SPECIFIKACIJE: Constant-curvature, point-source speaker for clusters and standalone use cases 60° x 25° Multicell Transformer, rotatable by 90° 2 x 10″ bass/ midrange speaker 1.4″ premium HF driver with a 2.5″ voice coil 72 dB FIR-crossover, 1.35 kHz cutoff DSP controller on board for remote management and network connectivity DSP Out to connect conventional speakers to the network Windows und macOS DSP CONTROL software Power amp output (RMS): 1000 watts Frequency response: +/- 3 dB: 88 Hz – 19 kHz 142 dB max. SPL peak (half-space) PowerCon mains port and PowerCon Link power outlet PU-coated birch-multiplex enclosure Factory presets for typical use cases plus user-programmable presets Made in Germany Five-year manufacturer’s warranty (upon registration)

SPECIFIKACIJE: LINEAR 9 118 Sub A: direct-radiating, extra-compact subwoofer 18" woofer with 4" voice coil DSP controller for remote controllability and networkability Controller software for Windows und MacOS Output power 1100 Watt Peak (Class-D) Frequency response +/- 3 dB: 42 Hz to X-Over / 38 Hz to X-Over Max. SPL peak 131 dB (halfspace) Professional PowerCon connection as well as a PowerCon-Link connection Enclosure made of birch multiplex with PU coating Integrated presets for the most common applications as well as space for user preset 5-year warranty

SPECIFIKACIJE: Band-pass subwoofer 18″ woofer with a 4″ voice coil DSP controller on board for remote management and network connectivity DSP Out to connect conventional speakers to the network Factory presets for typical use cases plus user-programmable presets DSP CONTROL Software available for Windows und macOS Power amp output (RMS): 1100 watts Frequency response: +/- 3 dB: 38 Hz – x-over 136 dB max. SPL peak (half-space) PowerCon power connector and PowerCon link power outlet PU-coated birch-multiplex enclosure Made in Germany Five-year manufacturer’s warranty (upon registration)

Cena: 5000 € – Fiksno! BETON! ! ! Fotke su originalne!

SPECIFIKACIJE: DP-4100 4 channels 8 Ohm 4 x 1000 Watts 4 Ohm 4 x 1700 Watts 2 Ohm 4 x 2890 Watts 16 Ohm Bridged 2 x 2000 Watts 8 Ohm Bridged 2 x 3400 Watts 4 Ohm Bridged 2 x 5780 Watts

Ovaj komplet sadrži : Turbosound iQ12 aktivna zvučna kutija.x 2 kom Aktivna 2-sistemska zvučna kutija sa snagom od neverovatnih 2500W idealna za široki spektar mobilnih i fiksnih instalacija, bilo da se radi o muzici ili govoranciji! 12" niskofrekfentni driver sa zvučnicom izuzetno male mase i poboljšanim prolaznim odzivom te izuzetno toplim 1" kompresionim driverom s aluminijskom zvučnicom omotanom s bakrom koja Vam omogućava prošireniju reprodukciju visokih frekfencija. KLARK TEKNIK DSP tehnologija, modelingzvučnika i ULTRANET umežavanje. Turbosound NuQ118B-AN aktivni subwooferx 2 kom 3000W aktivni 18" subwoofer sa dvostrukim bandpass otvorom na kućištu optimalno podešenim za prošireni nisko-frekvencijski odziv. Dizajniran za rad individualno bez potrebe za dodatnim kontrolerom, NuQ118BAN subwoofer pruža izuzetno visoke FOH performanse i idealno je podešen za široki spektar aplikacija uživo. KLARK TEKNIK DSP tehnologija i ULTRANET povezivanje. Athletic nBOX-4 Speaker stand Stalak za zvučnu kutiiju sa magnezijskim spojem i dodatnim pojačanjem za jednu nogu stalka koji osigurava izuzetnu stabilnost i sigurnost. Promer baze: 1200mm, visina: 1320mm-2100mm, promjer cevi: 35mm, max. nosivost: 40kg. Audio Pro Artist d.o.o. – Profesionalna studijska, razglasna i rasvetna oprema i muzički instrumenti po najnižim cenama. Posetite nas na www.audiopro.rs CORDIAL CCM 2,5 FM x 2 kom. Visoko-kvalitetan Cordial CCM 2.5 FM - mikrofonski kabl dužine - 2.5m .

Specifikacija Komentari Podržani audio formati MP3, Frekvencije emitovanja 87.5 MHz - 108 MHz Podržane memorijske kartice SD Tip ekrana LCD Priključci 2 x USB Dodatne funkcije Memorisanje frekvencija Ostale osobine Automatsko prebacivanje na hands-free mod, Boja Crna Reklamacioni period 24 meseca Ocenite proizvod: * Pošalji

Ovaj komplet sadrži : Turbosound iQ12 aktivna zvučna kutija x 2 kom. Aktivna 2-sistemska zvučna kutija sa snagom od neverovatnih 2500W idealna za široki spektar mobilnih i fiksnih instalacija, bilo da se radi o muzici ili govoranciji! 12" niskofrekfentni driver sa zvučnicom izuzetno male mase i poboljšanim prolaznim odzivom te izuzetno toplim 1" kompresionim driverom s aluminijskom zvučnicom omotanom s bakrom koja Vam omogućava prošireniju reprodukciju visokih frekfencija. KLARK TEKNIK DSP tehnologija, modeling zvučnika i ULTRANET umežavanje. Turbosound iQ15B aktivni subwoofer x 2 kom. Aktivni subwoofer sa snagom od neverovatnih 3000W idealan za široki spektar mobilnih i fiksnih instalacija, bilo da se radi o muzici ili govoranciji! 15" niskofrekventni driver s dvostrukom suspenzijskom 4" zvučnicom male mase pruža brzi i precizni prolazni odziv s praktično "bez-distrozije" načinom rada, čak i kod najzahtevnijih performansi. KLARK TEKNIK DSP tehnologija, modeling zvučnika i ULTRANET umežavanje. Athletic SAT-1T Teleskopska Šipka x 2 kom. Profesionalna teleskopska šipka za odvajanje satelita od subwoofera, kontinuirano podešavanje visine i ugrađeni mehanizam za zaključavanje. Materijal: metal, visina: 660 - 1030mm, prodnos cevi: 35mm, nosivost: 30kg. CORDIAL CCM 2,5 FM x 2 kom. Visoko-kvalitetan Cordial CCM 2.5 FM - mikrofonski kabl dužine - 2.5m .

The Antelope Audio Orion Studio Synergy Core is a major step forward for Antelope's workhorse Orion series of audio interfaces, designed to be the heart of your professional recording studio for years to come. Hot-rodded with Antelope Audio's future-proof Synergy Core FX processing platform, this updated Orion Studio is loaded with 2 FPGA and 6 DSP chips working in harmony to run Antelope's vast library of effects plug-ins. You get 50 of Antelope's top FX bundled with the hardware, including spot-on models of vintage analog gear and a killer collection of guitar amp and cabinet emulations. With Thunderbolt 3 and USB connectivity, 12 of Antelope's Discrete microphone preamps, extensive analog and digital I/O, upgraded digital-to-analog converters with dynamic range up to 130 dB, and unprecedented FX processing power on board, the Orion Studio Synergy Core is a well-oiled machine -- up for any recording or mixing project your studio throws its way. Synergy Core: FPGA + DSP = Future-Proof Effects Processing With 6 DSP + 2 FPGA chips under the hood running a massive effects library by Antelope Audio and platform partners, the Orion Studio Synergy Core frees up your host Mac or PC to record and play back more tracks strapped with CPU-hungry virtual instruments and effects. Take on big projects, build intricate mixes, reduce latency, shorten buffer size, and keep your system stable -- all thanks to Antelope's state-of-the-art Synergy Core dedicated FX processors. With massive processing potential on board, this Orion can grow with your studio. 50 Antelope FX Included The Orion Studio Synergy Core unlocks 50 of Antelope's top real-time effects plug-ins. Right out of the box you get mic preamp emulations, compressors, EQs, reverb, and guitar amp and cabinet models to bring your tracks to life. And thanks to Synergy Core architecture, you've got the processing muscle to run all the simultaneous FX your sessions need. Thunderbolt 3 + USB Connectivity A cross-platform audio interface for Windows or Mac, Orion Studio Synergy Core offers both USB and Thunderbolt 3 connection to your DAW host computer. You can even power/charge your MacBook from the Orion Studio Synergy Core. 130 dB Dynamic Range D/A for Critical Listening Why trust your projects to anything less than the best D/A converters? The Antelope Orion Studio Synergy Core delivers 130 dB dynamic range on both pairs of monitor outs -- which can run simultaneously, or in A/B mode. 12 Discrete Microphone Preamps + Direct Inputs The Orion Studio Synergy Core gives you 12 mic preamps based on Antelope's ultra-linear Discrete MP standalone preamplifier, with 75 dB of pristine gain. Recording line-level signals? The Orion Studio Synergy Core's Direct In hard-bypasses the mic pres, directly sailing into the A/D converters with 124 dB dynamic range. Get ready to hear the truth. Digital Patch Bay for Pro Studios Send audio anywhere you need it with the digital patch bay and latency-free mixer in your Orion Studio Synergy Core's software control panel. As the "brain" of your pro studio, this interface gives you robust, flexible tools for routing and monitoring. Antelope's 4th Generation Acoustically Focused Clocking Antelope Audio is renowned for building rock-solid digital audio clocks found in top recording studios and broadcast facilities around the globe. The Orion Studio Synergy Core wouldn't be an Antelope interface if it didn't deliver world-class clocking. With Word Clock I/O, the Orion Studio Synergy Core syncs up your studio with Antelope's 4th Generation Acoustically Focused Clocking, employing 64-bit DDS to keep your audio in lockstep at up to 192 kHz. Features: Rackmount Thunderbolt 3 & USB audio interface with 12 Discrete mic preamps Synergy Core processing platform with 2 FPGA + 6 DSP chips 2 pairs of monitor outputs run concurrently or in A/B mode with 130 dB dynamic range 30 simultaneous inputs x 22 simultaneous outputs DC-coupled I/O for CV control of analog modular synths Hand-built in Europe to be your pro studio's centerpiece for years to come 50 real-time effects included: Gyraf Gyratec IX (Tube Mic Preamp) VCA160 (Compressor / Limiter) Stay-Levin (Tube Compression Amplifier) FET-A76 (FET Compressor) X903 (Compressor / Limiter) PowerFFC (Compressor) VEQ-HLF (Passive High/Low Filter) BA-31 (Vintage Mic Preamp) ALT-436C (Tube Compressor Amplifier) FET-A78 (FET Compressor Limiter) SMT-100A (Tube Leveling Amplifier) VEQ-1A (Tube Equalizer) VMEQ-5 (Tube Mid-Range Equalizer) BAE-1023 (3-band Vintage EQ) NEU-PEV (Passive Vintage EQ) NEU-W492 (5-band Vintage EQ) NEU-W495 (3-band Vintage Mastering EQ) VEQ-4K BROWN (Legendary Vintage EQ) VEQ-4K ORANGE (Legendary Vintage EQ) VEQ-4K PINK (Legendary Vintage EQ) VEQ-STU 089 (Vintage EQ) VEQ-STU 169 (Vintage EQ) VEQ-STU 900 (Vintage EQ) Clear Q (Parametric EQ) Auraverb (Reverb) Power EX (Expander) Power Gate (Gate) Master De-Esser (De-Esser) Plexi 59 (UK) (Tube Guitar Amp) Bass SuperTube VR (Tube Guitar Amp) Darkface 65 (US) (Tube Guitar Amp) Top30 (UK) Bright (Tube Guitar Amp) Tweed Deluxe (US) (Tube Guitar Amp) Overange 120 (UK) (Tube Guitar Amp) BurnSphere (DE) Lead (Tube Guitar Amp) Marcus II (US) Lead (Tube Guitar Amp) Modern (US) CH3 (Tube Guitar Amp) Rock 75 (UK) (Tube Guitar Amp) Rock 22.10 (UK) (Tube Guitar Amp) Darkface 65 2x12 (Guitar Cabinet) Top30 2x12 (Guitar Cabinet) Modern 4x12 (Guitar Cabinet) Green 2x12 (Guitar Cabinet) Vintage 4x12 (Guitar Cabinet) Green 4x12 (Guitar Cabinet) Caliper 50 1x10 (Guitar Cabinet) Bluelux 1x12 (Guitar Cabinet) Clst 1x12 (Guitar Cabinet) England 4x12 (Guitar Cabinet) Bass Tube 1x15 (Guitar Cabinet) Specs: Analog Analog Inputs: 8 x Mic / Line Inputs / Direct In, 4 x Mic / Line / Hi-Z Inputs / Direct In Analog Inserts: 2 x Inserts on TRS (inputs 1,2) Analog Outputs: 2 x Monitor Out on TRS 1/4 Jacks: Can work both simultaneously and in A/B mode 2 x ReAmp Out on TRS 1/4 Jacks 2 x Line Out (16 channels) on DB25, +20 dBu max, impedance balanced 2 x Stereo Headphone Outputs D/A Monitor Converter Dynamic Range: 130 dB THD + N: -115 dB A/D Converter Dynamic Range: 124 dB THD + N: -112 dB D/A Converter Dynamic Range: 128 dB THD + N: -115dB Discrete Mic Preamps EIN: -128 dBu Dynamic Range: -121 dB THD: -106 dB Max input: +20 dBu Max Gain: 75 dB Digital Digital Inputs: 2 x ADAT (up to 16CH), 1 x S/PDIF on RCA Digital Outputs: 2 x ADAT (up to 16CH), 1 x S/PDIF on RCA USB 2.0 Hi-Speed: USB 2.0 Type B connector (up to 24 channels) Thunderbolt™ 3 I/O: Thunderbolt™ 3 connector (up to 32 channels) Clocking Word Clock Input: 1 × Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz Word Clock Outputs: 1 × Outputs @ 75 Ohms 3Vpp on BNC 32 – 192kHz Clocking System: 4th Generation Acoustically Focused Clocking, 64-bit DDS Oven-controlled crystal oscillator Clocking Stability: <+/-0.02 ppm, oven controlled at 64.5ºC/ 148.1ºF Clock Aging: < 1 ppm per year Clock Calibration: <+/-0.001 ppm Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 (kHz) Other Operating Temperature: 0-50°C, 32-122°F Weight: 3.1 kg/ 6.83 lbs (Approx.) Dimensions (Approx.) Width: 483 mm / 19” Height: 44 mm / 1.7” Depth: 220 mm /8.6” Electrical specs DC Universal input: 18V Power Consumption: 25 Watts Max In the box Orion Studio Synergy Core Thunderbolt™ 3 and USB AD/DA Interface with 12 Discrete Mic Pres Quick Start Guide Warranty Card 1 In-Line DC Power supply 1 USB cable System Requirements Windows PC: Computer with Thunderbolt™ 3 and/or USB ports OS: Windows 10 x64 with the latest updates RAM: 4GB minimum (8GB or more recommended) CPU: Intel Core i3™ or AMD FX and higher Mac Model: Apple Mac 2012 or newer Thunderbolt™ 3 and/or USB ports OS X: macOS 10.12 (Sierra) and higher - Recommended macOS 10.14 (Mojave) Memory: (RAM)4GB minimum (8GB or more recommended) Additional Info: Internet connection required for product activation.

Designed around the breakthrough and patented Prism Sound Cleverclox clocking technology and featuring eight of the incredibly popular Prism Sound microphone preamplifiers, the new Prism Sound Atlas USB multitracking interface is the professional choice. Like all Prism Sound products, Atlas leads the way in terms of digital and analogue audio quality providing truly uncompromised and world-beating audio interface performance which can only be achieved from over 25 years of leading audio expertise. The Prism Sound Atlas is a USB multi-channel interface aimed at multi-tracking applications featuring a similar feature set to Titan (including the MDIO expansion slot for optional Pro Tools HDX, AES and potentially other digital cards), Atlas will be perfect in the project and multi-track studio for recording as well as for mixing, stereo and stem mastering. The Lyra, Titan and Atlas models feature a 20dB pad on each mic channel to accommodate high sound pressure level (SPL) applications such as drums or close miked guitars or brass. Our low noise, low distortion, extremely neutral mic pre design has gained a cult popularity amongst existing Prism Sound users and we are pleased to be able to offer a single box 8 channel solution for producers, artists and engineers demanding high-quality front-end with the added benefits of Prism Sound A/D and D/A conversion. Atlas mic preamps: Digitally controlled gain, fully balanced analogue signal path 55dB of gain in 1dB steps Incredibly transparent: 0.00016% THD (+10dB gain: -116db @ -0.1dBFS) 0.00040% THD+N (+10dB gain: -108dB @ -0.1dBFS) ±0.05 gain accuracy Switchable phantom power, 20dB pad, Overkiller soft limiter, phase, high-pass and RIAA filter on all mic inputs Mid and Side encoder on all mic input pairs Line input functionality Atlas in brief: 8x analogue I/O (switchable mic/line/instrument modes) 8x high-grade mic pres 2x high impedance, instrument inputs MDIO slot for optional digital interfaces (initially Pro Tools HDX and AES) Optical I/O (with ADAT, ADAT S/MUX or TOSLINK functionality) Stereo digital I/O (S/PDIF or AES) MIDI I/O Wordclock I/O 2x Headphone outputs (sharing a single stereo bus) Ethernet port (for future potential AVB and networking integration) USB 2.0 host 192kHz, 24bit Latest award-winning Prism Sound CleverClox clocking technology Mac OS X and Windows compatible

Overview The Lyra family of USB audio interfaces offers Prism Sound performance at its most affordable ever. They are based on the Orpheus audio path and clock circuitry, but in a smaller package for those who don't need eight channels of analogue I/O. There are two models Lyra 1 and Lyra 2. Lyra is based on an ARM Cortex processor design which offers class-compliant USB and the possibility for future Ethernet AVB interfacing, plus DSP and local mixing capacity beyond that of the present Orpheus platform. Signal path Analogue and digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, analogue and digital outputs and stereo headphone outputs can be played independently. No-compromise, full Prism Sound audio quality Lyra makes no compromises on audio quality. It is the result of years of research and development into digital audio conversion and extensive dialogue with Prism Sound's customers. The Lyra design brief was: Prism Sound quality at an even more accessible price point. Lyra has the same no-compromise analogue front and back ends as its brother Orpheus, with the same fully-balanced-throughout architecture and the same isolation barriers protecting the analogue from digital and computer interference. Standards compliant USB interface For Lyra, we have created a unit that is compatible with the widest range of computer hardware by using a USB2 interface. This is a UAC2 (USB Audio Class 2) interface supported natively in Mac, Linux and Android, and in Windows via a driver. Flexible Inputs and Outputs Our professional users wanted a highly integrated solution with stereo inputs serving as line, instrument or microphone inputs, and line outputs that could be used for stereo monitoring, mastering and/or foldback to performers. Lyra offers up to four monitoring outputs, digital inputs and outputs as stereo AES3 or S/PDIF or up to 8 channels of digital I/O on the ADAT optical format, plus stereo headphones. Digital Mixer Our customers also identified a need for a unit that could provide low latency foldback to performers, particularly when tracking and overdubbing. In answer to this need, Lyra has a built-in digital mixer that can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. Sample Rate Conversion and Noise Shaping The digital output is equipped with the four Prism Sound SNS noise-shaping curves and includes Prism Sound's renowned synchronous sample-rate conversion (Lyra 2), allowing outputs to various external devices at other sampling rates. The sample-rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, Lyra can also generate, say, a live 44.1kHz output from a 96kHz session. Since Lyra also includes the full suite of the famous Prism Sound 'SNS' noise shapers, you can also reduce to 16-bits for CD at mastering-house quality. Lyra 1 supports sample rate conversion on the input only. Unsurpassed Jitter Rejection In the 1990s Prism Sound pioneered testing of sampling and interface jitter and as a result our digital audio products deliver unsurpassed jitter rejection. Prism Sound digital audio products lock up fast and re-generate ultra-stable clock outputs. Another aspect of the traditional Prism Sound converter that is retained was the clocking - it's just as important as analogue-path considerations sound-wise. Lyra uses the same CleverClox dual digital phase-locked loop (DPLL) circuitry as Orpheus so whether it's providing a high-quality master clock for the rest of the room (Lyra 2 only), or dealing with a jittery clock from outside, Lyra is as rock-steady as its forbears. 2 A/D Analogue input channels select from: 1 x Microphone XLR input with phantom power and 20dB pad 1 x High-impedance front panel instrument input 2 x Balanced line inputs on TRS jack 2 D/A Analogue Line Output channels Headphone output with independent mix and volume control S/PDIF Digital in and out on TOSLINK optical Sample rate conversion on digital inputs

14,000 Watt 2-Channel Amplifier with NomadLink Network Monitoring and Dedicated Control for Touring Applications Built to Handle Extreme Low-Frequency Loads Effortlessly... Over the past decade, the tight and transparent sound of LAB GRUPPEN touring amplifiers has earned the praise of renowned FOH engineers and leading sound rental companies worldwide. FP 14000, the new flagship model of the FP+ Series, advances this tradition by further augmenting effective power output to effortlessly handle extreme low-frequency loads.The Regulated Switch Mode Power Supply (R.SMPS) has been updated to provide more sustained high power during extended bursts of low frequency content, while at the same time ensuring stable rail voltages even with wide fluctuations of external mains voltage. The forceful, high-current (83 A peak) output stage relies on LAB GRUPPEN’s patented Class TD topology, a breakthrough in amplifier technology that approaches the efficiency of Class D while retaining the sonic purity of proven Class B designs. A highly refined and efficient circuit layout further optimizes the interaction of R.SMPS and Class TD to produce the unprecedented power density of the FP 14000. To keep its cool under extreme demands, the FP 14000 relies on LAB GRUPPEN’s proprietary Intercooler. This innovation uses thousands of copper fins to multiply the exposed heatsink surface’s rapid heat dissipation. Also, all output devices are mounted transverse to the airflow for uniform cooling. As a result, the FP 14000 delivers LAB GRUPPEN’s’ trademark “all the power, all the time” with no degradation of sonic performance. To maximize headroom in any application, the FP 14000 offers adjustable input gain along with LAB GRUPPEN’s exclusive Voltage Peak Limiter (VPL). Adjustable on a per-channel basis, VPL optimizes the output for any load, from a single massive subwoofer to a series of HF compression drivers. The comprehensive warning and protection features on the FP 14000 safeguard output circuits and connected loads while also extending amplifier life and minimizing the chance of service interruptions Whether it’s a matter of faulty wiring, improper use, or extreme ambient temperatures, the FP 14000 gives clear indication of any problems. Automatic protection measures engage only at critical thresholds. Operating conditions are re-checked every six seconds and, if a fault is detected, normal operation is resumed when measurements return to nominal. The FP 14000 is shipped with a NomadLink network interface as standard. In conjunction with DeviceControl software, NomadLink allows comprehensive monitoring of amplifier status (including fault or warning indications) and also enables remote control of power on/off, channel mute, and channel solo functions. NomadLink is compatible with popular third-party control platforms; a separate NLB 60E NomadLink Bridge & Network Controller is required. Features 14,000 Watt, 2-channel amplifier with up to 7,000 Watts output per channel and NomadLink network for monitoring and control Selectable gain plus scalable Voltage Peak Limiter (VPL) and bridge-mode operation allow custom configuration for any application 2 x 7,000 Watts into 2 Ohms, 2 x 4,400 Watts into 4 Ohms, 2 x 2,350 Watts into 8 Ohms, 2 x 1,200 Watts into 16 Ohms Proven and reliable Class-TD output stage delivers Class-A/B audio quality with Class-D efficiency Regulated Switch Mode Power Supply (R.SMPS) ensures constant power output at all times Intuitive DeviceControl software monitors and controls key functions via the NomadLink network Comprehensive protection scheme including current, voltage, DC, temperature, short circuit and open load warnings Efficient Intercooler copper cooling system dissipates more heat for extended peak output 2 x balanced analog audio inputs and 2 x link outputs on Neutrik XLR* connectors Binding post output connectors Removable dust filter grilles for increased air circulation Rugged 2U rackmount chassis for durability in touring applications 10-Year Warranty Program* Designed and engineered in Sweden Specs General Number of amplifier channels: 2 Peak total output all channels driven: 14000 W Peak output voltage per channel: 195 V Max output current per channel: 90 A peak Max output power (all channels driven) 2 ohms: 7000 W 4 ohms: 4400 W 8 ohms: 2350 W 16 ohms: 1200 W Max output power bridged 2 ohms: Not recommended 1 4 ohms: 14000 W 8 ohms: 8800 W 16 ohms: 4700 W Performance THD 20 Hz - 20 kHz at 1 W: <0.1% THD at 1 kHz and 1 dB below clipping: <0.05% Signal to Noise Ratio: >112 dBA Channel separation (Crosstalk) at 1 kHz: >70 dB Input impedance: 20 kOhm Output impedance @ 100 Hz: 19 mOhm Gain, Sensitivity and Limiters VPL, selectable per ch: 195, 170, 140, 116, 100, 80, 66, 54 V VPL, when bridged 2: 390, 340, 280, 232, 200, 160, 132, 108 V Voltage Peak Limiter mode (per ch.): Hard / Soft Amplifier gain selectable (all channels) – rear-panel switches 2: 23, 26, 29, 32, 35, 38, 41, 44 dB Default gain: 38 dB Level adjustment (per channel): Front-panel potentiometer, 31 position detented from -inf to Connectors and Buttons Input connectors (per ch.): 3-pin XLR, electronically balanced Output connectors (per ch.): Binding post Output bridge mode: A+B - Ch. A is signal input source. A+B, C+D - Ch.’s A and C are input source NomadLink network: On board, 2 x RJ45 connectors IN and OUT Intelligent fans (on/off): Yes, depending on presence of output signal Power on/off and Remote enable on/off: Individual switches on front-panel Cooling: Dual fan, front to rear airflow, no filter required, temperature controlled speed Front-panel user interface Common: NomadLink Network; Power Average Limiter (PAL)4; Power on Per channel: Signal present / High-impedance; -10 dB and -4 dB output signal;Voltage Peak Limiter (VPL); Current Peak Limiter (CPL): Very High Frequency (VHF); High temperature; Fault; Mute Power Operating voltage, 230 V / 115 V nominal 3: 130-265 V / 65 -135 V Minimum power-up voltage, 230 V / 115 V: 171 V / 85 V Power Average Limiter (PAL) 4: Yes Soft-start / Inrush Current Draw: Yes / max. 5 A Mains connector: 230 V CE: 16 A, CEE7; 115 V ETL: 30 A Twist lock Dimensions Dimensions: W: 483 mm (19”), H: 88 mm (2 U), D: 396 mm (15.6”) Weight Weight: 12 kg (26.4 lbs) Finish Finish: Black painted steel chassis with black painted steel / aluminum front Approvals Approvals: CE, ANSI/UL 60065 (ETL), CSA C22.2 NO. 60065, FCC

AIRMATE-USB 8 channel (with 6 triple and 2 dual inputs) radio production console, Model 2012 6x Mic inputs, 12x stereo line inputs, 4x inserts on Mic input 1-4, 2x USB stereo send/return, 2x Telephone Hybrids. We designed the Airmate-USB to fulfil the requirements for a high grade low cost radio production mixer. Built around well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. that needs an internal Telephone Hybrid (2x) and USB connection to the PC (e.q. for streaming to the web). A heavy duty 19" rack mounted RF shielded chassis houses 8 vertical triple input modules giving flexibility rarely found in a mixer of this type. Six input channels with high quality balanced microphone inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors. Every Mic input has an insert for signal processors. And... every line level line B input can be converted into a phono (grammophone) channel by simply fitting an optional stereo R.I.A.A. equalized phono pre-amp. EXTENSIVE MASTER SECTION FOCUSED ON RADIO. This new Airmate-USB model has 6 balanced mic inputs (+48 phantom is standard) with insert, 12 stereo line inputs, 2x USB and 2x Telephone Hybrids. Channel 5 and 6 have Mic/Line and USB interface to transfer audio from and to your PC. Channel 7 and 8 have, apart from the stereo line input, also RJ-11 connectors to interface with a POT (Plain Old Telephone) line and a Telephone appliance to dial the number you want to reach. High quality built in Hybrids with R (trimmer on the surface) and C balance (switch on the surface) and direct Connection and Talkback buttons in the Hybrid channels makes a conversation with listeners very easy. With the Telco Send (level to the caller) and Telco Gain (level coming from the caller) all levels can be easy adjusted. But be always aware of the fact that the RC balance has to be adjusted once to create a clean telephone signal send and receive. The manual will give info about this pretty simple procedure. The front panel ON switch is wired in series with the built in mechanical fader start enabling selection of start either by fader or hard start via the ON switch. Faderstart generates in the Mic mode a Mic-on sig­nalling to switch on ON-Air lights. There is a 3 band Equalizer on channel 1-6. The stereo Aux send can be set pre or post fader. All mic inputs have low cut jumpers. A clean feed send is available for external Hybrids. NOW IS THE TIME TO INSTALL YOUR OWN PRODUCTION ROOM. The Airmate-USB has the usual master controls such as stereo master faders, stereo Aux send and return, monitor master with "follow phones" and a phones output with a split control function. There is a balance control to continuously adjust the volume between main output and stereo Cue signal. In addition, there is a special Radio On-air/production section featuring; Self­op switching to automatically cut control room level when the D.J. mic is active; a Clean feed output to also drive an external Telephone Hybrid for talk shows and interviews, if you need more Hybrid channels than the 2 built in ones; a special announcer output that normally follows main output but can be switched so that the main output, or any cue signal that is selected, can be heard when in the "follow phones" mode. A large Talkback switch activates the built-in electret talkback microphone for easy communication with the Clean-feed output, Aux output and/or Announcer output. The Airmate-USB is designed to be the focal point for local radio production work in the studio or at home. It’s compre­hensive, yet understandable features make it the ideal companion for rapid on-the-spot radio programmes. Small, reliable and 19" rack mounting ideal for production rooms. It can also double as an On-Air mixer or implemented in your own Internet Radio station. If your budget is tight, it never becomes obsolete as it can revert to production use, if, at a later date you fit in a larger On-Air mixer. TECHNICAL SPECIFICATIONS INPUTS Mic inputs: bal, 2kOhm, XLR. Phantom: 48 volt. Noise: - 122 dBr (A-weighted). Sensitivity: - 70dB min, OdB max. Insert: -10dBv in/out. Line inputs: unbal., 10kOhm, Cinch. Gain: range of 40dB. Phono inputs: unbal. 47kOhm, 5 mV. 2 Track return: - 10 dBV at 10kOhm. Aux returns: - 10 dBv at 10kOhm stereo USB Fully compliant with USB 2.0 playback and record mode. HID Functions: Volume/Mute TELEPHONE HYBRIDS RJ-11 connectors for phone line/dialler Mix Minus rejection @1kHz -60dB. OUTPUTS Left/Right: + 4 dBu bal. XLR. Monitor/Aux : + 4dBu unbal. on Cinch. Cleanfeed/Announcer: + 4dBu, Jacks. Tape outp: -10dBv, unbal. Cinch. Headphone: 16-600 Ohm, Jack. Announcer: 16-600 Ohm, Jack. EQUALIZER High: + / -12 dB at 12kHz shelving. Mid: + / -12dB at 1 kHz bell curve. Low: + / -12dB at 60 Hz bell curve. OVERALL Frequency response: 10 - 60.000Hz. Distortion: < 0.009% max at 1 kHz. Start switch: reed relay. Ledbars: 21 segment. Power Consumption: 25VA REMOTE RED LIGHT Stereo jack connector to intern relay (24volt/50mA max.) Center Contact = Tip Normally Closed = Shield Normally Open = Ring OVERALL Frequency response 10-60.000 Hz (+/- 0.5dB). Distortion: <0.009% max at 1 kHz. Dimensions: 483x356x95 mm ( 8HE ) . Weight: 9 kg. DIMENSIONS Left-Right 19" rack mountable. (482mm width) Front-Back: 356mm (8HE). Height: 95mm. Space below front panel: 20mm Weight: 11 kg. For Drop through mounting cut a hole of 450 x 330 mm (console height is 95mm)

Tehnička specifikacija * 28 Lexicon® studio-standard reverbs, delays, and modulation effects * Comprehensive collection of over 1200 finely crafted factory presets, including recognizable classics from Lexicon-s immense library of sounds * Lexicon-s flexible Room algorithm used to generate a vast array of room-related effects for music and film production * Multi-voice pitch shift to enhance vocals * Full system configuration and control with HiQnet™ System Architect™ * 44.1 to 96 kHz sample rate, 32-bit floating point processing * Two channels balanced analog I/O (XLR and 1/4") * Two channels XLR digital AES/EBU I/O * Ethernet connectivity and full MIDI control * External BNC Word Clock * Foot controller inputs make it easy to change presets and adjust parameters during live performances * High-resolution OLED display is easy to read in all light conditions Dodatne informacije Sound Extraordinary on Stage and in the studio With 4 decades of experience, Lexicon is regarded as the gold standard in digital audeo processing. Building on the legendary design of the venerable PCM81 and PCM91, and the breakthrough technology of the PCM96, the PCM92 represents the most advanced reverb and effects processor in its class. This powerhouse processor utilizes the latest DSP technology and the finest collection of classic Lexicon algorithms to offer the ultimate audeo processor for live sound and studio applications. The PCM92 delivers 28 mono and stereo reverbs, delays, and modulation effects, flexible routing configurations, and a comprehensive collection of over 1200 finely-crafted presets, including recognizable classics from our immense library of sounds. The PCM92 features the highly acclaimed Hall, Concert Hall and Random Hall reverb algorithms that are consistently used by live sound and recording engineers because of their exceptional ability to reproduce the musical ambience of large, wide, panoramically wonderful spaces. In fact, these classic Lexicon Hall algorithms have been used on more than 80% of all recorded music. Lexicon-s Room algorithm offers an amazing palette of natural sounding rooms with all the inherent realism of the actual space. Reflection patterns are easily selected, scaled, and equalized all while simultaneously passing audeo and the room size can be instantly changed or reversed. These capabilities provide a more flexible alternative to convolution type reverbs due to the precise control and manipulation that is only possible with a reverb synthesizer. One of the stunning advances in the PCM92 is the ability to create incredibly realistic small spaces. For both music and film production, it is often vital to have the ambience of a phone booth or very small drum room. In the PCM92 you can create them with a reality never heard before from any processor other than a Lexicon. In addition, the PCM92 delivers new capabilities to traditional reverbs by adding multimode filters in the audeo flow. This allows more exact shaping of the reverb while still maintaining that distinctive smooth, rich Lexicon Sound." Also, all reverbs have an Infinite" switch that allows the reverb to run forever, which is useful for creating unusual backgrounds and sound effects. Designed as a single rack space processor with two channels of balanced XLR or 1/4" analog I/O and two channels of XLR AES/EBU digital I/O, along with MIDI, Word Clock, and Ethernet, the PCM92 complements any large scale mixing console or integrates easily in your studio. Whether you require perfection on stage or the gold standard in the recording studio, the PCM92 delivers the versatility and smooth, rich sound that is unmistakably Lexicon. Easy Operation The PCM92 is as simple to operate as it is a pleasure to listen to. Just load a preset and the easy to use front panel keeps the most logical parameters within reach on the high-resolution display for adjustments and fine tuning. For in-depth sound design, you also have the capability to transition deeper into the algorithm and edit the full matrix of parameters. To supplement front panel navigation for live applications, the PCM92 can be configured and fully controlled remotely through Harman HiQnet System Architect™ from any PC. System Architect uses the Harman HiQnet protocol to configure and control the PCM92 seamlessly within a larger audeo system that may consist of Harman Professional brands such as JBL®, Crown®, dbx® and AKG®. Also, foot pedal controllers make it easy to change presets and adjust parameters during live performances. The PCM92 can be controlled by either a two button momentary foot switch or a variable position foot pedal. Routing Options (Analog, Digital) The PCM92 can be divided into four virtual machines which allow the signal from each input to be routed through a variety of algorithm combinations.

SPECIFIKACIJA: Powered/Unpowered:Powered LF Driver Size:18" Ferrite Magnet Subwoofer, 4" Voice Coil Power Rating:1000W Program, 500W RMS Class D Total Power:2000W Peak Inputs:1 x XLR (line) Outputs:1 x XLR (direct out) Data I/O:Locking Ethernet (Dante) Frequency Range:36Hz-144Hz Frequency Response:42Hz-150Hz (-3dB) Crossover Frequency:90Hz Maximum Peak SPL:135dB SPL Signal Processing:Worx Control Software, Compression, Limiting, Delay, Polarity Invert, 8-band EQ Mounting Options:M20 Pole Mount, Integrated Pin-loaded Hardware Power Source:PowerCon In/Out Enclosure Material:15mm Eucalyptus Plywood, Chemline Polyurea Finish Height:590 mm Width:529 mm Depth:610 cm Weight:47,6 kg

High-Performance 768 kHz 2-Channel ADAT.SPDIF.AES/EBU AD/DA converter RME’s anniversary reference AD/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry’s biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs. The 'Black Edition', limited to 500 units, has a black front plate and does not support rack mounting. RME's anniversary reference AD/DA converter is: A high-end AD/DA converter in professional studio quality A double headphone amplifier in true high-end quality A USB DAC like no other - the most versatile and capable one A high-end AD/DA frontend and headphone amp for iPad / iPhone A multi-format converter (AES, SPDIF, ADAT) with monitoring function A DSD record and playback solution An AD/DA frontend for audio measurement at up to 768 kHz sample rate As the most flexible converter available, the ADI-2 Pro offers balanced/unbalanced analog I/Os, double Extreme Power headphone outputs, SteadyClock FS, 4-stage hardware input and output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD record and Direct DSD playback (256 / 11.2 MHz) Analog or Digital - Options Galore The ADI-2 Pro FS includes two servo-balanced analog inputs on combo XLR / TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. This universal set of I/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio. The USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases. As a computer interface the ADI-2 Pro offers a stereo (2 in / 2 out) and a multichannel mode (6 in / 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance. Perfect Sound Capture and Reproduction Aiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact. The 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate. For easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME’s latest SteadyClock FS technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used. High Resolution Display Operation RME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD/DA filters, four discrete I/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages. Professional features such as M/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME’s famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display. Extreme Power Headphone Outputs There is no use in boasting about -110 dB THD, when such values are not available in real world operation - for example when a 32 ohm headphone is connected. RME's engineers therefore designed a new headphone output stage that brings the full performance of the premium DAC to the phone jack - even when using low impedance headphones. The Extreme Power design excels with 0.1 Ohm output impedance, a maximum output level of +22 dBu, and a maximum output power of 1.5 Watts - per channel! The two, fully separated stereo headphone outputs deliver the same 120 dBA SNR performance as the line outputs, for a full hum and noise free listening experience. THD is far below -100 dB (0.001%) even at full power, for the most clear and detailed soundstage possible. The Extreme Power design also incorporates current limiting, power surveillance, overload detection and DC protection. A low power mode and a high power mode are provided, for a perfect match from IEM up to planar. Having two stereo outputs, balanced headphone operation is possible. As RME's engineers were not satisfied with the existing techniques they developed a new Advanced Balanced mode for the ADI-2 Pro, that removes most limitations of standard balanced operation, and turns this mode into a a fully new experience. The exclusive Advanced Balanced mode delivers a balanced signal path from the DAC straight to the phone, with 3 dB gain in Signal to Noise Ratio, smoothed out deviations in components, optimized frequency response, super low output impedance (0.2 Ohms), and a maximum output level of +28 (twenty eight) dBu. The Reference Converter The ADI-2 Pro is RME’s reference AD/DA converter, USB DAC, USB interface and headphone amp. It’s numerous use cases make it an ideal choice in many fields, from the home user appreciating innovative solutions offering highest sound quality, the studio owner asking for reference AD/DA conversion, the Hi-Fi enthusiast demanding a flexible yet high-end headphone amplifier, up to the industry using the portable device as front-end for measurement systems. 20 years of RME - cumulated into a precious unit, that once heard and used one will never give away. Promised. Specs: Analog Inputs XLR • Input: XLR, servo-balanced • Input sensitivity switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS • Signal to Noise ratio (SNR) @ +13/19/24 dBu: 120.x dB RMS unweighted, 124.x dBA • Signal to Noise ratio (SNR) @ +4 dBu: 119 dB RMS unweighted, 123 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.5 kHz • Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.5 kHz • Frequency response @ 192 kHz, -1 dB: 2 Hz – 92.7 kHz • Frequency response @ 384 kHz, -1 dB: < 1 Hz – 124 kHz • Frequency response @ 768 kHz, -3 dB: < 1 Hz – 180 kHz • THD @ -1 dBFS: -116 dB, 0.00016 % • THD+N @ -1 dBFS: -112 dB, 0.00025 % • Channel separation: > 110 dB TRS As input XLR, but: • Input: 6.3 mm TRS jack, servo-balanced, fully compatible to TS and RCA Analog Outputs 1/2 XLR • Output level switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS • Signal to Noise ratio (SNR) @ +13/19/24 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +4 dBu: 115 dB RMS unweighted, 118 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz • Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.9 kHz • Frequency response @ 192 kHz, -1 dB: 0 Hz – 88 kHz • THD @ -1 dBFS: -112 dB, 0.00025 % • THD+N @ -1 dBFS: -110 dB, 0.00032 % • THD @ -3 dBFS: -116 dB, 0.00016 % • Channel separation: > 110 dB • Output impedance: 200 Ohm balanced, 100 Ohm unbalanced 1/2 TS (rear) As output XLR, but: • Output: 6.3 mm TS jack, unbalanced • Maximum output level: +19 dBu • Signal to Noise ratio (SNR) @ +13/19 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +4 dBu: 113 dB RMS unweighted, 117 dBA • Output impedance: 100 Ohm Phones 1/2 As Output 1/2 TS, but: • Output: 6.3 mm TRS jack, unbalanced, stereo • Output impedance: 0.1 Ohm • Signal to Noise ratio (SNR) @ +22 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +7 dBu: 114 dB RMS unweighted, 118 dBA • Output level at 0 dBFS, Ref Level +19 dBu, load 100 Ohm or up: +22 dBu (10 V) • Output level at 0 dBFS, Ref Level +4 dBu, load 8 Ohm or up: +7 dBu (1.73 V) • THD @ +18 dBu, 32 Ohm load, 1.2 Watt: -110 dB, 0.0003 % • THD+N @ + 18 dBu, 32 Ohm load: -107 dB, 0.00045 % • THD @ +14 dBu, 16 Ohm load, 0.94 Watt: -110 dB Output Phones 3/4 As Output Phones 1/2, but: • Output levels at 0 dBFS: Hi-Power off +7 dBu, Hi-Power On +22 dBu Balanced Phones mode As before, but: • Output levels at 0 dBFS: Hi-Power off +13 dBu (9.8 V), Hi-Power On +28 dBu (19.5 V) • Output impedance: 0.2 Ohm • Signal to Noise ratio (SNR) @ +28 dBu: 120 dB RMS unweighted, 123 dBA • Signal to Noise ratio (SNR) @ +13 dBu: 118.4 dB RMS unweighted, 122 dBA • Output level at 0 dBFS, Hi-Power On, load 150 Ohm or up: +28 dBu (19.5 V) • Output level at 0 dBFS, Hi-Power Off, load 8 Ohm or up: +13 dBu (9.8 V) • Max power @ 0.001% THD: 2.9 W per channel Digital Inputs General • Lock Range: 28 kHz – 200 kHz • Jitter suppression: > 50 dB (2.4 kHz) AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • SPDIF compatible (IEC 60958) SPDIF coaxial • 1 x RCA, transformer-balanced, according to IEC 60958 • AES/EBU compatible (AES3-1992) SPDIF optical • 1 x optical, according to IEC 60958 • ADAT compatible Digital Outputs AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • Single Wire mode, sample rate 44 kHz up to 192 kHz SPDIF coaxial • 1 x RCA, according to IEC 60958 • Single Wire mode, sample rate 44 kHz up to 192 kHz SPDIF optical • 1 x optical, according to IEC 60958 • Sample rate 44 kHz up to 192 kHz Digital • Clocks: Internal, AES In, SPDIF In, ADAT In • Jitter suppression of external clocks: > 50 dB (2.4 kHz) • Supported sample rates for external clocks: 32 kHz up to 192 kHz • Internal Clocks: 44.1 kHz up to 768 kHz General • Included power supply: external switching PSU, 100 - 240 V AC, 2 A, 24 Watts • Standby power consumption: 50 mW • Idle power consumption: 10 Watts, Max. power consumption: 22 Watts • Idle current at 12 V: 850 mA (10 Watts) • Dimensions (WxHxD): 215 x 44 x 130 mm (8.5" x 1.73" x 5.1")

True RMS Voltage Regulation True RMS Voltage Regulation delivers stable voltage output (selectable between 230V and 240V) to protect equipment from problems caused by AC lne voltage irregularities. Surge Protection Furman’s exclusive SMP technology provides the highest level of surge & spike protection available. Noise Filtration LiFT offers AC power filtering to ensure clean power for unequaled audio & video clarity. Voltage Protection Advanced EVS circuitry detects dangerous voltage irregularities and safely powers down itself and connected equipment in unsafe conditions. Diagnostic Lights LED status indicators warn you when voltage is outside of nominal range or when protection has been compromised. Voltmeter / Ammeter Large LED voltmeter/ammeter displays incoming voltage and output current draw . Isolated Banks Isolated outlet banks minimize inter-component interference and noise contamination. USB Charger Front panel USB convenience outlets allows you to charge most media devices or power a USB lamp. 30 Amp Rating 30 Amp rating featuring a high inrush thermal circuit breaker for added protection. 11 Total Outlets 11 total outlets (nine rear panel outlets and two front panel convenience outlet).

The Power of RAVEN in a Contemporary Workstation The Slate RAVEN MTi2 control surface has changed the way producers and engineers interact with their DAWs. And if you've been waiting to take the plunge yourself, now is the perfect time to act and save big. This Slate RAVEN MTi CORE Station includes two MTi2s in a matching workstation desk — resulting in massive cost savings to you. Your RAVEN setup will now have the customer appeal of an analog console, all with a posture-favoring ergonomic layout and the contemporary look of modern furniture. Get the most out of your MTi2s and save big when you bundle them with the Slate RAVEN MTi CORE Station. The Slate Control is not included with the CORE Station, however, it can be added a la carte to any CORE Station purchase. Get hands-on with your DAW with the RAVEN MTi2 The Slate Media Technology RAVEN MTi2 is a world-class control surface. Achieve complete control over long-throw faders, pans, sends, and more with its 27" multi-touch display. Tweak plug-ins with your fingers, just like real hardware, without complex toggling or mapping controls. Access your parameters any way you'd like with the customizable toolbar. And shave hours off sessions by utilizing the Batch Command System to execute sophisticated macros. While large-format analog consoles are great for warming up digital mixes, they weren't designed for modern production workflows, which can leave you feeling creatively disconnected. Take direct, hands-on control of your DAW with the Slate Media Technology RAVEN MTi2 and experience your music on a personal, intimate level. The Slate RAVEN MTi2 requires an iLok (not included) for authorization. Includes a license for 1 DAW. Includes a custom-fit desk for your RAVENs This streamlined workstation desk is custom fit for a pair of MTi2 control surfaces. There's also plenty of room for your keyboard and mouse, while a cutout places your Slate Control (sold separately) conveniently at your fingertips. Producers and engineers know that vibe is a key element in any creative space. Add a sleek, modern sense of elegance to your studio with the Slate Media Technology RAVEN MTi CORE Station. Features: Includes 2 RAVEN MTi2s and a two-space workstation desk Ergonomic layout saves your back for marathon sessions Modernizes the look of your mix space Adds customer wow factor 27" touchscreen employs leading-edge technology that looks great at any angle Comfortable, slick, and smooth surface provides direct hands-on control of your DAW's functions FADERS 3.0 software provides 8 times the resolution of a 100mm fader for ultra-fine tweaking RAVEN Toolbar puts your DAW's controls exactly where you want them RAVEN Batch Command System executes up to a thousand key commands and mouse clicks with one programmable command Supports Ableton Live, Cubase/Nuendo, Digital Performer, Logic Pro X, Pro Tools 10-12, and Studio One v3 on Mac Supports Pro Tools 10-12 on PC GESTURES enables classic multi-touch gestures to control important elements of your DAW Slate Remote for iOS provides remote access to your custom Batch Commands

Tehnička specifikacija - RDMX - Remote DMX Addressing - USITT DMX-512 (16-bit resoultion) - 16 DMX Channels - On board menu settings - 3-pin & 5-pin XLR serial input/output - High output luminous-parabolic dichroic reflector - Beam Angle 22-degrees - 10 Dichroic filters, 7 color, UV, CTO, CTB + White - CMY color mixing - 2 gobo wheels, 14 total gobos, 11 metal, 3 glass - 7 interchangeable, indexable, rotating gobos plus open - 7 interchangeable, static gobos plus open - Metal Gobo Size: 26.9mm outside diameter, 23mm image diameter - Glass Gobo Size: 26.7mm outside diameter, 23mm image diameter - Gobo Overlay (Gobo Morphing) - Variable speed strobe effect (1-13) flashes per second - Pre-set variable/random strobe and dimming pulse effect - Dual Flag mechanical dimming system - Beam narrow to wide (5% - 100%) - Variable speed iris macros - Small to large and large to small - Hard edge to soft edge frost - Effect wheel with 3-facet rotating/Indexing Prism & 3D Glass Prism - Both directions at variable speeds - Macro-function for rotating gobos/rotating prisim combinations - Motor driven focus from near to far - Philips +éÔÇťFast Fit MSR300 (300W, 8500±K, 3000 HRS) - Automatic Pan /Tilt position correction - Pan/Tilt Lock - Maximum PAN-movement 630± in 2.0 secs (default) or 540± / 16 bit - Maximum TILT-movement 265± in 1.5 secs / 16 bit - Vector Mode with blackout - Electronic Power Supply Multi-voltage: AC 98V ~ 240V 50/60Hz - Dimensions (LxWxH): 56x356x572mm - Weight: 23.5 kg

AirMax 19" 12 Frame loaded with 8 Triple ulaza + 2 Hybrid modula, master + 1xMic I/O, 1xLine I/O jack, 1xLine I/O XLR. Posebno popularna miks konzola za radeo stanice. * Triple input On-Air module * Triple input module * Triple Pro Input module (4 band EQ) * Digital Module (stereo in and out) * Hybrid module (including telephone fork) * Group, Module (group + VCA master) * Studio module (2x phones and monitor) * Master module TEN STEREO BUSSES. * Program (stereo) * Sub (stereo) * Aux-1 (stereo) * Aux-2 (stereo) * Group 1-4 (4x stereo) * Comm. (stereo comm. buss) * Cue (stereo) SOFTWARE CONTROL OVER * Input selection * +48volt * Low-cut * Mono/stereo * Insert * Buss routing (Program/Sub) * EQ on/off * 6dB or 12 dB EQ level selectable * 4 VCA groups * Auto communication by the comm. bus * Zero or +10dB fader gain * Extended GPIO’s per module * Total console communication over USB * Personal set up and security http://www.d-r.nl/

High-end Clocking, the Next Generation Antelope Audio defined high-end clocking with their original 10M Atomic Clock and Trinity Master Clock. Now, the company's next-generation 10MX Atomic Master Clock combines the best attributes of both, in a svelte 1U chassis. Boasting even better sonic imaging and ergonomics, as well as sampling rate support up to 768kHz, the 10MX features a newly designed, smaller atomic oscillator and an updated power supply that make it possible to shrink the form factor and reduce the weight of the unit - excellent news if you work in multiple studios or on the road. And you'll also appreciate the new software control panel that gives you remote control over clock rates and display brightness. Antelope Audio 10MX Atomic Master Clock at a Glance: Antelope's no-compromise clocking Clock up to ten devices simultaneously Ideal for both studio and stage Antelope's no-compromise clocking In pro audio, Antelope Audio is considered the gold standard when it comes to high-end clocking. The 10MX Atomic Master Clock builds on the clocking prowess of the original 10M Atomic Clock and Trinity Master Clock by incorporating proven technologies and cutting-edge industrial design to deliver a no-compromise product that gives you the atomic precision of the 10M, along with the sophisticated Acoustically Focused Clocking (AFC) algorithms of the Trinity - all in a gorgeous-looking (and quite portable) 1U package. Clock up to ten devices simultaneously The Antelope Audio 10MX is fitted with multiple atomic outputs, which let you simultaneously clock up to ten devices over 10MHz. It also gives you four BNC word clock outputs that support an astonishing sample rate of up to 768kHz. (Four additional word clock outputs are available via AES and S/PDIF.) You can access all the features of the 10MX directly on its front panel or via the included Mac/Windows software control panel. Ideal for both studio and stage We knows that as digital gear continues to proliferate in your audio signal chain, high-quality clocking has never been more essential. The Antelope 10MX is ideally suited for state-of-the-art recording, mixing, and mastering studios, while its trim size and weight also make it perfect for a variety of live sound applications where exceptional clarity and ultra-stable, 3-dimensional imaging are required. The 10MX is built to exacting tolerances with top-shelf components, to deliver the most stable clocking solution available. And because the 10MX's smaller Rubidium oscillator is extremely efficient, you enjoy the benefits of lower power consumption and commensurate heat generation. Antelope Audio 10MX Atomic Master Clock Features: The best of the 10M Atomic Clock and Trinity Master Clock, in a compact 1U chassis New smaller atomic oscillator Improved sonic stability over 10M 10 x 10MHz outputs on BNC connectors 4 standard word clock outputs on BNC connectors S/PDIF and AES outputs (2 each) Onboard clock rates up to 768KHz Included Mac/Windows software control panel The Antelope Audio 10MX: serious clocking for studio and stage!

The Evolution of the Digital Mixer. StudioLive® 32S: 32-channel digital mixer and USB audio interface The small-format mixer with one-to-one control. The StudioLive 32S is a powerful 32-channel mixer that provides the ultimate mixing experience, packing large format features into a small format chassis. Powered by the dual-core PreSonus FLEX DSP Engine, the StudioLive 32S digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems, and Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording, 128 channels of AVB network audio I/O, flexible routing options, and studio-grade audio quality, the StudioLive 32S delivers a fast and intuitive, surface-driven workflow for total control. Spend less time menu-diving and more time mixing—hands-on. The scalable digital mixer. The StudioLive 32S digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required. Network with a StudioLive Series III rack mixer and add a dedicated monitor mixer. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network, thanks to the flexibility of Digital Patching onboard your StudioLive 32S digital mixer and in UC Surface remote mixer software. The best digital mixer for recording - with or without a computer. PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32S digital mixer or on your computer running macOS® or Windows®. Record any combination of channels, FlexMixes, and the Main stereo mix via USB, to an SD Card, or booth for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One® with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software make recording as fast, simple, and hassle-free so you can focus on mixing the show. Superior sound. We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32S digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32S mic preamps to be remote-controlled with UC Surface software or Studio One, and when you load a StudioLive 32S mixer scene, the mic preamp trim values can also be recalled along with the other settings. Vintage studio processors onboard. The dynamic Fat Channel on the StudioLive 32S digital mixer puts critical EQ and Dynamics functions beneath your fingertips while giving you fast access to every parameter. Fat Channel plug-ins can be inserted on every input channel and output bus. You can enjoy extensive, studio-style processing whether recording in the studio or running shows on the road. The StudioLive 32S includes the ten Classic Fat Channel plug-in models pre-installed. But you also get Fat Channel Collection Vol. 1... which includes 15 additional vintage-modeled EQs and Compressors—a $499 (USD) value if purchased separately. Flexible mixing without limits. PreSonus designed the StudioLive 32S digital mixer to adapt with your changing needs, whether you’re mixing in the studio or on a busy festival stage. The 16 FlexMixes on the StudioLive 32S digital mixer can be individually configured to function as an aux bus, a subgroup, or a matrix mix. Four designated effects buses provide a total of 24 mix buses plus an independent solo bus and the main mix. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. No other digital mixer provides this much flexibility. Reconfigure your mix without unplugging a cable. StudioLive Series III digital mixers incorporate the concept of an analog patchbay and digitize it. This lets you customize your mix configuration by patching any analog input or digital return (AVB, USB, or SD Card) to any channel you like. This flexible feature also allows you to freely route audio to your AVB network and record any of the inputs and FlexMixes on the 64 USB sends. Digital Patching also makes it easy to quickly route to and source from your AVB audio network when using the StudioLive 32S as part of a complete networked audio system. And with a fader for all 32 channels, plus 8 additional faders to manage your bus outputs, you always have total control of your entire mix. The ultimate USB audio interface and control surface. With 128 (64x64) channels of recording over USB, the StudioLive 32S is not just the best digital mixer for live sound recording; it’s the best digital mixer for the studio, as well. Each channel can independently access its analog input or its dedicated digital return from your computer. While the StudioLive 32S is compatible with any DAW, Studio One and the StudioLive 32S are the perfect pair to elevate your studio recording environment. Remote control your StudioLive 32S digital mixer’s recallable XMAX mic preamps and Fat Channel processing from Studio One Artist. Press the DAW button on your StudioLive 32S digital mixer and use the 33 touch-sensitive motorized faders to control your Studio One mix. Seamless integration and thoughtful bidirectional control with Studio One make the StudioLive 32S the best mixing console for the modern recording studio. World-class recording software included. PreSonus Studio One® Artist DAW is included with the StudioLive 32S. Studio One seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can spend your precious time creating music instead of wondering what to click next. Remote control your digital mixer from anywhere… on any device. PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows, iPad® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 32S digital mixer, remote controlling your mix from anywhere just got easier. A complete networked solution. The StudioLive 32S is the flexible cornerstone for a custom AVB network that is easily expanded and quickly configured. Designed to complement each other, StudioLive Series III networked products form an ecosystem that is at the forefront of AVB networking technology. Route audio to EarMix 16M personal monitor mixers. Connect NSB-series stage boxes and StudioLive Series III rack mixers to add remote inputs and outputs. With powerful plug-in processing, a fader for every channel, and integrated networking onboard, the StudioLive 32S delivers an unmatched mixing experience that combines digital power with analog ease of use. Three year warranty—for all Series III and III S mixers When we introduced the StudioLive Series III S mixers, we upgraded all Series III mixer warranty programs to three years as well, including both console and rack mixers. Even if you bought yours two and a half years ago, you're covered. We take our build quality seriously, and if anything goes wrong with your mixer in your first three years of ownership (assuming you don't throw it in a swamp or anything like that) we'll repair it. Includes Studio Magic Plug-in Suite. This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes. Features Powered by the new dual-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class 40 input-channel digital mixer with 33 touch-sensitive motorized faders 32 local digitally controlled XMAX mic/line inputs 2 balanced stereo aux inputs 1 stereo tape input (RCA, Bluetooth™ connectivity, USB, AVB or SD) 4 FLEX FX returns 1 Talkback 26 mix buses 16 FlexMixes (Aux, Subgroup, Matrix) 4 dedicated FLEX FX buses 4 dedicated subgroups Stereo Main bus 286 simultaneous processors HPF Gate / Expander Compressor with Fat Channel plug-in models 4-band/6-band parametric EQ with Fat Channel plug-in models Limiter 31-band Graphic EQ 4 FLEX FX slots featuring legendary classic reverb emulations and delays State Space-Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays with 4 dedicated effects buses 24 DCAs to control groups of channels 128-channel (64x64) recording over USB Onboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode AVB Networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more User Profiles for managing multiple operators with custom permissions Per channel digital patching from any analog, AVB, USB, or SD Card source DAW Control Advanced Studio One control integration MCU emulation mode optimized for Logic HUI emulation mode optimized for ProTools Remote control every mix function from your computer, iPad, or Android tablet with UC Surface (included) Put your musicians’ monitor mix under their fingers with QMix-UC (included) for iOS or Android Capture 3.0 multitrack software included Automated Virtual Soundcheck Store StudioLive mix scenes with your audio Advanced Studio One integration (Studio One Artist Included) XMAX mic preamp control from Studio One Control Fat Channel parameters from Studio One mixing console Technical Specifications Microphone Preamplifier Input Type - XLR Female, balanced Frequency Response to Main Output (at unity gain) - 20-20 kHz, ±0.5 dBu Input Impedance - 1 k? THD to Main Output - <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) - 94 dB Common Mode Rejection Ratio (1 kHz at unity gain) - 65 dB Gain Control Range (±1 dB) - 0 dB to +60 dB Maximum Input Level (unity gain) - +12 dBu Phantom Power (±2 VDC) - 48 VDC, switchable per channel Line Inputs Type - 1” TRS Female, balanced Frequency Response to Main Output (at unity gain) - 20-20 kHz, ±0.5 dBu Input Impedance - 10 k? THD to Main Output - <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) - 94 dB Maximum Input Level - +18 dBu Tape Inputs Type - RCA Female, unbalanced (stereo pair) Maximum Input Level - +12 dBu, ±0.5 dBu XLR Outputs Type - XLR Male, balanced Maximum Output Level - +24 dBu, ±0.5 dBu Output Impedance - 100? Line Outputs Type - 1” TRS Female, balanced Maximum Output Level - +18 dBu, ±0.5 dBu Output Impedance - 100? Tape Outputs Type - RCA Female, unbalanced (stereo pair) Maximum Output Level - +18 dBu, ±0.5 dBu Output Impedance - 100? Headphone Output Type - 1” TRS Female, active stereo Maximum Output - 100 mW/ch. @ 60? load Frequency Response - 20 Hz – 20 kHz (± 0.5 dB) THD+N - 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd S/N Ratio - 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd System Crosstalk Input to Output - -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) Adjacent Channels - -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) Digital Audio and Control ADC Dynamic Range - 115 dB (A-wtd, 48 kHz) DAC Dynamic Range - 115 dB (A-wtd, 48 kHz) USB Recording Port - USB 2.0, Type-B Bluetooth™ Input - 4.1, stereo AES/EBU Output - XLR Male Network Control Port - RJ-45 AVB Audio Network Port - Locking XLR Ethernet Internal Processing - 32-bit, ?oating point Sampling Rate - 48 kHz, 44.1 kHz A/D/A Bit Depth - 24 Reference Level for 0 dBFS - +18 dBu Total System Latency - 1.9 ms (local routing, analog in-analog out, all processing active) Clock Jitter - <20 ps RMS (20 Hz - 20 kHz) Jitter Attenuation - >60 dB (1 ns in, 1 ps out) Power / Environmental Connector - IEC Input-Voltage Range - 90 to 230 VAC (±10%) Power Requirements (continuous) - 85W Recommended Ambient Operating Temperature - 0° to 40° Celsius / 32° to 104° Fahrenheit Physical Height - 6.51” (165.36 mm) Width - 32.37” (822.21 mm) Depth - 22.97” (583.48 mm) Weight - 37.2 lbs. (16.9 kg) Computer system requirements: Below are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®. Mac macOS® 10.11 or higher (64-bit only) Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended) 4 GB RAM (8 GB or more recommended) Windows Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64 Intel Core 2 Duo (Intel Core i3 or faster recommended) 4 GB RAM (8 GB or more recommended) Mac and Windows Systems USB 2.0 port Internet connection Internal or external 7200 RPM storage drive highly recommended 30 GB hard disk space Monitor with 1366x768 resolution iOS iOS 10 or later iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation) Android Android™ 5.0 (Lollipop) or later Android smartphone (QMix-UC) Android tablet (8-inch) with 1024x768 resolution (UC Surface) Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer. Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.

L SUB 4000 A is the flexible new 18" subwoofer from HK Audio. Compatible with all LINEAR 5 fullrange speakers and mid/high units, its powerful low end — ranging from 30 to 100 Hertz — is totally and powerfully impressive. L SUB 4000 A can also serve as a sub-low add-on to LINEAR SUB 2000 to beef up the bottom end in the range of 30 to 70 Hertz. Powerful and Versatile 18' subwoofer • Birch Multiplex 15/18 mm, 9/13 ply • 1200 W • 31 Hz – X-Over • 137 dB half space • 1x 18' (4 ohms) with 4' Voice Coil • Compatible with all LINEAR 5 fullrange speakers and mid/high units • Sub-low add-on to LINEAR SUB 2000

Preliminary SL3000 is designed as part of KV2 Audeos SL Series Optimised for use with the SL4.15 loudspeaker system Tri-amplified stereo electronic control pack and features Super Analog components throughout Offers a true musical solution to the music enjoyment on a grand scale Features: The SL3000 Ampli er is a three-way, active control and ampli cation system speci cally designed for the KV2 Audeo SL Series modular loudspeaker systems. It houses all signal processing and ampli cation as well as providing control for two di erent external subwoofer cabinet con gurations to run further subwoofer cabinets if needed. External subwoofer is powered by the external subwoofer ampli er. The ampli er compliment inside the SL3000 Ampli er is as follows: High Frequency - 100-watt, Class AB, push pull, low intermodulation design Mid Frequency - 200-watt, Class AB, push pull, low intermodulation design Bass - 1000-watt, high-e ciency, current-enhancing switch mode technology with Linear Active Filter Applications: High quality installations High quality live music performance Very high quality fixed installations