20-Channel Mixing Console: Max. 16 Mic / 20 Line Inputs (12 mono + 4 stereo) / 4 GROUP Buses + 1 Stereo Bus / 4 AUX

16-Channel Mixing Console: Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) / 4 GROUP Buses + 1 Stereo Bus / 4 AUX

10-Channel Mixing Console: Max. 4 Mic / 10 Line Inputs (4 mono + 3 stereo) / 1 Stereo Bus / 1 AUX (incl. FX)

12-Channel Mixing Console: Max. 6 Mic / 12 Line Inputs (4 mono + 4 stereo) / 2 GROUP Buses + 1 Stereo Bus / 2 AUX (incl. FX)

12-Channel Mixing Console: Max. 6 Mic / 12 Line Inputs (4 mono + 4 stereo) / 2 GROUP Buses + 1 Stereo Bus / 2 AUX

6-Channel Mixing Console: Max. 2 Mic / 6 Line Inputs (2 mono + 2 stereo) / 1 Stereo Bus

6-Channel Mixing Console: Max. 2 Mic / 6 Line Inputs (2 mono + 2 stereo) / 1 Stereo Bus

With six transparent sound mic inputs, four stereo line inputs and the 2tk in/ out L-PAD12CX is the ideal tool for small band gigs, complex conference, corporate events and all situations where it is necessary to handle several signals. Four single-control compressors on mic channels help to handle even the more dynamic-complex signals. The 99 preset Internal FX DSP allows the sound to be enhanced by adding accurate and warm effects. When not in use for Internal effects the FX send and the AUX sends allow small stage control, with the appropriate wedge monitors. The super versatile L-PAD slot permits the optional L-PAD MP3 PLAYER, PLAYER/RECORDER or BLUETOOTH CONNECTION cards to be inserted. 6 Mono Input + 4 Stereo Input 4 Compressors 3 Band / 2 Band EQ 1 AUX Send 1 FX Send Internal Digital Effect: 99 Presets Internal PSU 100V-240V, 50-60Hz, 40W

With six transparent sound mic inputs, four stereo line inputs and the 2tk in/ out, L-PAD12C is the ideal tool for small band gigs, complex conferences, corporate events and all situations where it is necessary to handle several signals. Four single-control compressors on mic channels help to handle even the more dynamic complex signals. Two Auxiliaries sends allows control of a small stage with the appropriate wedge monitors. The super versatile L-PAD slot permits the optional cards L-PAD MP3 PLAYER, PLAYER/RECORDER or BLUETOOTH CONNECTION cards to be inserted for even more flexible use. Thanks to the accurate Italian design L-PAD12C is easy to grab, transport and handle in all live event situations. 6 Mono Input + 4 Stereo Input 4 Compressors 3 Band / 2 Band EQ 2 AUX Send Internal PSU 100V-240V, 50-60Hz, 40W

With four transparent sound mic inputs, four stereo line inputs and the 2tk in/ out, L-PAD10C is the ideal tool for duo/trio gigs, speech, background music diffusion, parties and all activities requiring several stereo inputs to be mixed. Two single-control compressors on mic channels help to handle even the more dynamic complex signals. The super versatile L-PAD slot permits the optional L-PAD MP3 PLAYER, PLAYER/RECORDER or BLUETOOTH CONNECTION cards to be inserted for even more flexible use. Thanks to the accurate Italian design L-PAD10C is easy to grab, transport and handle in all live situations. It is possible to install L-PAD10C on a mic stand thanks to the dedicated optional accessory or in a rack using the dedicated optional rack ears. 4 Mono Input + 4 Stereo Input 2 Compressors (CH1-2) 3 Band / 2 Band EQ 1 AUX Send External PSU 18V – 1000mA

With two transparent sound mic inputs, two stereo line inputs and the 2tk in/ out, L-PAD 6 is the ideal tool for one man bands, speech, background music diffusion and parties. Thanks to the accurate Italian design L-PAD 6 is easy to grab, transport and handle. It is possible to install L-PAD 6 on a mic stand with the dedicated accessories. 2 Mono Input + 2 Stereo Input 1 AUX Send 3 Band / 2 Band EQ External PSU 18V – 1000mA

10-Channel Mixing Console: Max. 4 Mic / 10 Line Inputs (4 mono + 3 stereo) / 1 Stereo Bus / 1 AUX

32-Channel Premium Mixing Console

24-Channel Premium Mixing Console

The N350 features 1.75-inch diaphragm with a 1-inch exit throat. The diaphragm and suspension are precision formed from 0.125mm thick Mylar film. Voice coil assembly is designed using high temperature kapton former, rectangular profile copper clad aluminium wire assembled using advanced specially formulated adhesives.

The N450 features 1.75-inch diaphragm with a 1-inch exit throat. The diaphragm is precision formed from 0.025 thick pure titanium. The suspension is based on a vented Mylar design. The N450 is a versatile driver for professional applications.

The N850 is a high quality 3-inch diaphragm compression driver with a 2-inch exit throat. The diaphragm is precision formed from 0.05mm thick pure titanium. The suspension is based on Mylar vented design. The front aluminium adaptor guarantee a very smooth transition from the phase plug to 2-inch output interface.

The CD1411-K is a high performance 1.5-inch diaphragm compression driver with a 1.0 inch exit throat featuring a single piece, low compression, radial phase plug. The diaphragm and suspension are precision formed from polymide. The CD1411-K is a very compact size, versatile driver for professional applications.

The CD850 2.0 is a high performance 3.0-inch diaphragm compression driver with a 2 inch exit throat featuring several state of the art technologies. The diaphragm are precision formed from pure titanium. The suspension is based on a vented and damped design in order to provide low distorsion. Voice coil assembly is designed using high temperature kapton former.

The ND350 is a high frequency performance 1.75-inch diaphragm compression driver with a 1-inch exit throat. The diaphragm is precision formed from polyester. Voice coil assembly is designed using high temperature kapton former and rectangular profile copper clad aluminium wire assembled using advanced specially formulated adhesives.

The MB15N351 is designed to provide an excellent frequency response linearity with very low distortion. A very strong neodymium magnetic structure guarantee dynamic and precision, a new and unique 3,5” voice coil design provides a very high power handling, especially recommended in comparison to a standard 3” voice coil. The new dual forced hyper-venting system guarantee a very efficient voice coil ventilation for minimum power compression and incredible power handling.

In production for over 10 years, the L18P300 is an industry standard. The very stromg magnetic unit, with 15mm thick plates and specially designed suspensions ensure an excellent control of amplitude of over +/- 12millimeters. The special cooling system with forced air ventilation offer a great haet dissipation and the minimum levels of power compression available on the market. Voice coil construction, suapensions and cone materials are upgraded in order to withstand up to a Kilowatt RMS power.

Portable, yet capable of producing an astonishing 131 dB SPL, the DXR10’s compact, functional design makes it ideal for a wide range of applications. Whether providing simple vocal/instrument amplification, very powerful floor monitoring or comprising a compact SR system - the DXR10 delivers without compromising sound quality and power.

15” Active Subwoofer The all-new DXS15 subwoofer delivers powerful yet focused low end reaching as low as 42Hz. The DXS’s fully optimized band-pass design combines with its powerful Class-D amplifier, long travel 15” woofer, and formidable DSP to deliver a tight, impressive bass with outstanding depth and high power output. Speaker type 15" powered subwoofer, Band-pass type Frequency Range (-10dB) 45Hz - 160Hz Components LF Diameter:15" cone, Voice Coil:2.5" Output power Dynamic:950W / Continuous: 600W Maximum output level (1m; on axis) 132dB SPL I/O connectors INPUT: XLR-3-31 x2 , THRU: XLR3-32 x 2(Parallel with INPUT) Processors D-XSUB: BOOSTXTENDED-LF OFF Power consumption 120W Power requirements 100V - 240V, 50Hz/60Hz Pole socket 35mm (Top x1) Dimensions W 478mm (18 7/8") H 618mm (24 3/8") D 624mm (24 4/8") Net weight 38.0kg (83.8lbs) Others Material: Wood (Paint, Black)

The DXR15 achieves class-leading SPLs and full bandwidth performance by combining a powerful Class-D amplifier with a high-power woofer and Yamaha's cutting edge technologies. Throw in some D-CONTOUR and you'll feel like you're using a subwoofer.