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Detaljnije

Made for tight situations There are times that you need to use the mic when there isn’t much space available around your smartphone or device, like when a smartphone is mounted in a gimbal. That’s why the LavMicro U3A comes with the SR-C2005, a handy 90-degree right-angle USB-C adapter with male-to-female ports. It’s as compact as possible which lets you fit USB Type-C cables and connectors into tight spaces while relieving unwanted strain on ports and equipment. Great sound made easy This is a high-quality microphone that delivers rich, broadcast-quality sound. It features an omnidirectional pickup pattern that captures sound equally in every direction, which means you don’t need to worry about what direction it’s pointing in when you clip it to your clothing. In addition to the right-angle USB-C adapter, an alligator-style mic clip, a foam windscreen, a reusable cable strap, and a storage pouch with a locking drawstring are all included. You get everything you need to capture great sound in any situation with a package that fits in your pocket. Output: USB Type-C Connector Sensitivity: -40+/-3dB (0dB=1V/Pa, at 1KHz) Polar Pattern: Omnidirectional Signal-to-Noise Ratio: 65dB SPL Sampling Frequency: 48kHz Bitrate: 16Bit Frequency Response: 50Hz - 20kHz Power Requirement: Supplied by USB Type-C Devices Cable Length: 6.56’ (2m) Lavalier Weight: 0.7oz (19.9) SR-C2005 Adapter Weight: 0.2oz (5.7g)

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4,680RSD
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Odbacivanje pozadinskog šuma najbolje u klasi znači da ćete iz PR 22 dobiti više zvuka pre nego što se pojave povratne informacije. PR 22 mikrofon ima izuzetne srednje i visoke tonove, ali ne na uštrb bilo kog svog frekvencijskog opsega. PR 22 je izvanredan mikrofon „prikladan za scenu“ koji može da postigne pun udarac u doboš i isporuči najbogatiji zvuk doboša bez preopterećenja i bez kompromisa. Kada koristite par PR 22 na dobošu (jedan gornji i jedan ispod), oni proizvode ono što kažu da je najbolji zvuk doboša dostupan po bilo kojoj ceni, sa malo ili bez EQ. PR 22 je u mogućnosti da isporuči bogate vokale, toplu i tačnu gitaru, oštar dobošsa dubinom, sjajni klavir, svetlucave činele i još mnogo toga, kao nikada pre. Bez obzira da li sa PR 22 snimate u studiju ili ga koristite za live primenu, uši će vam reći da je to kvalitet iznad svih „starih mikrofona“. Uz PR 22 dobijate torbu za nošenje od veštačke kože, držač za mikrofon i tri zvučno identične metalne mreže (crnu, srebrnu i zlatnu) Preuzemite detaljne specifikacije Proizvod: PR 22 Izlazno povezivanje: 3 pin XLR Tip: dinamički Frekventni odziv: 50 Hz – 18 kHz Polarni patern: kardioidni Odbijanje sa zadnje strane @ 180 stepeni van ose: -30 dB Impedansa: 600 ohms balansirano Izlazna jačina: -55 dB @ 1 kHz Težina: 397 g Maksimalni SPL: 145 dB

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Međutim, PR 35 je podjednako dobar i u vašoj ruci, kao kada ozvučava gitarski kabinet ili je smešten u nosač. PR 35 ima odličnu artikulaciju i prirodni gornji srednji opseg, zajedno sa glatkim ravnim odzivom. Bićete pod velikim pritiskom da iskusite preopterećenje ili povratne informacije sa PR 35. PR 35 dodaje prekidač za low-cut roll-off, omogućavajući vam da sprečite da loopovi povratnih informacija nižih tonova ikad počnu. PR 35 će pružiti vrhunske studijske rezultate uživo, u studiju ili negde drugde. Pored vokala, PR 35 je odličan za razne instrumente, uključujući kabinete za gitaru, bubnjeve i još mnogo toga. Uz PR 35 dobijate tri zamenjiva trim prstena u boji (crni, srebrni i ljubičasti) i kopču za mikrofon zajedno sa crnim akustičnim vetrobranom, u postavljenoj futroli od veštačke kože. Preuzmite detaljne specifikacije Proizvod: PR 35 Izlazno povezivanje: 3 pin XLR Tip: dinamički Frekventni odziv: 40Hz-18kHz (UP- no filter) 80Hz-18kHz (DOWN- filter on) Polarni patern: superkardioidni Odbijanje sa zadnje strane @ 180 stepeni van ose: -35 dB Impedansa: 370 ohms balansirano Izlazna jačina: -52.9 dB @ 1 kHz Težina: 256 g Maksimalni SPL: 140 dB

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39,480RSD
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Detaljnije

Najbolji u klasi, gladak, ravan odgovor velikog, dijafragmskog elementa male mase koje pokreće snažni magnet, nagradiće vas bogatim zvukom u svom širokom frekvencijskom opsegu. Fin je sjajan u studiju, ili uživo, a odličan za odlične visoke srednje tonove. Fin ima lepo izvajano telo koje je dvostruko hromirano u trostepenom procesu oblaganja. Horizontalne linije ističu njegov ugaoni profil. Kao dodatni bonus, The Fin blista kroz četiri L.E.D. unutrašnja svetla koja se mogu uključiti i isključiti pomoću fantomskog napajanja sa ploče za miksovanje. Ovo može stvoriti dramatičan efekat ili stvoriti onu „određenu vibraciju“ da bi poboljšali vaše sledeće izvođenje. Proverite ... Fin mikrofon iz Heil-a čini da svi okreću glavu ... Mnogo glava! Fin je opremljen hromiranim i mat crnim telima. Svaka verzija ima ili crvenu, belu ili plavu penastu boju / LED diode. Boja pene i LED diode takođe se mogu promeniti u zelenu ili žutu prema vašoj želji. Uz Fin mikrofon dobijate vrhunsku aluminijumsku futrolu. Preuzmite detaljne specifikacije Proizvod: The Fin Izlazno povezivanje: 3 pin XLR Tip: dinamički Frekventni odziv: 50 Hz – 18 kHz Polarni patern: kardioidni Odbijanje za zadnje strane @ 180 stepeni van ose: -30 dB Impedansa: 600 ohms balansirano Izlazna jačina: -55 dB @ 1 kHz Težina: 706 g Maksimalni SPL: 142 dB Napajanje: 48 volti DC fantomsko

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It provides all of the features of the analog counterpart. Additionally, it offers the advantages of Neumann’s digital microphone technology, such as an extended dynamic range, a more robust operation (EMC safe), and clipping protection by means of the integrated peak limiter/ compressor. Using the DMI-2 or DMI-8 digital microphone interface together with the Remote Control Software (RCS), any pre-programmed settings may be stored in the microphones. Further information on this microphone can be found on the webpages of the analog variant, the KMS 104. Further information on the Neumann digital microphone technology can be downloaded as PDF. The digital Neumann microphone technology (Solution-D) will no longer be part of the Neumann product portfolio from 2021. Last order date for dealers will be 31 July 2020. After that, the products will be available as long as stock lasts. Service for all Solution-D hardware products is guaranteed until 31 Dec 2030. The Remote Control Software (32 Bit, available also as VST plug-in) for the digital Neumann microphones is compatible with Windows 98SE – Windows 10 and Mac OS 8.6 – Mac OS X 10.14.6. There will be no further updates of the RCS software. Acoustical operating principle Pressure gradient transducer Directional Pattern Cardioid Frequency Range 60 Hz ... 20 kHz Sensitivity at 1 kHz, 0 dB gain, and 94 db SPL 47 dBFS Equivalent noise level, CCIR 1 27 dB Equivalent noise level, A-weighted 2 16 dB-A Maximum SPL at 0 dBFS (re. 94 dB SPL) 141 dB SPL Maximum SPL with 18 dB preatt. (RCS) (re. 94 dB SPL) 159 dB SPL Signal-to-noise ratio, CCIR (re. 94 dB SPL) 3 67 dB Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 4 78 dB Matching connector XLR 3 F Weight 300 g Diameter 48 mm Length 180 mm A/D conversion Neumann process (patented), 28-bit internal word length Digital signal processing Fixed-point, variable internal word length 28 bits to 60 bits Sampling rates 44.1/48/88.2/96/176.4/192 kHz Output data format 24 bits as per AES/EBU (AES 3) Latency: 44.1/48 kHz 41 samples Latency: 88.2/96 kHz 49 samples Latency: 176.4/192 kHz 99 samples Synchronization: Free-running (non-synchronous operation), frequency stability ± 25 ppm Synchronization: Synchronous operation, pulling range min. ± 100 ppm Supply voltage range +7 V to +10.5 V Current consumption max. 150 mA (DDP)

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Detaljnije

It provides all of the features of the analog counterpart. Additionally, it offers the advantages of Neumann’s digital microphone technology, such as an extended dynamic range, a more robust operation (EMC safe), and clipping protection by means of the integrated peak limiter/ compressor. Using the DMI-2 or DMI-8 digital microphone interface together with the Remote Control Software (RCS), any pre-programmed settings may be stored in the microphones. Further information on this microphone can be found on the webpages of the analog variant, the KMS 105. Further information on the Neumann digital microphone technology can be downloaded as PDF. The digital Neumann microphone technology (Solution-D) will no longer be part of the Neumann product portfolio from 2021. Last order date for dealers will be 31 July 2020. After that, the products will be available as long as stock lasts. Service for all Solution-D hardware products is guaranteed until 31 Dec 2030. The Remote Control Software (32 Bit, available also as VST plug-in) for the digital Neumann microphones is compatible with Windows 98SE – Windows 10 and Mac OS 8.6 – Mac OS X 10.14.6. There will be no further updates of the RCS software. Acoustical operating principle Pressure gradient transducer Directional Pattern Supercardioid Frequency Range 60 Hz ... 20 kHz Sensitivity at 1 kHz, 0 dB gain, and 94 db SPL 47 dBFS Equivalent noise level, CCIR 1 27 dB Equivalent noise level, A-weighted 2 16 dB-A Maximum SPL at 0 dBFS (re. 94 dB SPL) 141 dB SPL Maximum SPL with 18 dB preatt. (RCS) (re. 94 dB SPL) 159 dB SPL Signal-to-noise ratio, CCIR (re. 94 dB SPL) 3 67 dB Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 4 78 dB Matching connector XLR 3 F Weight 300 g Diameter 48 mm Length 180 mm A/D conversion Neumann process (patented), 28-bit internal word length Digital signal processing Fixed-point, variable internal word length 28 bits to 60 bits Sampling rates 44.1/48/88.2/96/176.4/192 kHz Output data format 24 bits as per AES/EBU (AES 3) Latency: 44.1/48 kHz 41 samples Latency: 88.2/96 kHz 49 samples Latency: 176.4/192 kHz 99 samples Synchronization: Free-running (non-synchronous operation), frequency stability ± 25 ppm Synchronization: Synchronous operation, pulling range min. ± 100 ppm Supply voltage range +7 V to +10.5 V Current consumption max. 150 mA (DDP)

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Detaljnije

16 Selectable UHF channel Adopt PLL-Synthesized control technic LCD information display Balanced XLR and unbalanced 1/4" outputs SPECIFICATIONS RF Frequency Range:460-970MHz Image & Squrious Rejection:>70dB Receiving Sensitivity:-105dBm Signal /Noise Ratio:-1 OS dB Border Upon Channel Rejection>70dB T.H.D.:<1% Audio Output Levei:0-300mV Power Requirements:13-15V DC nomin al 300mA Dimensions:21.5x17x5cm BOOYPACK TRANSMITTER SPECIFICATIONS RF Frequency Range:460·970MHz RF Output:>IOdBm Modulation Type:FM Max Deviation: ± 40KHz Spurious Emission:>53dBc Nominal Current Drain:<40mA Power Requirements: 2x1.5V AA Dimensions: I 0.5x6.5x3cm

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15,480RSD
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Detaljnije

Garancija: 12 meseci

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1,534RSD
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Detaljnije

Garancija: 12 meseci

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1,534RSD
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Detaljnije

Garancija: 12 meseci

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5,900RSD
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Detaljnije

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Detaljnije

Slate Digital ML-1 je u srcu vašeg VMS sistema, pružajući pristup širokom nizu klasičnih mikrofona. Ovaj ultra-linearni, zvučno neutralni kondenzatorski mikrofon sa velikim dijafragmama obuhvata čak i najglasnije zvukove sa kliničkom preciznošću - savršeno prazno platno za korišćenje sa emulacijama mikrofona Slate Digital. Osim toga, ML-1 precizno reprodukuje učinak blizine vintage kondenzatora velike dijafragme u kardioidnom načinu rada. U kombinaciji sa digitalnim predpojačalom mikrofona VDS-ONE ili VRS8 audio interfejsom i njihovim neverovatnim VMS softverom, ML-1 vam pruža neviđenu zvučnu fleksibilnost.

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77,777RSD
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Detaljnije

The MKE 600's high sensitivity and low-noise circuitry unlock improved sound quality without extreme gain on noisy camera preamps. With a natural roll-off at 40 Hz and a selectable low-cut filter at 100 Hz, the MKE 600 can deliver clear intelligibility while attenuating low-frequency noise such as rumble. Plus, its frequency response incorporates a gentle rise in treble to enhance speech clarity. The lightweight and durable metal housing ensures reliable toughness without weighing down your rig. The included shoe shockmount accommodates mounting the MKE 600 to a camera or tripod. Connect the mic's XLR output to an XLR-equipped mic preamp or use the supplied adapter cable to plug it into the 3.5mm mic input on a camera. Quality Sound The 10" long MKE 600 uses an interference tube and a supercardioid/lobar polar pattern to provide pronounced directivity on-axis along with significant attenuation of sound entering at the sides and rear, making the MKE 600 far more effective at capturing distant sources than the omnidirectional mics found in most cameras. Bass Roll-Off The MKE 600 naturally reduces sub-bass frequencies below 40 Hz to prevent unnatural bass buildup. Activate the switchable low-cut filter at 100 Hz to roll off more low-frequency noise from common sources such as air conditioners and traffic. Battery or Phantom Powered Thanks to its 3-pin XLR output and compliance with 48 VDC phantom powering, the MKE 600 is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters, as well as built-in preamps on many camcorders and cinema cameras. When using devices that don't offer phantom power, the MKE 600 may be powered for up to 150 hours by a single AA battery (included). Approximately 8 hours of operating time remain once the low-battery indicator lights up red. Use the on/off switch to prevent unnecessary battery drain. Ideal for Camera, Tripod, or Boompole Mounting The MKE 600 includes a shoe shockmount for easy placement on your camera or a tripod. To mount the MKE 600 on a boompole or mic stand, use the Rycote InVision INV-HG mkIII shockmount (available separately), which will also impede the transfer of vibrations between your boompole/stand and the mic. XLR to 3.5mm TRS Adapter Cable for Cameras Included with a MKE 600 is a short coiled adapter cable—XLR female to 3.5mm TRS male—that lets you connect the mic directly into a mini-jack mic input on a camera. Windscreen Minimizes Wind Noise The MKE 600 has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners by up to 25 dB. Enhanced attenuation of wind noise is possible with the addition of an optional windshield such as the Rycote 15cm Super-Softie, which also provides high immunity to rain. For maximum reduction of handling noise and wind noise in indoor or outdoor environments, consider a complete windjammer, windshield, and shockmount suspension system such as the Rycote Super-Blimp NTG or the large Rycote Super-Shield Kit (both available separately). Sennheiser MKE 600 Specs Microphone Primary Applications Audio for Video, Location Sound Form Factor Stand/Boom Mount Intended Sound Sources Speech/Voice Over Sound Field Mono Operating Principle Line Gradient Capsule Condenser Polar Pattern Lobar, Supercardioid Orientation End Address Circuitry Solid-State Pad None High-Pass Filter 100 Hz Tone Adjustment None Gain Adjustment None Indicators 1 x Red Single LED (Battery) On-Board Controls High-Pass Filter, On/Off Windscreen Foam (Included) Performance Frequency Range 40 Hz to 20 kHz Maximum SPL 132 dB SPL (Phantom Power) 126 dB SPL (Battery Power) Off-Axis Rejection 5 dB at 60° >15 dB at 120° >10 dB at 180° Sensitivity 21 mV/Pa (Phantom Power) 19 mV/Pa (Battery Power) Equivalent Noise Level 15 dB A-Weighted (Phantom Power) 16 dB A-Weighted (Battery Power) Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Male (on Mic) 1 x 1/8" / 3.5 mm TRS Male (on Detachable Cable) Headphone Connector None Power Operating Voltage 48 V ± 4 V (Phantom Power) Operating Current Consumption 4.4 mA (Phantom Power) Battery Type 1 x AA (Not Included) Approximate Battery Life 150 Hours Physical Color Black Mounting Camera/Shoe-Mount (with Included Hardware) Included Case Soft Case Included Filters None Construction Material Metal Operating Temperature 14 to 140°F / -10 to 60°C Dimensions ø: 0.79 x L: 10.08" / ø: 20 x L: 256 mm Weight 4.52 oz / 128 g (Microphone)

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36,800RSD
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Featuring Sennheiser's evolution Lavalier ME 2-II Selectable UHF frequencies within a large bandwidth Up to 10 compatible channels Diversity reception Sennheiser XSW 1-ME2 Specs System Modulation Wideband FM Frequency Range A: 548 to 572 MHz Switching Bandwidth Up to 24 MHz Signal to Noise Ratio ≥ 103 dBA Total Harmonic Distortion ≤ 0.9% Temperature Range Operation: 32 to 104°F (0 to +40°C) Storage -4 to 158°F (-20 to 70°C) Transmitter Synchronization 2.4 GHz, Low Power OQPSK (only active during synchronization) Receiver Principle Double superheterodyne Diversity Antenna switching diversity via internal antennas Sensitivity < 3 μV at 52 dBA RMS S/N (at peak deviation) Frequency Response 50 Hz to 16 kHz (-3 dB) Max Output Voltage At Peak Deviation, 1 kHz AF 1/4" (6.3 mm) Jack Socket (unbalanced): +6 dBu XLR Socket (balanced): +12 dBu Adjustment Range Audio: 45 dB, adjustable in 5-dB steps Power Supply 12 VDC nominal, 300 mA Squelch Adjustable from 3 dBμV to 28 dBμV (combined with pilot tone) Line/Mic Level 20 dB, switchable Material of Construction ABS housing Dimensions 7.9 x 1.7 x 5.0" (200 x 42 x 127 mm) Weight 12 oz (340 g) Bodypack Transmitter Output Power 10 mW Frequency Response Line: 50 Hz to 16 kHz Mic: 50 Hz to 16 kHz Audio Input 1/8" (3.5 mm) jack socket Input Voltage Mic/Line at 3% THD: Typ. 1.V RMS mic / typ. 2.6 V RMS line at -30 dB gain Power Supply 2 x AA batteries, 1.5 V Operating Time Approximately 10 hours Adjustment Range Transmitter Sensitivity: 0 to -30 dB, adjustable in 10 dB steps Material of Construction Rugged ABS housing Dimensions 2.8 x 3.8 x 1.1" (71 x 96 x 28 mm) Weight 3.4 oz (95 g) Lavalier Microphone Specs Microphone Type Condenser, pre-polarized Sensitivity 20 mV/Pa Polar Pattern Omnidirectional Max SPL 130 dB

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50,280RSD
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The MD 445 features a lightweight, rapidly responding aluminum-copper voice coil, which provides a direct, focused sound with greater presence and intensity as well as a richness of the low and middle ranges for a remarkable acoustic closeness. The spring-mounted capsule mitigates handling noise, while the hum-compensation coil eliminates electromagnetic interference. Supercardioid Polar Pattern This high-rejection supercardioid microphone systematically blocks out ambient noise, guaranteeing maximum protection from feedback in the most demanding environments Advanced Design Highly developed aluminum-copper voice coil forms the basis for a noticeably direct and nuanced sound. Rich, Focused Sound The MD 445 provides a direct, focused sound for greater presence and intensity. The sophisticated transparency and the richness of the low and middle ranges create an unparalleled acoustic closeness. Features at a Glance Dynamic vocal microphone Very lightweight, rapidly responding aluminum-copper voice coil High-resolution, direct sound for audibly greater proximity to the vocals Directionality: high-rejection supercardioid High feedback resistance Large-diaphragm diameter Spring-mounted capsule to shield it from body-borne noise Hum-compensation coil to eliminate electromagnetic interference Rugged metal design Sennheiser MD 445 Specs Microphone Form Factor Handheld Sound Field Mono Operating Principle Pressure Gradient Capsule Dynamic Polar Pattern Supercardioid Orientation End Address Pad None High-Pass Filter None Tone Adjustment None On-Board Controls None Windscreen Foam (Included) Performance Frequency Range 40 Hz to 20 kHz Maximum SPL 163 dB SPL Impedance 245 Ohms Load Impedance 1 Kilohms (Minimum) Sensitivity 1.6 mV at 1 kHz Dynamic Range 145 dB A-Weighted Equivalent Noise Level 18 dB A-Weighted Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Male (on Mic) Physical Color Black Mounting Mic Clip/Stand Adapter (Included) Dimensions ø: 1.9 x L: 6.9" / ø: 47.5 x L: 174 mm Weight 11.6 oz / 329 g

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No stand is needed as the e 901 can be positioned inside a kick drum laying over a towel or pillow—close to the beater for picking up the attack. Alternately, it can also be used on a lectern, conference table, altar, theatrical stage, or pianos and percussion to capture full-bodied voice or instrument sound. The mic is ruggedly constructed, with a slip-free rubber pad underneath so it will stay put. Optimized Frequency Response The e 901 features a frequency response optimized for accurate reproduction of kick drums High Sound Pressure and Fast Transient Reproduction The e 901 handles very-high sound pressure levels and reproduces fast attacks and transients without distortion Half-Cardioid Pickup Pattern The half-cardioid pattern effectively rejects unwanted noise and reflection at the rear of the mic Rubber Damping Plate The e 901 features a slip-free, dampening rubber pad at the bottom that absorbs vibrations Other Features Integrated preamp Gold-plated XLR connector Powered via 48V phantom Sennheiser E901 Specs Microphone Form Factor Boundary/Surface Mount Sound Field Mono Capsule Electret Condenser Polar Pattern Half-Cardioid High-Pass Filter None Performance Frequency Range 20 Hz to 20 kHz Maximum SPL 154 dB SPL Impedance 100 Ohms Load Impedance 1000 Ohms Sensitivity 0.5 mV/Pa Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Male (on Mic) Power Operating Voltage 48 V (Phantom Power) Physical Mounting Instrument Surface Mount Dimensions H: 1.04 x W: 4.13 x L: 4.98" / H: 26.5 x W: 105 x L: 126.5 mm Weight 1.21 lb / 550 g

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What is the 55SH Series II best suited to? The Shure 55SH Series II is suited specifically to vocal applications. Therefore, typically live performance, public address as well as for broadcasting, recording, and sound applications where a stand-mounted microphone with a classic look is desirable. What type of polar pattern does the 55SH Series II have? A cardioid (unidirectional) polar pickup pattern is employed to minimize sound pickup from the rear of the microphone. This allows the Model 55SH Series II to be used in close proximity to loudspeakers without creating feedback problems, and it can perform under adverse acoustic conditions where omnidirectional microphones cannot.

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DPA DC4099 Clip for Drum Clip for drum.

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Known for their discreet size and elegance, these mics feature a lightweight design. Yet, d:vote™ 4099 Instrument Microphones are also rugged. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities. A detachable, lightweight cable from gooseneck to the XLR adapter makes it convenient to mount the mic on an instrument before connecting it. The extremely flexible cable does not weigh down the instrument. Flexible adapter system The adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a whole new microphone. And when you make the switch, you won't hear any loss or change in sound quality. The d:fine™, d:screet™ and d:vote™ series of miniature microphones work with all leading wireless mic solutions, such as Lectrosonics, Sennheiser, Shure, Sony, Wisycom, Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come. Find the adapter that fits your wireless system. Optional gooseneck extension The standard gooseneck length is 140 mm (5.5 in). An optional gooseneck extension unit is also available. This adds 50% extra length, which helps reach the sweet spot for some instruments. Detachable cables The d:vote™ 4099 Instrument Microphone series features cables that are detachable from the gooseneck. This makes it more convenient to mount the mic on an instrument before connecting it. This kit comes with 1.6 mm (0.06 in) miniature cables, which are appropriate for personal mounting on instruments. The heavy duty 2.2 mm (0.09 in) cables are ideal for PA and live gigs. You can choose between the different cable qualities, to tailor your mic to a specific task. Learn to mount a d:vote™ Mic placement is important to getting the best sound, regardless of which instrument you play. We have created a visual guide to mounting the d:vote™ Instrument Microphone on various instruments. Check out the guide. Microphone case Consistsg of: 10x d: vote core 4099 instrument microphone 10x Microdot adapter 10x miniature microphone cable 8x clips for violin 3x clips for cello 2x clip for piano 4x clip for guitar 2x clip for sax / trumpet 2x Universal Clip 2x clip for bass 2x clip for drums 1x Peli Case Features The product offers the following features Flat frequency response Excellent phase characteristics Versatile mounting options Gentle yet secure adhesion to instruments Compact, discreet size Detachable cable and versatile gooseneck extender Flexible adapter system fits most professional wireless systems

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709,920RSD
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Dynamic drum mic that's great for low-frequency instruments Perfect for kick drums, floor toms, bass cabinets and tubas Durable metal construction that can take heavy-duty use Robust low-end sound that has plenty of punch Excellent sound that's great for all styles of music Type: Dynamic Frequency Response: 30Hz - 15kHz Polar pattern: Cardioid Sensitivity: -76 dB (+/-3 dB @ 1kHz) Output Impedance: 300 ohms Size: 60 x 130mm Weight: 540g Metal Finish: Black

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13,800RSD
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The FR-351 cardoid mic has a 8mm capsule, while the FR-350 omni mic has a 6mm capsule. These lavalier microphones require 48v phantom power to operate. They are both supplied with foam windscreens and clips.

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15,960RSD
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Great for the Field The mic is easily hidden, but it offers an omnidirectional polar pattern that ensures you'll get an even sound at any angle of address. This makes it great for run-and-gun sound pickup. Handy Includes The included windscreen protects against plosives. The clip makes mounting the mic a cinch. The cable features a splitter with a 3.5mm headphone jack, so you can monitor your audio as you record. When you're done, store everything in the included carrying case. Easy to Use The mic offers no controls and operates in the analog domain. This makes operation a breeze: simply plug it in and play. There's no software to install to make it compatible with your phone. MXL MM160 Specs Microphone Primary Applications Recording to Mobile Device Form Factor Lavalier Intended Sound Sources Vocals Sound Field Mono Capsule Electret Condenser Polar Pattern Omnidirectional Pad None High-Pass Filter None Tone Adjustment None Gain Adjustment None On-Board Controls None Windscreen Foam (Included) Performance Frequency Range 40 Hz to 18 kHz Sensitivity -42 dB at 1 kHz Connectivity Output Connectors (Analog) 1 x 1/8" / 3.5 mm TRRS Male (on Attached Cable) Headphone Connector 1 x 1/8" / 3.5 mm Cable Length 6' / 1.8 m Power Bus Power None Operating Voltage Not Specified by Manufacturer Physical Color Black Mounting Mic Clip/Stand Adapter (Included) Included Case Soft Case Included Filters None Dimensions ø: 0.4 x L: 0.6" / ø: 9.1 x L: 14.3 mm Weight 0.1 lb / 45 g

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OVERVIEW The e 602 II is a cardioid instrument microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments. FEATURES Rugged, lightweight aluminium body for stable positioning on long microphone boom arms Lightweight high-performance voice coil construction Fast transient response Low frequency extension Ideal for direct use on the most problematic bass signal Frequency-independent directivity provides isolation from other on-stage signals Humbucking coil Integral stand mount WHAT'S IN THE BOX? 1 e 602-II 1 pouch Instructions for use Dimensions: Ø 60 x 153 mm Connector: XLR-3 Frequency response: 20 - 16000 Hz Weight: 318 g Sensitivity in free field, no load (1kHz): 0,25 mV/Pa; (50 Hz) 0,9 mV/Pa Nominal impedance: 350 Ω Min. terminating impedance: 1000 Ω

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23,880RSD
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The supercardioid polar pattern is most effective at eliminating off-axis ambient sound that can cause feedback and residual noise. The dynamic element is capable of being placed in close proximity to excessively loud instruments without resulting in noise or distortion. The e 608's rugged mount is designed for firm placement on instruments during lengthy performances. Specialized for Wind/Percussion/Brass The e 608 miniature dynamic microphone is specialized for capturing wind instruments, percussion, drums and brass instruments. Miniature Profile The miniature profile allows for inconspicuous placement during performances. Supercardioid Polar Pattern The supercardioid polar pattern is effective in rejecting off-axis signal and noise. Adjustable Gooseneck The adjustable gooseneck provides accurate positioning. High SPL Handling The dynamic element is capable of handling extreme sound pressure without noise and distortion. Sennheiser E608 Specs Microphone Capsule Dynamic Polar Pattern Supercardioid Pad None High-Pass Filter None Performance Frequency Range 40 Hz to 16 kHz Impedance 250 Ohms at 1 kHz Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Physical Dimensions ø: 0.7 x L: 7.3" / ø: 17 x L: 185 mm Weight 0.7 oz / 20 g

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22,680RSD
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