, A-weighted, 48kHz) S/(N+D): 100dB (-1dBfs, 48kHz) Interchannel Isolation: 110dB (48kHz) Passband Response: 21.8kHz (-0.04dB, 48kHz) Passband Ripple: +/- 0.06dB (Digital Filter, 48kHz) Stopband Attenuation: 70dB (Digital Filter, 48kHz) Priključci na stražnjoj strani 1 IEC power connector USB Type A socket (no audio, firmware updates only) Wordclock input via BNC socket with Termination switch Wordclock output via BNC socket with Termination switch MADI optical input, Type SC MADI optical output, Type SC 2 x DB25 8-channel analog inputs (Tascam) 2 x DB25 8-channel analog outputs (Tascam) Napajanje, dimenzije i težina Netzteil: Schaltnetzteil, 90-264 V AC, 50/60 Hz, 35W max. Wärmeeinheiten: 65 BTU/h typ., 110 BTU/h max. Abmessungen (HxBxT, mm): 44x482x260 (ohne Buchsen T=240) Gewicht 3,05 kg (3,17 mit zweitem Netzteil)

High-Performance 32-Channel Audinate Dante Expansion Card for X32 The X32’s expansion slot provides flexible and expandable connectivity for many different applications. The X-DANTE Expansion Card can easily be installed in place of the X-USB card that is included with the X32. The 32-channel 48 kHz bi-directional audio interface brings even more I/O options to the X32 by making it ready for integration with Dante enabled IP networks. 32-channel 48 kHz, bi-directional audio interface for Dante* IP networks High-speed 24-bit signal transmission with sample-accurate synchronization and low latency Allows interfacing with standard 100 MBit/s or Gigabit network infrastructure with DSCP-based QoS Mixed sample and bit rates can coexist on the same network Full remote control of X32 possible using the integrated Ethernet switch Audinate* Dante Controller application with full control over configuration and signal routing among all Dante-enabled devices

Compact multicore with a length of 30 metres and 16 (K20C30D) or 24 send paths (K28C30D / K32C30D) and four or eight return paths (K32C30D), mounted in a stable metal basket on four casters with a stage box integrated directly in the drum. Easily tranportable, space-saving due to stackability, and flexible in use. The additionally reinforced transition to the terminations prevents wear and cable breakage. Equipped with Adam Hall XLR connectors.

Sound incredible with a powerful USB audio interface MBOX Studio is designed with only the highest quality components, preamps, and audio converters in its class, enabling you to capture and mix up to 24-bit, 192 kHz audio from input to output. Variable Z opens up a whole range of tonal options. And with built-in real-time EQ, delay, and reverb, plus independent cue mixing, you can deliver your best performances with low-latency tracking. Quickly bring your ideas to life Easily create, record, edit, and mix music, plus podcast and live stream, without technology getting in the way. Access a full range of functions right from the interface to keep your creativity flowing Capture and mix music in pristine sound quality with four mic preamps and premium convertors Record with mics, instruments, effects, and more with 21 x 22 simultaneous I/O— Everything you need to make music Plug in and play right away with Pro Tools Studio, MBOX Ignition Pack, and more. Whether making beats and parts with virtual instruments or connecting real ones to your computer for recording, you have a massive collection of tools, plugins, instruments, loops, and samples ready for you to explore, get inspired, and keep you in your creative zone. Create GRAMMY-level productions When you need to sound your best, nothing delivers like Pro Tools. Pro Tools Studio makes music production fast and easy, enabling you to work with audio, MIDI, notation, and 4K video all in one application. Get unmatched monitoring flexibility Track and monitor performances like a commercial studio with outputs for two headphones, two stereo sets of speakers, and Bluetooth, plus cue mixing and a built-in talkback mic. No other audio interface in its class provides as many options. A guitar player’s dream With Variable Z on instrument inputs, you can change up the tone of your guitar when recording direct to complement your effects chain. Play through the world’s greatest amps with Eleven MK II, bx_rockrack, tons of emulated stompbox effects, and more included. Integrate your own outboard effects. Reamplify tracks. And stay pitch-perfect with the built-in tuner.

MAINTAIN YOUR SIGNATURE STYLE Exceptional D-A conversion ensures that audio quality is preserved when sending audio to analogue compressors, EQs and effects. You can easily process audio in your signature style and benefit from integrating your outboard into your workflow to achieve accurate results. Send 16 channels of high-quality audio from your computer by connecting a Clarett+ OctoPre to a Clarett+ 8Pre via ADAT — perfect for integrating an analogue mixer into your workflow. MAINTAIN YOUR SIGNATURE STYLE Exceptional D-A conversion ensures that audio quality is preserved when sending audio to analogue compressors, EQs and effects. You can easily process audio in your signature style and benefit from integrating your outboard into your workflow to achieve accurate results. Send 16 channels of high-quality audio from your computer by connecting a Clarett+ OctoPre to a Clarett+ 8Pre via ADAT — perfect for integrating an analogue mixer into your workflow. PREMIUM-QUALITY AUDIO OVER ADAT Add Clarett+ OctoPre to a 2Pre, 4Pre or 8Pre to expand your I/O easily and consistently via ADAT. Non-Clarett+ users can upgrade to a professional standard by connecting to any ADAT-enabled interface, bringing the classic Focusrite sound to their recordings as well as the premium quality offered by Clarett+ OctoPre. GET THE SOUND OF ICONIC FOCUSRITE HARDWARE Track through your OctoPre and mix with three classic software processors from Focusrite’s 40-year legacy of precision studio sound. Brainworx bx_console Focusrite SC is an authentic emulation of the classic ISA 110 module found in Focusrite Studio Console. ISA 110 was created when Sir George Martin asked Rupert Neve for custom modules for AIR Montserrat studios. The Red 2 & Red 3 Plug-in Suite accurately models Focusrite’s classic Red range equaliser and compressor hardware. Coveted by producers and engineers for their exceptional clarity and versatility, the original Red 2 and Red 3 remain prized fixtures in professional recording studios the world over. Now, you can use these revered pieces, easily and flexibly, in your own mixes. ALL THE TOOLS YOU NEED The included Hitmaker Expansion bundle of recording software gives studio-grade results — add mixing plug-ins and virtual instruments to your DAW to give a professional touch to your tracks. Create huge drums, studio quality vocals, powerful guitars, luscious keys — and then mix and master with iconic Focusrite studio hardware. Every new Clarett+ OctoPre comes with an unbeatable range of tried-and-tested studio tools from some of the biggest names in the business. Hitmaker Expansion features exclusive content from legendary Auto-Tune® creators Antares®, along with Brainworx®, Softube®, XLN Audio®, Relab and more. SPECIFICATIONS IN DETAIL MIC INPUTS Frequency Response 20 - 20kHz: ± < 0.03dB Frequency Response 20 - 35kHz: ± < 0.15dB Dynamic Range (min gain): 118dB THD+N (-1dBFS, +20dB gain): -110dB Noise EIN: -129dBu Max Input Level: 18dBu Gain Range: +57dB LINE INPUTS Frequency Response 20 - 20kHz: ± < 0.05dB Frequency Response 20 - 35kHz: ± < 0.15dB Dynamic Range (min gain): 118dB THD+N (-1dBFS, min gain): -100dB Max Input Level: 26dBu Gain Range: +57dB INSTRUMENT INPUTS Frequency Response 20 - 20kHz: ± < 0.04dB Frequency Response 20 - 35kHz: ± < 0.15dB Dynamic Range: 116dB THD+N (-1dBFS, min gain): -96.5dB Max Input Level: 15dBu Gain Range: +57dB LINE OUTPUTS Frequency Response 20 - 20kHz: ± < 0.02dB Frequency Response 20 - 35kHz: ± < 0.02dB Dynamic Range: 124dB Max Output Level: 18dBu THD+N: -106dB

Specs: Type:Rackmount Digital Mixer Channels:20 (16 x mono, 2 x stereo) Inputs - Mic Preamps:2 x XLR-1/4" combo (mic/line/Hi-Z), 14 x XLR-1/4" combo (mic/line) Phantom Power:16 channels Inputs - Line:2 x Dual RCA Stereo (line), 4 x 1/4" (2 x stereo line) Outputs - Main:2 x XLR (master) Aux Sends:6 x 1/4" (monitor out A-F) Remote:1 x 1/4" (control footswitch) USB:1 x Type B, 1 x Type A Computer Connectivity:USB (22 x 4) Bluetooth:BTA-1 Adapter (included) Headphones:1 x 1/4" A/D Resolution:24-bit/96kHz EQ Bands:3-band EQ, Low Cut Effects:20 x Effects; Reverb, Delay, Chorus Signal Processing:Compression Transport Controls:Yes Storage:SDHC (max 32GB), SDXC (max 512GB) Software:Remote Mixer app, L-20 Control iPad app Rackmountable:Yes (rack ears included) Power Source:12V DC external power supply (included) Height:5.97" Depth:6.22" Width:17.24" Weight:5.4 lbs.

Četiri godine posle izlaska BabyFace Pro interfejsa koji je zauvek upisao RME u kuću slavnih kao kompaniju koja je proizvela najprodavaniji mobilni audio interfejs u istoriji, vreme je za novi model - BabyFace PRO FS! Šta je sve poboljšanje? LIsta je podugačka - Full SteadyClock FS kolo za najniži jitter i najveću otpornost na isti, za 10db poboljšani outputi za slušalice, poboljšan SNR na mikrofonskim i linijskim ulazima, za 8dB bolji THD na linijskom ulazu, za 6 semplova smanjena latencija na AD konverziji....

TASCAM's 32-track Digital Portastudio! An all-in-one recording workstation, the TASCAM DP-32SD Digital Portastudio packs the flexibility of a fully loaded DAW into a single piece of ultra-reliable hardware. With eight individual input channels, the 32-channel DP-32SD lets you easily track an entire band. A studio's worth of onboard effects, signal processors, and mastering tools, gives you everything you need to polish your tracks to perfection and save them to the included SD card or export them to your computer via USB. And thanks to its intuitive master section and full set of hands-on controls, producing music with the TASCAM DP-32SD is as fun as it is rewarding. TASCAM DP-32SD Digital Portastudio Recording System at a Glance: Enough simultaneous inputs to track the whole band Loaded with fun onboard effects and powerful built-in signal processors Intuitive channel-strip-style controls make tracking and mixing easy Enough simultaneous inputs to track the whole band Track the whole band at once, with the TASCAM DP-32SD Digital Portastudio. The DP-32SD comes loaded with eight individual inputs. Each input is equipped with an XLR-1/4" combo jack and a microphone preamplifier, complete with phantom power for your condenser mics. That means even if you use a handful of microphones on drums and a few more on guitars and bass, you'll still have inputs left over on the DP-32SD to track vocals. Loaded with fun onboard effects and powerful built-in signal processors No studio is complete without quality effects and signal processors. That's why TASCAM loaded their DP-32SD Digital Portastudio with a ton of studio-style tools. Record with vital processors such as equalizers, compressors, and limiters, while the DP-32SD's onboard guitar-amp-simulation engine adds real amplifier sound to your instrument input. You can sweeten your sound with reverb, chorus, and other enhancements during mixdown. What's more, the TASCAM DP-32SD's powerful onboard mastering effects let you get the most out of your final mixes. Intuitive channel-strip-style controls make tracking and mixing easy Why wade through tedeous menus for the controls that should be close at hand? TASCAM built the DP-32SD to be both powerful and intuitive to use, with none of the frustrating awkwardness that plagues over-engineered gear. The DP-32SD's simple master channel-strip section gives you hands-on controls for your channel EQ, pan, and send settings. There's also an easy-to-read color display that gives you instant feedback as you tweak your channel settings, effects, and processors, as well as dedicated controls for all essential recording functions. TASCAM DP-32SD Digital Portastudio Recording System Features: Simultaneous 32-track playback for full-scale production 8 mono tracks and 12 stereo tracks give you what you need for the whole band Stereo tracks can be used as mono tracks for flexible inputs Integrated 40-input mixer to mixdown 32 playback tracks with 8 inputs for monitoring and mixing Simultaneous 8-track recording is perfect for session multitracking or live recording Professional standard bit depth and sample rate settings - 16/24-bit, 44.1k/48k 8 combo jacks for mic and line inputs High-quality mic pres with phantom power let you use your studio condensers Guitar input selectable on input H for direct recording of guitar and bass Unbalanced and balanced stereo monitor outputs for flexibility 2 effect sends for using outboard gear Headphone output for quiet monitoring Remote input to connect a RC-3F footswitch for convenient tracking Studio quality effects for inputs, guitars, mixdown, and mastering Bounce functionality to mix input signals and playback tracks, and record the mixed signal to track Virtual tracks capability Recording must-haves include mark function, chromatic tuner, and metronome Same file transfer capability as USB mass storage device of a computer AC adapter and 2GB SD card included Turn your ideas into polished tracks with the TASCAM DP-32SD Digital Portastudio!

Solid State Logic UF1 daje vam apsolutnu kontrolu pod vaših rukama nad vašim DAW-baziranim DAW interfejsu. U srcu ove kontrolne površine prepune raznih karakteristika je solidan, 100 mm motorizovani klizni potenciometar dodatno ojačan namenskim kontrolama za transport, rotacijskim enkoderima i gumenim tasterima mekim za dodir. Dva displeja visoke rezolucije pružaju dovoljno vizualnih povratnih informacija o nazivima zapisa vašeg DAW-a, parametrima, prikazu vremena i više. Takođe dobijate trajnu licencu za SSL Meter plugin, koji možete vizualizovati i kontrolisati izravno sa UF1 kontrolera. A sa pojedinačnim DAW profilima za Pro Tools, Logic, Cubase, Studio One, Ableton Live, LUNA i Pyramix, plus punom SSL 360° integracijom softvera,

Sa svjim jednostavnom izgledom, RME Digiface AVB je prava zver u svetu audio interfejsa . Pomoću njega možete prenositi do 128 audiokanala u rezoluciji 192 kHz putem AVB mreže u oba smera. Njegovi se protoci mogu podešavati za 2 do 32 kanala za široki spektar AVB uređaja. Uključeni softver kontrolera AVDECC omogućava otkrivanje svih spojenih AVB uređaja na vašoj mreži, sa upravljanjem dolaznih i odlaznih protoka. Uz to dobijate i RME-ov TotalMix FX - moćan softver za miks u stvarnom vremenu. Digiface AVB omogućava daljinsko upravljanje sa iOS uređaja, PC ili Mac računara.

Presonus NSB 8.8 je stage box sa 8 combo ulaza. Priključite vaše mikrofone na XMAX pretpojačala ili korisitite balansirane TRS ulaze na ¼” za spajanje vaših uređaja sa linijskim signalima - NSB.8 može primiti sve. Sve te ulaze pošaljite putem mkabla na bilo koji mikser iz StudioLive Series III serije. Za miksere iz serije StudioLive serije III koje imaju ograničen broj ulaza i izlaza, NSB 8.8 predstavlja jednostavno proširenje na spravu sa 32 ili 64 kanala.

The SRH1540 Premium Closed-Back Headphones deliver superior acoustic performance, comfort, and durability to professional engineers, musicians, and audiophiles alike. The SRH1540 utilizes 40 mm neodymium drivers for an expansive soundstage with clear, extended highs and warm bass. Developed with aluminum alloy and carbon fiber construction, the lightweight and durable design also features Alcantara ear pads for maximum sound isolation and comfort. The included storage case, replacement set of Alcantara ear pads, replacement cable, and threaded adapter ensure years of uninterrupted listening enjoyment. Features 40 mm neodymium drivers deliver superior acoustic performance for an expansive soundstage with clear, extended highs and warm bass Diaphragm developed with APTIV™ Film for improved linearity and lower THD (total harmonic distortion) Closed-back, circumaural design rests comfortably over the ears and reduces background noise Lightweight construction features aircraft-grade aluminum alloy yoke and carbon fiber cap for enhanced durability Steel driver frame with vented center pole piece improves linearity and eliminates internal resonance for consistent performance at all listening levels Ergonomic dual-frame, padded headband is lightweight and fully adjustable for hours of listening comfort Oxygen-free copper cable (OFC) with Kevlar™ reinforced jacket offers superior performance and durability Dual-exit cables with gold-plated MMCX connectors provide secure connection and detachability for easy storage or replacement Replaceable ear pads feature Alcantara and low-density, slow-recovery foam for exceptional comfort Legendary Shure durability allows the SRH1540 to withstand the rigors of everyday use

SPECIFIKACIJE: Analog AD, Line In 5-8, rear Resolution AD: 24 bit Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz THD: < -110 dB, < 0.00032 % THD+N: < -104 dB, < 0.00063 % Channel separation: > 110 dB Input: 6.3 mm TRS jack, electronically balanced Input impedance: 8 kOhm unbalanced, 12 kOhm balanced Input sensitivity switchable to +19 dBu and +13 dBu Variable gain: 0 to +12 dB Minimum level for 0 dBFS: +1 dBu, -1.2 dBV Line In 3-4, front As AD, but: Additional Gain stage: 0 up to +12 dB Maximum input level, +19 dBu, Gain 0 dB: Line +19 dBu, Inst +13 dBu Maximum input level, +13 dBu, Gain 12 dB: Line +1 dBu, Inst -5 dBu Input impedance: Instrument 1 MOhm. Line 13 kOhm balanced, 9 kOhm unbalanced Input Gain Inst: +6 dB Input mode: Line balanced (TRS), Inst unbalanced (TS) Microphone In 1-2, front As AD, but: Input: XLR, electronically balanced Input impedance: 5.4 kOhm Gain range: 75 dB Maximum input level, Gain 0 dB: +18 dBu Maximum input level, Gain 75 dB: -57 dBu EIN: -128 dBu A-weighted, 60 dB gain,150 Ohm, 20 Hz – 20 kHz Line In 1-2 As AD, but: Input: TRS, electronically balanced Input impedance: 10 kOhm balanced, 5 kOhm unbalanced Maximum input level, Gain 0 dB: +24 dBu Maximum input level, Gain 75 dB: -51 dBu DA, Line Out 1-6, rear Resolution: 24 bit Dynamic range (DR): 112 dB RMS unweighted, 115 dBA Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz THD: < -108 dB, < 0.0004 % THD+N: < -104 dB, < 0.00063 % Channel separation: > 110 dB Maximum output level: +19 dBu Output: 6.3 mm TRS jack, servo-balanced Output impedance: 75 Ohm Output level switchable +19 dBu, +13 dBu, +4 dBu DA - Stereo Monitor Output Phones (7-8) As DA, but: Output: 6.3 mm TRS stereo jack, unbalanced Maximum output level at 0 dBFS, High: +19 dBu Maximum output level at 0 dBFS, Low: +4 dBu Output impedance: 1 Ohm Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu) MIDI 1 x MIDI I/O via 5-pin DIN jacks Galvanically isolated by optocoupled input Hi-speed mode: Jitter and response time typically below 1 ms Separate 128 byte FIFOs for input and output Digital Clocks: Internal, ADAT, AES, SPDIF, word clock Jitter suppression of external clocks: > 50 dB (2.4 kHz) Effective clock jitter influence on AD and DA conversion: near zero PLL ensures zero dropout, even at more than 100 ns jitter Digital Bitclock PLL for trouble-free varispeed ADAT operation Supported sample rates: 28 kHz up to 200 kHz Digital Inputs AES/EBU 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 High-sensitivity input stage (< 0.3 Vpp) SPDIF compatible (IEC 60958) Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (2.4 kHz) SPDIF coaxial 1 x RCA, according to IEC 60958 High-sensitivity input stage (< 0.3 Vpp) Accepts Consumer and Professional format, copy protection will be ignored Lock Range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (2.4 kHz) ADAT Optical 1 x TOSLINK, format according to Alesis specification Standard: 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 4 channels 24 bit 96 kHz Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz Bitclock PLL ensures perfect synchronisation even in varispeed operation Lock range: 31.5 kHz – 50 kHz Jitter suppression: > 50 dB (2.4 kHz) SPDIF compatible (automatic detection) Word Clock BNC Internal termination 75 Ohm switchable Automatic Double/Quad Speed detection and internal conversion to Single Speed SteadyClock guarantees super low jitter synchronization even in varispeed operation Not affected by DC-offsets within the network Signal Adaptation Circuit: signal refresh through auto-center and hysteresis Overvoltage protection Level range: 1.0 Vpp – 5.6 Vpp Lock Range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (2.4 kHz) Digital Outputs AES/EBU XLR, transformer-balanced, galvanically isolated, according to AES3-1992 Output level Professional 4.5 Vpp, Consumer 2.6 Vpp Format Professional according to AES3-1992 Amendment 4 Format Consumer (SPDIF) according to IEC 60958 Single Wire mode, sample rate 28 kHz up to 200 kHz SPDIF coaxial 1 x RCA, according to IEC 60958 Output level Professional 1.2 Vpp, Consumer 0.6 Vpp Format Professional according to AES3-1992 Amendment 4 Format Consumer (SPDIF) according to IEC 60958 Single Wire mode, sample rate 28 kHz up to 200 kHz ADAT 1 x TOSLINK, format according to Alesis specification Standard: 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 4 channels 24 bit 96 kHz Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz Word Clock BNC Max. output voltage: 5 Vpp Output voltage @ 75 Ohm termination: 4.0 Vpp Output impedance: 10 Ohm Frequency range: 27 kHz – 200 kHz General Power supply: external power supply Typical power consumption: 13 Watts Current at 12 Volt operating voltage: 910 mA (11 Watts) Dimensions incl. rack ears, full depth (WxHxD): 265 x 44 x 155 mm (10.5" x 1.73" x 6.1") Dimensions without rack ears, body depth (WxHxD): 215 x 44 x 130 mm (8.5" x 1.73" x 5.1") Weight: 910 g ( 2.0 lbs) Temperature range: +5° up to +50° Celsius (41° F up to 122°F) Relative humidity: < 75%, non condensing