Ideal for rack toms, floor tom, congas and horns. Slight mid-bass boost. The D2 is used for stage, Studio and broadcast applications. It is designed with a hypercardeoid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets and brass. Transformer less design, low impedance and balanced output insure that the D2 will perform interference-free.

Tehnička specifikacija * Lively, full sound * Very fast attack * Flat shape of microphone body perfect for guitar amps * Three adjustable sound characteristics (bright, normal, smooth) * Hum compensating coil * Rugged metal body Delivery Includes * e 906 microphone * MZQ 100 clamp * Pouch * User manual Dodatne informacije The supercardeoid e 906 instrument microphone was especially designed for guitar amplifiers, but it is also an excellent choice for percussion and brass instruments.

Komplet od 7 mikrofona za ozvučenje bubnja. Namenjen: Live i studio. U kompletu se nalaze: 4 mikrofona MB5K (Kardioidni dinamički), dva mikrofona MB4K (Kardioidni kondenzatorski) za ozvučavanje činela, te jedan MB6K za ozvučavanje bas bubnja. Nosači i torba u kompletu. * MB 5k Cardioid Dynamic Snare/Tom Microphone (4 included) Custom-engineered for use on snare and toms * MB 6k Cardioid Dynamic Kick Microphone (1 included) Custom-engineered for use on kick drum * Road-ready all-metal construction * Low-profile percussion-style design * Built-in adjustable stand mount * Element: Dynamic * Poloar Pattern: Cardioid * Output Connector Integral 3-pin XLRM-type * MB 4K Condenser Microphone (2 included) Condenser design for studio-quality performance. Extended response for smooth, natural sonic characteristics. Rugged all-metal construction and on/off switch. Soft-touch finish for durability and minimal mechanical noise. Battery/phantom operation for maximum versatility * Acessories: (4) MB 5k snare/tom mics; (1) MB 6k kick mic; (2) MB 4k condenser mics; (4) drum mic mounts; (2) AT8405a stand clamps; durable carrying case

The RØDE NT2000 microphone is a studio-quality large diaphragm condenser with seamlessly variable polar patterns. Its polar patterns selection, filter and pad are conveniently located on the front of the microphone body for ease of use. Audiophile quality surface-mount electronics combined with a gold-sputtered dual 1" capsule provide extremely low self-noise (7dBA) and a maximum SPL of 147 dB (up to 157 dB with pad fully engaged) giving an incredible amount of versatility and ensuring exceptional results. The RØDE NT2000 microphone is designed and made in Australia, and covered by RØDE's industry leading 10 year warranty. Large 1” HF1 gold sputtered capsule Continuously variable polar pattern, from Omni to Cardioid to Figure 8 controlled on the mic Continuously variable PAD and High-Pass Filter Ultra low noise, transformerless surface mount circuitry Wide dynamic range High strength welded and heat treated steel mesh head Internal capsule shock mounting Includes SM2 shock mount and RC1 case 10 year extended warranty when you register your microphone NT2000 SPECIFICATIONS Acoustic Principle Pressure Gradient Active Electronics JFET impedance converter with bipolar output buffer Capsule 1.00" Polar Pattern Cardioid Address Type Side Frequency Range 20Hz - 20kHz Output Impedance 200Ω Maximum SPL 147dBSPL Maximum Output Level 15.0mV (@ 1kHz, 1% THD into 1KΩ load) Sensitivity -36.0dB re 1 Volt/Pascal (16.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz Equivalent Noise Level (A-weighted) 7dBA Power Options +24V phantom power+48V phantom power Weight 831.00g Dimensions 208.00mmH x 55.00mmW x 55.00mmD Output XLR Output Warranty 1 year with free extension to 10 years following registration here

Audix Introduces DP4 Instrument Mic Pack Audix Microphones has announced their latest release-the DP4 Instrument Pack, a combination of four essential mics for rhythm sections, sound engineers, and beyond. The new pack consists of the iconic Audix D6 microphone and three i5 microphones in a heavy-duty carrying case. The case also includes three DFLEX mic mounts and three additional cutouts for vocal microphones. The DP4 is a perfect complement of dynamic microphones for close miking of a variety of sources, on-stage or in the studio. "The DP4 was brought about by popular demand. It is mainly aimed at percussion instruments but can serve a wide range of needs," says Cliff Castle, Audix co-founder and VP of Sales. "It's an easy and cost effective way to add four industry standards to your mic arsenal. We're excited about the response we've received even before its release." The i5 microphone is Audix's best-selling instrument microphone. A favorite among fans and sound technicians alike, the mic is versatile enough for a multitude of uses, including percussion of all kinds, guitar cabinets, and horns, and as a general catch-all for almost any application. The i5's smooth and uniform frequency response of 50 Hz-16 kHz and proprietary VLMTM capsule technology provide an uncolored natural sound, allowing every musical nuance to shine through. Able to handle sound pressure levels in excess of 140 dB, the i5 is a perfect fit for all genres of music. The iconic D6 is recognized as an industry standard for kick, bass cabs, and other low-frequency instruments. Widely acclaimed by performers and live sound engineers, it is considered one of the most influential kick drum microphones ever made. The D6 has a tailored frequency response of 30 Hz-15 kHz providing a ground-shaking low end, a defined mid-range, and exceptional clarity and attack. The D6 capsule also features Audix's proprietary VLMTM technology for quick transient response that accurately captures natural sound and ensures that the attack is not lost.

Specs: Microphone Type:Condenser Mono/Stereo:Mono Polar Pattern:Cardioid Diaphragm Size:1" gold evaporated Frequency Response:20Hz-20kHz (+/-3dB) Max SPL:127dB SPL Signal to Noise Ratio:76dB (A weighted) Low Cut Filter:80Hz Pads:-10dB Color:Black Connector:XLR Power Source:48V phantom power Dimensions:4.9" x 2.1" Weight:0.99 lbs. Included Accessories:Shockmount, Pop Filter

Aston Stealth - The world’s most versatile microphone The Aston Stealth is a cardioid, end-fire microphone for use on stage or in the studio, from VO, to gaming, live sound to serious high-end recording. With some of the biggest advances in mic technology in decades, conceived and designed from the ground-up, Stealth is the world’s most versatile microphone. Boasting settings for four separate voices, each one rigorously tested to deliver unparalleled performance across a wide range of applications, Stealth also introduces a host of innovative technological features offering significant improvements over traditional mic designs. Four settings, four different voices. Think of Stealth as four professional microphones in one. Each setting has been voiced by a panel of more than 90 top flight audio engineers and producers on the Aston 33 panel through a series of double-blind listening tests, beating not only every mic in its class, but some far more expensive ‘industry standard’ mics. There are 2 vocal settings, optimised for different vocal textures, a guitar setting which is equally suited to Spanish guitar, Electric guitar cab and steel string acoustic, and a dark, vintage setting, reminiscent of classic ribbon mics. Mics which apply ‘flattering’ - but destructive - pre EQ make professional post-processing almost impossible. Stealth, however, provides a choice of four pure, high quality signal paths. The voice settings are not EQ filters, they are contour networks, meaning the bulk of the signal does not pass through any sort of filter circuitry. The whole signal is slightly attenuated, with some frequencies being added back in at a higher level. This results in much lower phase distortion than conventional filter designs. Active & Passive modes with 48V Autodetect function Stealth works with or without 48V phantom power. In passive mode (unpowered) the active circuit is completely bypassed and Stealth operates with the simplest possible signal chain to give a beautifully clean sound. A unique (world’s first!) built-in Autodetect function senses the presence of 48V phantom power and will automatically switch the mic to active mode to utilise the onboard class A mic Pre. Built-in Class A Mic Preamp When in active mode Stealth features a high quality built-in Class A Mic Pre, dispensing with the need for an expensive external gain lifting device. Stealth features a fully balanced signal path from capsule to output, yielding a superior reduction of ‘Common Mode’ noise compared with single-ended (unbalanced) designs. Unique Sorbothane internal shock mount Aston Stealth includes a proprietary internal shock mount design with the mass loaded capsule being suspended in mid-air, completely isolated from the mic chassis, and supported at 3 points by Sorbothane polymer hemi-spheres. Sorbothane is a synthetic viscoelastic urethane polymer used as a vibration damper and acoustic shield used in computing, hi-fi and many industrial applications. Improved side rejection Stealth’s acoustically tuned headstock provides a highly focused cardioid polar pattern with enhanced off-axis rejection. Excellent rejection of electromagnetic hum Stealth’s capsule is completely enclosed in a stainless steel Faraday cage. Legendary Aston build quality Like all Aston microphones, Stealth is built for work. Proprietary manufacturing techniques and the use of novel materials have created a near-indestructible microphone, equally at home in the most demanding of recording environments, or with the rigours of life on the road. The chassis is constructed from extruded aluminium and finished with a sleek, ‘soft-feel’ urethane-acrylic coating. The four voices are accessed via a discreet, flush-aligned rotary switch which cannot be accidentally moved during performance or in transit. Stealth mode Stealth’s phantom power mode is indicated by the soft glow of Aston purple LED floodlights. These can be switched off when the mic is to be heard but not seen, for example in broadcast and video environments. The Aston 33 – the blind-testing process The Aston 33 (so named after the original members) is now a panel of more than 120 top producers, engineers and artists who work with Aston on new product development to ensure every mic is best in class before it is released to the market, 92 of whom worked directly on the development of Stealth. They perform double-blind listening tests on a range of possible versions of each new mic, plus ‘industry standard’ models from key manufacturers and vote on performance on a variety of sources (vocals, guitars and so on). In tests the panel do not know which mics they are listening to, or even which are included in the tests, so the resultant votes can’t be biased by brand reputation, or an expectation of how a certain microphone should sound. Some surprising results arose from the Stealth project testing. For example the prototype Stealth voicing that consistently came top in the voting for female vocal takes came off worst for male vocals and vice versa, regardless of the pitch of the singer! Furthermore a different voicing came top for ALL guitar sources, from finger picked acoustic through to mic’d distorted guitar cabs. These discoveries, derived from more than 9000 data points, were the catalyst for the Aston team to set about reimagining the microphone from the ground up. Stealth is not a jack of all trades, it truly excels at capturing professional quality audio in almost every situation, and masters them all. Features Broadcast quality cardioid microphone for studio and stage 4 settings – 4 different voices – 4 discreet signal paths Works with and without 48V phantom power Autodetect function senses 48V and activates built in preamp Class A mic preamp built in - no external gain lifting device required Unique Sorbothane internal shock mount Excellent off axis (side) rejection Built-in purple LED phantom power indicator - switchable for stealth mode Aston’s legendary build quality Sound developed by 92 top engineers, producers and artists on the Aston 33 panel Supplied with quick release stand mount Specification Transducer Type: Moving coil Directional Polar Pattern: Cardioid Frequency Response: 20Hz - 20kHz Equivalent Self Noise Level: 10dB A-weighted Sensitivity (passive mode) at 1 kHz into 1 kOhm: ave. 1mV/Pa* Sensitivity (active mode) at 1 kHz into 1 kOhm: ave. 150mV/Pa* Maximum SPL for THD 0.5%: 140dB

Namenjen tamburašima, gitaristima, duvacuma za ozvučavanje i studio. Predviđen za bežično. Idealan za TAMBURAŠE!!! Kardioidni kondenzatorski klip instrumentalni mirkofon. Terminated with locking 4-pin connector for A-T UniPakâ„¢ body-pack wireless transmitters. 55" (1.4 m) cable. Includes AT8418 instrument mount for brass, reeds, drums, etc.

The Aston Origin is a high-performance cardioid condenser microphone utilising a one inch (1″) gold evaporated capsule. It's versatile enough to use with any instrument and, for singer-songwriters, excels on acoustic guitar and vocals. Its hand-selected capsule is paired with high-end transformerless circuitry using only the finest components. The Origin is designed to deliver direct, smooth and intimate sound… for a supremely natural and transparent recording. Wave-Form Spring Head The Aston Origin has our signature wave-form spring head. This unique design not only looks great, but delivers an unprecedented degree of protection for the heart of your microphone, the capsule. The shock resistant wave-form design allows the head of the mic to distort if given a heavy knock, and then return to its normal position, without any damage. It also offers a degree of off-axis rejection, helping to eliminate unwanted artefacts from your recordings. Built In Pop Filter Aston’s vocal condenser microphones have an exclusive mesh-knit pop filter built into the wave-form head. The random weave allows sound to pass while drastically eliminating unwanted plosives at source. It also shields against multiple wavelengths of electromagnetic radiation making our microphones ideal in critically sensitive electronic applications. This completely encapsulating, single piece, mesh cage is formed in stainless steel, so won’t rust with use, and can even be removed and washed. Direct to stand mounting Yet another unique design element of the Aston Origin is the use of custom moulded end caps with integrated XLR and universal stand thread adaptor. Because the internal shock absorption system is so good, you can mount the microphone directly to a stand via this built in thread and interchangeable thread adapter with outstandingly low handling noise. The design also makes Aston microphones extremely easy to repair and maintain. Part of the beauty of our microphones is the custom finish of each chassis. There are no mass-produced paint job finishes here… instead, each chassis is individually tumbled for up to 4 hours to give it a very hard-wearing, extremely beautiful, finish. To perfect the look, each microphone is separately engraved with its legends, and our brand mantra… ‘The Art of Audio’ PCB A superbly balanced mix of discrete and integrated electronic circuitry Harmonised circuit stage arrangement for easy integration from phantom power input circuitry to the capsule voltage bias Novel non-linear voltage/current source rectification to provide controlled amplification and smooth/ clear audio output Eco-Friendly Packaging We have put our hearts and minds into creating the most beautiful performance pieces possible with each Aston product. When it comes to packaging we believe simplicity is king. Protective, re-useable, environmentally sensible packaging that doesn’t cost the earth. The Aston Sound Right from the start of ‘project Aston’, we engaged with some of the top audio professionals in the industry to create a development panel to be our ears, while we focussed on perfecting every tiny detail in our mics, to finally produce what we believe to be the very best products in their class. Specs Transducer Type: Condenser Acoustic Operating Principle: Pressure Gradient Directional Polar Pattern: Cardioid Frequency Response: 20Hz – 20kHz (+/-3dB) Equivalent Noise Level: 18dB A-Weighted Sensitivity at 1kHz into 1kohm: 23.7mV/Pa Maximum SPL for THD 0.5%: 127dB Signal-to-Noise Ratio (rel. 94dB SPL): 76dB A-Weighted Pad Switch: -10dB Low-Cut Filter: 80Hz Product length: 125 mm / 4.92 in Product width: 54 mm / 2.13 in Product weight: 450 g / 0.99 lb

Icon U2: High-quality, Plug & Play USB microphone, ideal for podcasting or home studios. It contains high quality AD converters with 16 bit, 44.1/48 kHz sampling frequency, large 19 mm diaphragm with amazing frequency response, a cardioid directional frequency, built-in 3.5 mm headphone jack output, 3.5 mm stereo jack inputs for mono instruments (guitar, bass) and stereo line devices (MP3, keyboards etc.). It has built-in input selector for Mic and Line/Inst inputs, direct monitoring (stereo, mono and PC), headphone volume control on the front panel and individual gain controls for Inst/Line and Mic. The microphone is made of durable alloy material, includes a metal pop filter, solid table stand and a complete set of cables. It comes with the software Samplitude for Windows platforms. Optional shockmount (SP01) available (not included). The microphone is compatible with Windows and Mac OS.

The Maestro - Limited Edition Made using all of Violet Design’s microphone expertise, The Maestro combines a dual-membrane VD27 capsule and a discrete Class-A preamplifier with transformerless output. The large-sized head ensures minimal internal resonances and reflexions, and as a result the capsule sounds more detailed and more “airy”. Very low self-noise and distortions are results of improved electronics. With a medium-bright tone The Maestro is designed as an all-round studio microphone for the highest quality audio recording where sound quality and musical character is of the utmost importance. The Maestro is best suited for close miking for solo vocals and solo instruments. A matched stereo pair can be special ordered. The Maestro comes with a microphone holder included in a luxurious wooden box. Transducer type True electrostatic Diaphragm's active diameter 27 mm Frequency range 20 Hz to 20 kHz Polar pattern cardeoid Output impedance 50 ohms Sensitivity at 1000 Hz into 1000 ohms load 24 mV/Pa S/N Ratio CCIR 468-3 weighted 76 dB S/N Ratio DIN/IEC 651 A-weighted 87 dB-A Equivalent noise level DIN/IEC A-weighted 7 dB-A Maximum SPL for 0.5% THD at 1000 ohm load 134 dB Dynamic range of the internal preamplifier 127 dB Output connector 3-pin XLR male Dimensions 225 mm x 60/42 mm Weight 450 g

The NT-USB is a highly versatile side-address microphone that is ideal for recording singing and musical performances in addition to spoken applications such as podcasting and voice-over. It is fully compatible with all mainstream recording applications on both Windows and Mac OS based computers, as well as the Apple iPad using RØDE Rec, GarageBand, or any other recording app that accepts an external microphone. Use on the Apple iPad requires a suitable USB connection adaptor, such as the Apple Camera Connection Kit. The body of the NT-USB features a zero-latency stereo headphone monitoring (3.5mm) jack, which allows you to monitor the microphone input in realtime, along with dials to adjust the monitoring level and mix between the computer/iPad audio and the microphone input. A premium pop-filter is included, which fits onto the base of the mic, positioning the filter the ideal distance from the capsule to minimise plosives (hard ‘B’, ‘T’ or ‘P’ sounds that produce a harsh sound) during singing or speech. Also provided is a high-quality stand mount with industry standard 3/8” thread, desktop tripod stand that allows the NT-USB to sit at a comfortable height on a tabletop, and a pouch for storage of the microphone when not in use. Features Pop shield, Tripod desk stand, ring mount, storage pouch and 6m (20’) USB cable included. 3.5mm stereo headphone jack for zero-latency monitoring Direct mix control between mic input and source output Compatible with Apple iPad Cardioid polar pattern Designed in Australia Two year extended warranty when you register your microphone Specifications Acoustic Principle: Pressure Gradient Active Electronics: JFET impedance converter with bipolar output buffer, A/D converter 16bit 48kHz, headphone amplifier Directional Pattern: Cardioid Frequency Range: 20Hz ~ 20kHz Dynamic Range: 96dB Maximum SPL: 110 dB SPL Power Requirements: USB 5v DC Output Connection: USB Net Weight: 520g

Pristine Studio Quality Comes to iOS The real challenge has been recording studio-quality audio. Apogee MiC 96k changes that, bringing studio-grade, plug-and-play recording to your iPad, iPhone, and Mac. Boasting up to 96kHz, 24-bit analog-to-digital conversion, this USB/iOS cardeoid condenser mic delivers the warmth and transparency that are the hallmarks of fine studio recordings. Try it on vocals, acoustic guitar, piano, drums, spoken work, and more. You'll be impressed. We sure are. Apogee MiC 96k at a Glance: The future of recording - it's mobile Killer 3-in-one package Easy to use, made to travel The future of recording - it's mobile In 2011, Apogee turned the music-making world on its ear with the original MiC, which went on to become the mobile mic of choice for capturing pro-studio sound on the go. Now Apogee ups the ante with the new MiC 96k. Optimized for the latest Apple iOS devices and the Mac, the MiC 96k delivers pristine audio fidelity of up to 24-bit/96kHz. So now being on the road is no longer an excuse. With the MiC 96k, you can get studio-grade sound, wherever you are! Killer 3-in-one package Apogee's MiC 96k is really three cutting-edge products in one - combining a microphone, mic preamp and A/D converter into one compact, attractive, and roadworthy package. Apogee has painstakingly designed each component of MiC 96k to deliver the highest-quality signal with vanishingly low noise. All in a rugged, rather cool-looking device that easily slips into your pocket. Easy to use, made to travel The ultra-portable MiC 96k puts a true condenser microphone to work wherever and whenever you need it. Want to capture sounds in the field fast? You'll appreciate the MiC's plug-and-play ease of use. Its USB and iOS connectivity means you don't have to fuss with an additional interface, so you can plug straight into your Mac, iPad, or iPhone and you're ready to roll. You'll also love the elegantly simple gain control and multicolor LED that lets you keep an eye on your levels. Unlike some dainty studio mics, the MiC 96k is built tough, so you can take it on the road with confidence. Apogee MiC 96k Features: Studio-quality cardeoid condenser microphone Up to 96kHz, 24-bit analog-to-digital conversion Studio quality microphone preamp with up to 40dB of gain No configuration necessary, simply plug in and record Control knob allows easy input level adjustment Multicolor LED for status indication and input level monitoring Optimized for vocal and acoustic instrument recording Also great for interviews, podcasts, voiceovers, and audio for DSLR video All metal construction, compact and portable Works with any Core Audio-compliant Mac/iOS app, including GarageBand, Logic Pro, Pro Tools (v9+) Bus-powered by iPad, iPhone, or Mac - no batteries or external power needed Ships with both Lightning and 30-pin iOS cables Includes USB Mac cable, table-top stand, and mic stand adapter Designed and manufactured in the USA

Your Smart Means to Capturing Classic Acoustic Sound! Professional recording engineers and producers praise the KM 183 for its ability to capture a precise, clean sound from a variety of acoustic instruments - acoustic guitar, wind instruments, strings, even percussion and drums. But although the big studios may love it, the KM 183 was really designed to provide that big studio sound quality to the project and home studio owner, at a very affordable price. The omnidirectional KM 183 miniature microphone is a very versatile recording tool, able to deliver the subtle nuances of certain sounds that can really make a difference to a listener. Use the KM 183 to "close-mic" acoustic instruments like guitars, winds, strings, percussion and more. It also does an excellent job capturing the "feel" of a room, transferring those special acoustic qualities on to a recording. The KM 183 also makes a great spot mic for pianos, choirs, organs, winds, etc. Get the jump on what is already become the new standard for studio microphones.

Kompaktni 1/2" kardioidni kondenzatorski mikrofon, nastao kao naslednik NT5 mikrofona, namenjen snimanju ili ozvučavanju: akustičnih instrumenata, hi-hata, činela itd. NT55 ima veoma nizak nivo šuma pri radu i bogat dinamički i frekventni raspon. U kompletu dolazi sa RM5 nosačem mikrofona i NT45-O omnidirekcionalnom kapsulom. NT55 opremljen je prekidačima za podešavanje PAD opcije i hi-pass filtera. Tehnička specifikacija: * Acoustic Principle: Pressure Gradient * Active Electronics: JFET impedance converter with bipolar output buffer * Capsule: 0.50" * Polar Pattern: Cardeoid * Address Type: End * Frequency Range: 20Hz - 20kHz * Output Impedance: 100Ω * Maximum SPL: 136dB SPL (@ 1kHz, 1% THD into 1KΩ load) * Maximum Output Level: 8.0dBu (@ 1kHz, 1% THD into 1KΩ load * Sensitivity: -38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz * Equivalent Noise Level (A-weighted): 15dB-A * Power Options: +48V phantom power * Weight: 110.00gm * Dimensions: 145.00mmH x 20.00mmW x 20.00mmD * Output: XLR Output

DETAILS Matched Pairs are tested and measured in three steps at the factory in Tula to insure consistent quality and performance, and they are delivered with individual frequency printouts. All MSPs are matched with less than 1dB deviaiton. In pairs, the MK012s are perfectly suited for coincident and spaced stereo miking techniques, and also overhead usage in live and studio situations. The set consist of: 2*microphone preamps, 2*cardioid capsules, 2*omnidirektional capsules, 2*-10 dB pads, 2*mic holders, wooden box. MK-012 is a compact, high quality capacitor microphone with interchangeable capsules to provide a choice of cardioid, hypercardioid or omni-directional polar patterns. The wide, flat response ensures that all sounds are captured with a high degree of accuracy. A -10 dB pad is included for use in high SPL environments. The capsules, which screw onto the microphone body, utilise a precision, integral connection system to ensure reliable electrical contact. The MK-012 is suitable for use in any situation where an accurate sound is required, the size of the system makes it ideal for use in broadcast, sound for picture, installation, sound reinforcement and theatre situations as well as the recording studio. In pairs, the MK012s are perfectly suited for coincident and spaced stereo miking techniques, and also overhead useage in live and studio situations. Factory matched pairs can be specially ordered. The MK-012 has following options: MK-012 with 3 capsules MK-012-01 with 1 capsule MK-012-02 with 2 capsules MK-012 mini with mini preamp

Specs : High-quality AD convertor with 16 bit, 44.1/48 kHz sampling rate ● Low-mass and large, 19mm diaphragm provides excellent frequency response for recording ● Ideal for podcasting, home studio recording, field recording, and voiceover use ● Plug & play into any PC/Mac USB port, no drivers required ● Cardioid polar pattern reduces pickup of unwanted sounds from the sides and rear, improving isolation of desired sound source ● Built-in 3.5mm headphone jack allows you to directly monitor with no latency ● Built-in 3.5mm stereo input jack for mono instruments (guitar, bass, etc.) and stereo line level devices (MP3 players, keyboards, etc.) ● Input selector for Line and Mic/Inst ● Direct monitoring selector for Stereo, Mono and PC ● Headphone volume control knob on front panel for easy control ● Individual Inst/Line and Mic gain control knobs on front panel for easy control ● Solid, die-cast construction with heavy gauge mesh grill ● Metal pop filter is included ● Includes a stable table-top stand for mounting ● Includes complete cable set (guitar cable, headphone extension, stereo line with RCA adapters and USB cable) ● Bundled with Samplitude (Windows version only) production software ● Optional shockmount (SP01) available ● Compatible with Windows and Mac

Garancija: 12 meseci

SPECIFIKACIJE: Type: True Condenser Polar Pattern(s): Cardioid , Hyper-Cardioid & Omni Capsules included Capsule: Single-sided 32mm center-terminated gold-sputtered Mylar (6 micron) Frequency Response: 25-20,000 Hz +/- 3dB Output Impedance: <=200 Ohms Sensitivity: 15mv/pa S/N Ratio: 1Pa 78dB Noise Floor: < 17 dBA Maximum SPL: 138dB (0.5% THD @1000Hz) Equivalent Noise Level: <17dB Output Connector: Male XLR 3-pin High-Pass Switch: 80 Hz 6dB/octave Attenuation Switch: -10 dB Power Requirement: Standard 48 Volt Phantom / 5mA Included Accessories: 3 Capsules Padded Wooden Box SSM Shockmount Dimensions: 23mm x 153mm Weight: 5 oz Finish: Polished Nickel trim / Metallic Cabernet Red Body

Hanging module with rugged thread connection and self-cleaning, gold plated contacts For use with five different Capsule Modules Integrated switchable LED ring Integrated bass rolloff filter Rugged all-metal construction Non-reflective anthracite finish Using microphones flown from the ceiling to record music or speech in places of worship, conference rooms, or on theater stages is becoming more and more popular. A 10-m (33-ft.) special cable that is treated specially to reduce twisting to a minimum even if the temperature varies and a spring steel hanging clamp for precise microphone alignment will keep the microphone securely in its position. A switchable LED ring helps the sound engineer to check system function during the soundcheck. Available capsule modules for HM 1000: CK 31, CK 32, CK 33, CK 47, CK 80. Bass filter 250 Hz, -10 dB at 50 Hz Impedance <=600 ohms Recommended load impedance >=2,000 ohms Supply voltage 9 to 52 V phantom power to DIN/IEC Powering Connector 3-pin male XLR Cable 10 m (33 ft.) Finish matte dark grey Net weight 400 g (14.1 oz.) Shipping weight 600 g (1.3 lbs.)

THE MICS: f5 x 1 -Snare, Timbale, Guitar Cabs The f5 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction. The f5 is sturdy, compact and easy to position. With a wide frequency response of 55 Hz – 15 kHz, the f5 provides clear, accurate, natural sound reproduction without having to rely on EQ. Other features include roadworthy construction, precision cast zinc alloy body, steel mesh grill, black coat finish, laser etched model number, gold XLR connector and a heavy duty nylon mic clip. f2 x 3 - Rack Toms, Floor Toms, Congas The f2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction. The f2 is lightweight, compact and easy to position. With a wide frequency response of 52 Hz - 15 kHz and the ability to handle sound pressure levels of 139 dB. Other features include roadworthy construction, a precision cast zinc alloy body, black coat finish, laser etched model, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip. f6 x 1 Kick drum, Cajon, Djembe, Bass Cabs The f6, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction. The f6 is lightweight, compact and easy to position. With a wide frequency response of 40 Hz - 16 kHz and the ability to handle sound pressure levels of 140 dB, the f6 is an excellent choice for miking kick drum and instruments requiring extended low frequency reproduction such as large toms and bass cabinets, leslie bottom, cajon. Roadworthy construction includes a precision cast zinc alloy body, black coat finish, laser etched model and serial number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.

Ima čvrstu metalnu konstrukciju i isporučuje odličan kvalitet zvuka po pristupačnoj ceni. TX-XLR9 je ultra kompaktan, lagan i lako se nosi gde god da snimate. TX-XLR9 je dizajniran da se koristi sa Saramonic UwMic9 RX9 dvokanalnim bežičnim prijemnikom koji se kači na kameru (koji se prodaje posebno). RX9 Vam omogućava da imate dva subjekta na kameri sa sopstvenim bežičnim mikrofonima uz dodavanje ili TX9 pojasnog predajnika ili lavalier mikrofona sa štipaljkom (bubice), HU9 ručnog mikrofona ili dodatnog TX-XLR9 predajnika i ručnog XLR mikrofona. TX-XLR9 je napravljen od čvrste metalne konstrukcije, poseduje locking XLR konektor da bi prikačeni mikrofon bi čvrsto na svom mestu i sinhronizuje se sa RX9 prijemnikom bežično uz pomoć infracrvenih senzora koji se lako koriste. Pregledni LCD displej sa pozadinskim osvetljenjem omogućava vam brza podešavanja na intuitivnim menijima u najsvetlijim i najtamnijim okruženjima. TX-XLR9 može se potpuno isključiti pritiskom na jedno dugme, a svetleće creno svetlo LED Vas podseća na to da je isključen. Dugmad mogu biti “zaključana” kada se koriste kako bi se sprečilo slučajno isključivanje. TX-XLR9 predajnik takođe ima RF izlaz za napajanje koji se može birati. “Low” podešavanje vam omogućava da produžite trajanje baterije u situacijama u kojim je subjekat blizu prijemnika. Medium i High su korisni kada će subjekat biti daleko ili kada koristite TX-XLR9 u okruženju sa više potencijalne interference. TX-XLR9 je visoko kvalitetan komad opreme sa profesionalnim karakteristikama, odilčnim kvalitetom zvuka i vrlo pristupačnom cenom. UHF bežični plug-on predajnik kvaliteta za snimanje za dvokanalni RX9 prijemnik (prodaje se odvojeno) Čini svaki mikrofon bežičnim i omogućava +48v fantomskog napajanja za kondenzatorske mikrofone Radi čim se izvadi iz kutije sa lakim plug-and-play načinom rada Čvrsta metalna konstrukcija sa preglednim LCD displejem sa pozadinskim osvetljenjem, menijima i kontrolama lakim za upotrebu i locking XLR konektorom koji održava povezani mikrofon čvrsto prikačen Omogućava do 100m radne distance sa infracrvenim svetlom zahvaljujući kojem se lako sinkuje Specifikacije: Kanal: 96 kanala koji se mogu menjati u 2 grupe (A i B) Bežični frekventni opseg: 514 MHz - 596 MHz Tip oscilatora: PLL sintisajzer Ulaz: Locking XLR konektor Fantomsko napajanje: može se birati +48V fantomsko napajanje (On/Off) Referentni nivo audio ulaza: –60 dBV (MIC ulaz, 0 dB utišavanje) Antena: 1/4 λwire antena Odnos signal-šum: 70 dB ili više Voice Delay: 12 ms Referentno odstupanje: +/- 5 kHz (-60 dBV, 1 kHz ulaz) Frekventni odziv: 40 Hz to 18 kHz (+/- 3dB) Distorzija: 0.5% ili manje Suzbijanje tragova: -60 dB Baterije: 2 LR6/AA baterije Dimenzije: 4.15 x 1.69 x 1.37” (105.5 x 43 x 34.7mm) Težina: 4.87 oz (138g) (bez baterija) Kanali sa prijemnikom 1 x TX-XLR9 plug-on predajnik 1 x SR-UMBC1 odeljak za baterije 1 x odštampano korisničko uputstvo 1 x garantna kartica

SR-XMS2 odlikuje se višesmernim pick-up paternom uzorkom preuzimanja koji omogućava gladak, ravnomeran kvalitet zvuka bez obzira na to kako se postavlja kad je pričvršćen za kragne i druge delove odeće. Uključena štipaljka za mikrofon obezbeđuje sigurno držanje na mestu. Standardni izlazni konektor 1/8 "(3,5 mm) kompatibilan je sa većinom kamera, audio rekordera i druge opreme. SR-XMS2 poseduje kabl od 20 m koji vam daje dovoljno dužine da postavite svoj objekat ispred kamere ili da izvršite druge tehnike pozicioniranja mikrofona. Uključeno je penasti vetrobran za ublažavanje neželjene buke vetra. SR-XMS2 je povoljan stereo lavalier mikrofon koji pruža impresivan kvalitet zvuka i veći odnos signal-šum u odnosu na druge opcije na tržištu, poput skupljih Rode smartLav+. Stereo lavalier mikrofon sa zvukom kvaliteta za emitovanje za DSLR fotoaparate, kamere bez ogledala, video kamere, audio rekordere i još mnogo toga Kabl od 6 m pruža velikodušnu dužinu za snimanje Višesmerni pickup patern idealan je za video produkciju i audio snimke Izuzetno lak za korišćenje, radi bez baterije Kompatibilan sa širokim spektrom opreme Specifikacije: Tip: stereo Polarni patern: Višesmerni Frekventni odziv: 35Hz do 18kHz Signal-šum: 78 dB SPL Osetljivost: -42 dB ±3 dB, 0 dB= 1 V/Pa, 1 kHz KIonektor: 1/8" (3.5 mm) TRS 3-polni priključak Dužina kabla: 20' (6.0 m) Uključeno: 1 x stereo lavalier mikrofon sa kablom od 6m 1 x žabica - štipaljka za mikrofon 1 x penasti vetrobran 1 x garantna kartica

Na zadnjoj strani AX100 nalaze se tri 1/8 ”(3,5 mm) (1 stereo i dva mono) ulaza za povezivanje mikrofona sa napajanjem preko baterije i bežičnih mikrofonskih risivera. Dva dugmeta za prigušivanje na prednjoj strani modela AX100 omogućavaju lako podešavanje nivoa mikrofona koji su priključeni, a tasteri sadrže stepenaste uvlake za precizno podešavanje. Mono / stereo prekidač vam omogućava kontrolu načina snimanja mikrofona u vašoj kameri. Stereo režim razdvaja zvuk na pojedinačni levi i desni kanal na vašoj kameri, savršen za dobijanje dva odvojena mikro signala za mešanje u postprodukciji. U režimu Mono se mešaju zajedno što je korisno kada ste uključili dva mikrofona, ali želite da se zvuk meša i na levi i u desni kanal u vašoj kameri. Gornji i bočni deo AX100 sadrže izdržljive nosače, koji deluju kao nosač koji transformiše jednu stopicu na vašoj kameri u tri, pružajući vam pogodna mesta za pouzdano montiranje svetla, mikrofona i bežičnih prijemnika. AX100 je toliko mali i lagan da ga možete lako doneti sa sobom gde god krenete, a njegova metalna konstrukcija znači da je izgrađen kao tenk i spreman za putovanja. Napomena: Mikrofoni koji se ne napajaju preko baterija nisu kompatibilni. Omogućava vam da priključite i miksujete 2 mikrofona u kamere sa samo 1 mikrofonom Izuzetno kompaktan i radi bez baterija Integrisani nosač s metalnim navojem 1 / 4-20 stativa Veliki stepenasti upravljački tasteri s preciznim podešavanjem, izdržljiva konstrukcija od metala Izdržljiva konstrukcija sa 3 dodatna držača za pričvršćivanje mikrofona, svetla i još mnogo toga Specifikacije Ulazi: 1 x 1/8" (3.5 mm) stereo mini-džek ulaz, 2 x 1/8" (3.5 mm) mono mini-džek ulazi Izlaz: 1 x 1/8" (3.5 mm) stereo mini-džek izlaz Ulazni nivo: -35 dBu minimum Gain: Unity Frekventni odziv: 20 Hz to 20 Khz (+/-0.5 dB) Dimenzije: 3.0 x 2.3 x 2.2" (76 x 59 x 55mm) Težina 5.4 oz (153.1g) Uključeno: 1 x SR-AX100 audio mikser 1 x kratki, namotan 3.5mm izlazni kabl sa pozlaćenim konektorima 1 x odštampano uputstvo 1 x garantna kartica

Now even more simple, flexible and reliable: The 100 series has become the first choice for both sound designers and occasional users because of its simple operating concept – and because the system makes no compromises in terms of live sound. Key Features Engineered for professional live sound: Rugged all-in-one wireless system for singers and presenters. State-of-the-art live sound featuring Sennheiser‘s renowned e 835, e 845, e 865, e 935, e 945 capsules on a lightweight aluminium transmitter with integrated mute switch True diversity half-rack receiver in a full-metal housing with intuitive LCD display for full control Easy and flexible wireless synchronization between transmitter and receiver via infrared Fast frequency allocation for up to 12 receivers via new linking functionality Up to 20 compatible channels Up to 42 MHz bandwidth with 1680 selectable frequencies, fully tunable in a stable UHF range Transmission Range: up to 100 meters / 300 feet High RF output power (up to 30 mW) depending on country regulations